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She loved painting and politics and served as a stabilizing influence throughout their enduring marriage ; they had three children: David, Jane, and Mary.
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She and loved
She would weep in private, he was sure, for she loved him in her frigid way, though in public she would be dry-eyed.
She is most famous for her cover version of the Little Willie John hit " Fever " written by Eddie Cooley and John Davenport, to which she added her own, uncopyrighted lyrics (" Romeo loved Juliet ," " Captain Smith and Pocahontas ") and her rendition of Leiber and Stoller's " Is That All There Is ?".
She wants to avenge the murder of her four-year-old brother, telling Léon that he was the only one of her family she loved.
She also loved dolls as a young girl, as captured by a family portrait in which seven-year-old Antonia excitedly held up a fancy doll.
She justified herself by saying that " she was used to play and never loved to do anything that looked like an affected constraint.
She is loved by both Quasimodo and Claude Frollo, but falls deeply in love with Captain Phoebus, a handsome soldier who she believes will rightly protect her but who simply wants to seduce her.
She has written more than fifty novels including the much loved " Flambards " series of pony stories, for which she won both the 1969 Carnegie Medal in Literature from the Library Association and the 1970 Guardian Children's Fiction Prize, judged by a panel of British children's writers.
She loved dancing and pageants, activities often frowned upon in Presbyterian Scotland, but for which she found a vibrant outlet in Jacobean London, where she created a " rich and hospitable " cultural climate at the royal court, became an enthusiastic playgoer, and sponsored lavish masques.
She loved the annual science fairs at her classes, and frequently set off experiments in her parents basement at the age of 7 +.
She and painting
She tried applying the plein-air painting techniques used by the Impressionists to her own landscapes and portraiture, with little success.
" She adds that " no member of the group did more to mediate the internecine disputes that threatened at times to break it apart, and no one was a more diligent proselytizer of the new painting.
She attended Loreto Community School in Milford, County Donegal and then moved away to attend college wanting to become a classical pianist, continuing her studies in music and also studying watercolour painting.
An African giraffe being led into a Ming Dynasty zoo, a Chinese painting by She Du, 1414 AD, during the reign of the Yongle Emperor.
She was educated in drawing, painting, music and dancing – the disciplines which would have prepared her for the role of queen consort.
She designed a stained glass window for St. Edmund's Church, Pitlake, and her painting of the Christ Child, The Darling of the World Has Come, was purchased by Queen Mary.
She spent much time in bed at home amusing herself with painting books and a nursery library that included the works of Kate Greenaway and Randolph Caldecott – two artists who exerted strong influences on her later art.
She is the presumed subject of the painting Gabrielle d ' Estrées et une de ses sœurs by an unknown artist ( c. 1594 ).
She was an outstanding student and winner of the Mary Smith prize for the best painting by a matriculating woman artist.
She is also very unskilled at things like driving, cooking, and painting, which tends to be a source of problems for Condorito.
She attended boarding school in Lausanne, Switzerland, and spent the winter of 1911 with her grandmother in Italy and on the French Riviera, where she was treated to her first taste of the Great Masters of Italian painting.
She was soon the most fashionable portrait painter of her generation among the haute bourgeoisie and aristocracy, painting duchesses and grand dukes and socialites.
She modelled for Henri de Toulouse-Lautrec ( who gave her painting lessons ), Pierre-Auguste Renoir, and Pierre-Cécile Puvis de Chavannes, and is known to have had affairs with the latter two.
She returned to painting on canvas and developed a large body of work which was included in a retrospective, sponsored by the Arts Council in 1991, and exhibited in the R. H. A.
She originally trained as a nurse and began painting during the 1950s while recovering from illness.
She was a senior lecturer at St Martin ’ s School of Art, London, from 1965 to 1978 and became head of painting at Winchester School of Art in 1978.
She was deeply influenced by the French phenomenologist Maurice Merleau-Ponty, who wrote extensively on perception, vision, embodiment, and painting.
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