She meets and befriends a larger version of the same kind of spirit ( ō or " large " totoro ), which identifies itself by a series of roars that she interprets as " Totoro " ( in the original Japanese dub, this stems from Mei's mispronunciation of the word for " troll ").

She identifies as African American, is married and has a family ; she is a retired Los Angeles Unified School District elementary school teacher with a master's degree.

She states that the reason for this, apart from the many differences in the text, and some extremely sloppy writing in A Shrew, is " because it identifies the acting company with an audience of lowlifes like Sly.

" She also identifies the diamond-marking of Tuchulcha's serpents as identifying the poisonous adder ( Vipera berus berus ).

She also explores research that identifies mood disorders in such famous writers and artists as Ernest Hemingway ( who shot himself after electroconvulsive treatment ), Virginia Woolf ( who drowned herself when she felt a depressive episode coming on ), composer Robert Schumann ( who died in a mental institution ), and even the famed visual artist Michelangelo.

She appreciates the witty sarcasm and adventurousness of her friend Doreen, but also identifies with the piety of Betsy ( dubbed " Pollyanna Cowgirl ") and a " goody-goody " sorority girl who always does the right thing.

Summer and Smoke is set in Glorious Hill, Mississippi, from the " turn of the century through 1916 ," and centers on a high-strung, unmarried minister's daughter, Alma Winemiller, and the spiritual / sexual romance that nearly blossoms between her and the wild, undisciplined young doctor who grew up next door, John Buchanan, Jr. She, ineffably refined, identifies with the gothic cathedral, " reaching up to something beyond attainment "; her name, as Williams makes clear during the play, means " soul " in Spanish ; whereas Buchanan, doctor and sensualist, defies her with the soulless anatomy chart.

She identifies herself as Kira ( Olivia Newton-John ), but she will not tell him anything else about herself.

She identifies the " politics of disgust " closely with Lord Devlin and his famous opposition to the Wolfenden report that recommended decriminalizing private consensual homosexual acts on the basis that those things would " disgust the average man ".

She also identifies the ' wisdom of repugnance ' as advocated by Leon Kass as another " politics of disgust " school of thought as it claims that disgust " in crucial cases ... repugnance is the emotional expression of deep wisdom, beyond reason's power fully to articulate it ".

Feminist literary theory identifies Ayesha's death in the fire as a punishment for her transgression of Victorian gender boundaries. Feminist literary historians have tended to define the figure of She as a literary manifestation of male alarm over the " learned and crusading new woman ".

She identifies herself as the leader of the Eymorgs, the apparent females of the Morg.

But people who explain intentional behavior have several choices to make, and the theory identifies the psychological antecedents and consequences of these choices: ( a ) giving either reason explanations or " causal history of reason ( CHR ) explanations " ( which refer to background factors such as culture, personality, or context — causal factors that brought about the agent's reasons but were not themselves reasons to act ); ( b ) giving either desire reasons or belief reasons ; and ( c ) linguistically marking a belief reason with its mental state verb ( e. g., " She thought that ..."; " He assumes that ...").

She identifies his captors as the Streib ( a possible allusion to author / abductee Whitley Strieber ), a reclusive but advanced alien race who kidnap members of other races and experiment with them to determine their strengths and weaknesses.

She guards her privacy in a manner that she identifies with Bob Dylan, whom she admires.

She is next shown in hospital, with her father and Reza watching her ; whereupon an out-of-body version of Zoë identifies this Reza as an impostor.

She identifies as an aromantic asexual and is an atheist.

She identifies Polly Green, Evelina's former wetnurse, mother of a girl 6 weeks older than Evelina, as the perpetrator of the fraud.

She also identifies as a Democrat.

She identifies herself as Miri ( Kim Darby ), and when asked why she ran away from them, she tells them because they are " grups " ( a contraction of " grown ups "), and the grups killed and hurt the children before they died.

She senses that she must have physical contact with the soil which identifies her with Earth.

She was married until her early thirties, but now identifies as gay.

She identifies a voice as Fat Tony's.

She identifies as a queer feminist.

She identifies herself as bisexual and as Chinese American.

She was more excited than frightened at the prospect of having her first child in a foreign land.

She describes, first, the imaginary reaction of a foreigner puzzled by this `` unseasonable exultation '' ; ;

She had been one of the first to collect her wits.

She felt the look and looked back because she could not help it, seeing that he was neither as old nor as thick as she had at first believed.

She had felt that her arm wanted to go up in the first trial, but had consciously prevented it from so doing.

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She could always predict what Stanley was going to do, ever since she first met him.

She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.

She no longer wanted anything about him to remind her of the circumstances of their meeting that first night in Parioli.

She could have found out my first name, of course -- that wouldn't be difficult.

" She first met Poirot in the story Cards on the Table and has been bothering him ever since.

Murder, She Said ( 1961, directed by George Pollock ) was the first of four British MGM productions starring Rutherford.

She is one of a few characters who played a major part in the original cause of the Trojan War itself: not only did she offer Helen of Troy to Paris, but the abduction was accomplished when Paris, seeing Helen for the first time, was inflamed with desire to have her — which is Aphrodite's realm.

She then committed suicide by stabbing herself with the same sword she gave Aeneas when they first met.

She became Tiberius's first wife and was the mother of his natural son Drusus Julius Caesar.

She was the first Roman woman of the Roman Empire to have traveled with her husband to Roman military campaigns ; to support and live with the Roman Legions.

She was only the third Roman woman ( Livia Drusilla and Antonia Minor received this title ) and only the second living Roman woman ( the first being Antonia ) to receive this title.

She is the first of Jack the Ripper's confirmed victims.

She proposes that Kant's first two premises only entail that we must try to achieve the perfect good, not that it is actually attainable.

She was first elected to the House of Commons in the 1987 general election as member for the constituency of Maidstone ( which became Maidstone and The Weald in 1997 ).

She first supported Michael Ancram, who was eliminated in the first round, and then Kenneth Clarke, who lost in the final round.

She has uncovered the politics behind the New York City Greenmarket, and was among the first to publish a long-form article in a major American newspaper about Ferran Adria of El Bulli.

She was one of the first women to explore fully the realm of erotic writing, and certainly the first prominent woman in the modern West to write erotica.