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She met Franco while filming Camelot in 1967, the year she divorced her husband Tony Richardson, who left her for the French actress Jeanne Moreau.
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She and met
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" This translates to " He / She is not accessible through intellect, or through mere scholarship or cleverness at argument ; He / She is met, when He / She pleases, through devotion " ( GG, 436 ).
She and Olivia de Havilland secretly met with Cukor at night and on weekends for his advice about how they should play their parts.
She also met keyboardist Eddy Quintela ( 12 years her junior ), whom she married on October 18, 1986.
She and Franco
She publicly endorsed General Francisco Franco during the Spanish Civil War and admired Vichy leader Marshal Philippe Pétain, translating some of the latter's speeches into English.
She also played the role of Guinevere in the film Camelot with Richard Harris and Franco Nero, and briefly as Sylvia Pankhurst in Oh!
She remained a member of the company for four seasons, 1957 – 1961, her roles including Katherine in Henry V in 1958 ( which was also her New York debut ), and as Juliet in Romeo and Juliet in October 1960, directed and designed by Franco Zeffirelli.
She conceived the idea for the show after seeing O by Franco Dragone early in her break from recording, and began on March 25, 2003, in a 4, 000-seat arena designed for her show.
She was invited to join The National Theatre for its inaugural season at the Old Vic, working with such directors as Laurence Olivier, Franco Zeffirelli, and Noël Coward in roles such as Rose in The Recruiting Officer, Barblin in Andorra, Jackie in Hay Fever, Kattrin in Mother Courage, Miss Prue in Love for Love, and Margaret in Much Ado About Nothing which kept her busy for the next three years.
She agrees to go to " his " boat, but Franco quickly loses interest when it transpires Mary is not wealthy, confessing his scam.
She gave the world premiere of Virgil Thomson's Flute Concerto, as well as five performances with Italian orchestras of a concerto by Franco Mannino for flute, trombone obbligato and orchestra.
She alienated many U. S. Catholics ( including some clerical leaders ) with her condemnation of Falangist leader Francisco Franco during the Spanish Civil War ; and, possibly in response to her criticism of Cardinal Francis Spellman, she came under pressure by the Archdiocese of New York in 1951 to change the name of her newspaper, " ostensibly because the word Catholic implies an official church connection when such was not the case.
She returned the following year to perform in La traviata in a production by Franco Zeffirelli and in Medea, directed by the Greek director, Alexis Minotis, two of her infrequent performances in the United States.
She opened the 1962 – 63 Met season as Maddalena in Giordano's Andrea Chénier, opposite Franco Corelli.
She made her debut at the Royal Opera House in London, as Gilda, in a Franco Zeffirelli production of Rigoletto, in 1964.
She played corrupt police officer Carol Brazier in the Judd Apatow-produced film Pineapple Express, co-starring Seth Rogen and James Franco.
She was of the main characters in the so called Movida the cultural movement following the Franco dictatorship in Spain.
She falls in love with Franco after many incidents between them, though she pretends very often that she hates him.
She also appeared in a few opera films, notably Pagliacci, opposite Jon Vickers in 1968, Il trovatore, opposite Franco Bonisolli, in 1975, and Tosca, opposite Plácido Domingo, in 1976.
Partly inspired by the U. S ./ Canadian Ilsa series, Franco, Mattei, Garrone and other Italian directors created scores of films such as SS Experiment Love Camp, SS Camp 5: Women ’ s Hell, Gestapo's Last Orgy, Helga, She Wolf of Spilberg, SS Hell Camp, Fraulein Devil, Women in Cell Block 7, and Nazi Love Camp 27.
In the brief period between late 1969 and the summer of 1970, she made seven films with Jess Franco altogether, including Eugénie de Sade, Vampyros Lesbos, She Killed in Ecstasy, and The Devil Came From Akasava.
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