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She and left
She left the next day for her teaching job at Princeton, Illinois.
She had nothing left but her duty to his land and his son.
She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.
She stayed too late, and when she left, it was dark and time to go home and cook supper for her husband.
She was glad the fat man had left.
She wouldn't be going to get that for an hour or so after Katya had left, go do the daily shopping.
She had left the party early, pleading a headache.
She said she didn't know a thing -- Tim had left the house at six in the morning, as usual.
She found herself wishing an old wish, that she had told Doaty she was running away, that she had left something more behind her than the loving, sorry note and her best garnet pin.
She sighed a dirty word and left.
Just before Myra left -- She was saying good-by to Cathy, and she didn't realize I was near ''.
She must have seen the ring on my left hand.
She had a funny little scar on her stomach, on the left side.
She says that at her age there is nothing much left to fear.
She returned home at Christmas, 1839, joining Charlotte and Emily, who had left their positions, and Branwell.
She left Bill in Hope with grandparents Eldridge and Edith Cassidy, who owned and ran a small grocery store.
She left nearly all her property to the National Trust, including over of land, sixteen farms, cottages and herds of cattle and Herdwick sheep.
It was restored to his widow, at the pleading of the poet André Chénier ; " She is old ", he urged, " she is seventy-six, and her husband has left her no heritage save his illustrious name, his virtues and his poverty.
She never left Haworth for more than a few weeks at a time as she did not want to leave her ageing father.
She admitted in an interview given that year that the fairies might have been " figments of my imagination ", but left open the possibility she believed that she had somehow managed to photograph her thoughts.
She left for Paris with cousin May Whitlock, forsaking several suitors and overcoming the objections of her family.
She left college during The Great Depression to work as a secretary at the Fletcher Trust Company in Indianapolis.
She eventually left the bench in 1998 and devoted herself full-time to her website and books in September 1999.
She somersaulted and plunged back into the lake, nose first and biased towards the left side.

She and production
She attended the Professional Children's School, in New York City, and made her professional theatre debut in a 1966 production of The Prime of Miss Jean Brodie, starring Tammy Grimes.
She also appeared in the NBC television live action production of The Year Without a Santa Claus in December 2006.
She then reprised the role in the Broadway production from January 10 through November 12, 2006.
She again played the role for the Los Angeles production which began performances on February 7, 2007.
She then transferred with the L. A. company, to play the role once again, in the San Francisco production which began performances January 27, 2009.
She is a reluctant and sometimes traitorous party to the office's determination to keep Mike away from production meetings.
She has also “ been responsible for the production of some twenty-two books … and at least five hundred articles .” “ Rosemary Ruether has written on the question of Christian credibility, with particular attention to ecclesiology and its engagement with church-world conflicts ; Jewish-Christian relations …; politics and religion in America ; and Feminism.
She also played the lead role in the first production in English of Federico Garcia Lorca's The House of Bernarda Alba, at the ANTA Playhouse in New York in 1951, and a BBC production of Lorca's Blood wedding ( Bodas de sangre ), broadcast on June 2, 1959.
She negotiated with Louis B. Mayer and on 8 December, Walt Disney brought her on a three-hour tour showing her the on-going production of Fantasia.
She subsequently acted in many melodramas with the Valentine Company in Toronto, capped by the starring role of Little Eva in their production of Uncle Tom's Cabin, the most popular play of the 19th century.
She played Lady Macbeth on Broadway opposite Maurice Evans in a production directed by Margaret Webster that ran for 131 performances in 1941, the longest run of the play in Broadway history.
She remained directly involved with Maule Air's factory production until her death.
She was portrayed by Helen Hayes in the London production of the play Anastasia and in the 1956 film based on the play.
She appeared in previews of the Neil Simon play Rose's Dilemma at the off-Broadway Manhattan Theatre Club in December 2003 but quit the production after receiving a critical letter from Simon instructing her to " learn your lines or get out of my play ".
She also performed in the production of Warrior, a musical about the American-Indian athlete Jim Thorpe, where CurtainUp. com described her as " outstanding.
She worked only two weeks on the film, early and late during the production that went from January to April 1997 while Sam Elliott was only on set for two days and did many takes of his final speech.
She and Olivier mounted a stage production of Romeo and Juliet for Broadway.
She became a professional actress in 1982 after graduating from drama school and moved to New York City in 1984 where she appeared in the Broadway production of The Real Thing.
She moved to New York City in 1984 and appeared in the Broadway production of The Real Thing alongside Jeremy Irons and Glenn Close.
" She opened in the West End production on November 1, 1951.
She currently owns a production company with Connie Tavel, Hunt / Tavel Productions under Sony Pictures Entertainment.
She made her stage debut in 1961, playing Juliet in a Virginia Shakespeare Festival production of Romeo and Juliet.

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