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She offers the house to the narrator, but he also finds that the house gives subtle hints that it doesn't want him there.
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She and offers
She later opened another business across the street in a building she extensively renovated downtown called Walton's Fancy and Staple a bakery, upscale restaurant and floral shop that also offers services such as event planning.
She refuses to marry Akeem even after he offers to renounce his throne, and he returns to Zamunda with a broken heart, resigned to marry the woman chosen for him by his parents.
She filmed The Story of a Divorce ( released by RKO Radio Pictures in 1951 as Payment on Demand ) but had received no other offers.
She also said that the popular domestic novels of the 19th century, including Uncle Tom's Cabin, were remarkable for their " intellectual complexity, ambition, and resourcefulness "; and that Uncle Tom's Cabin offers a " critique of American society far more devastating than any delivered by better-known critics such as Hawthorne and Melville.
She was offered opera roles by several European houses but, due to her lack of acting experience, Anderson declined all of these offers.
:' She is so gentle and so good to invoke that she has permission from All-Father or Frigg to arrange unions between men and women, even if earlier offers have been received and unions have been banned.
She declined offers from the university to become directly affiliated with it, including an offer from Albion Small, chair of the Department of Sociology, of a graduate faculty position.
As the disease worsened and the medication greatly altered Turner's looks, along with excess alcohol consumption that Turner said she used to kill her physical pain, her once promising film career as a leading lady took a nose dive and Turner was seen in fewer and fewer blockbusters — though Turner also blamed her age, stating that " when I was forty the roles started slowing down, I started getting offers to play mothers and grandmothers ..." She appeared in the low-budget House of Cards, experienced moderate success with John Waters's black comedy Serial Mom, and had supporting roles in A Simple Wish, The Real Blonde, and Sofia Coppola's acclaimed The Virgin Suicides.
She had small roles in three of her father's films: Stage Fright ( 1950 ), in which she played a jolly acting student named Chubby Bannister, one of Wyman's school chums ; Strangers on a Train ( 1951 ), playing Barbara Morton, future sister-in-law of Guy Haines ( Farley Granger ); and Psycho ( 1960 ), playing Janet Leigh's plain-Jane office mate, Caroline, who generously offers to share tranquilizers that her mother gave her for her wedding night.
She mentioned offers of being an actress herself though she had yet to appear as anything more than an extra in film.
She becomes obsessed with the dance and offers Pablo a part in her film in exchange for dance lessons.
She offers her protagonist a way out into a new order that breaks with the law of the father, creating a " monstrous " text that explores the possibilities of a lesbian identity .”
She and house
She designed and supervised the building of the Harbert, Michigan, house, most of which was constructed by one local carpenter who carried the heavy beams singly upon his shoulder.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.
She walked back to the house and entered, feeling herself returning, sensing some kind of opportunity in the empty building.
She enjoyed great parties when she would sit up talking and dancing and drinking all night, but it always seemed to her that being alone, especially alone in her house, was the realest part of life.
She fell asleep leaning on her hand, hearing the house creaking as though it were a living a private life of its own these two hundred years, hearing the birds rustling in their cages and the occasional whirring of wings as one of them landed on the table and walked across the newspaper to perch in the crook of her arm.
She had made curtains for all the windows of her little house, and she had kept it spotless and neat, shabby as it was, and cooked good meals for Bobby Joe.
She lived in an ultra-modern house whose decoration, appointments, paint, and even pets were chosen to complement her coloring ; ;
She started back for the house, saw a light in the office, opened the door and surprised a domestic little scene which was far outside the dark realm of murder or attempted murder.
She remembered, suddenly, a night of savage moonlight and scudding clouds when she and Adelia, having dared each other, had stolen out of their great safe house and come here, hand in hand, hoping and fearing ghosts.
She was at the moment just a small, walking package, being delivered to her aunt's and uncle's house.
The Irish were gay but made trouble in the house ; the English were of all kinds " She proposes this, after the fact, knowing the chosen Charlotte lasts decades.
She purchased a house for her sister Anna which had been the last home of Henry David Thoreau, now known as the Thoreau-Alcott House.
She is planning to house many of these stray animals in a new animal rescue facility that she is having built on her property.
She restored and preserved the farms that she bought or managed, making sure that each farm house had in it a piece of antique Lakeland furniture.
Catherine was quite short in stature with long red hair, wide blue eyes, a round face, and a fair complexion. She was descended, on her maternal side, from the English royal house ; her great-grandmother Catherine of Lancaster, after whom she was named, and her great-great-grandmother Philippa of Lancaster were both daughters of John of Gaunt and granddaughters of Edward III of England.
She gained entrance to Marat's house on the pretense of presenting him a list of people who should be executed as enemies of France.
She stirs up even the shiftless to toil ; for a man grows eager to work when he considers his neighbour, a rich man who hastens to plough and plant and put his house in good order ; and neighbour vies with his neighbour as he hurries after wealth.
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