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She preferred painting of reduced tone and subtle colour relationships, in contrast to her brother's far more vivid palette.
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She and preferred
She preferred that parents or teachers read aloud those texts ( such as Plutarch and the Old Testament ), making omissions only where necessary.
She preferred playing with boys than girls, which would carry the jealousy of her sisters.
She preferred her husband's mistresses to be ladies-in-waiting, as that way she believed she could keep a closer eye on them.
She hated school and preferred to play alone.
She preferred to perform in concert and recital only.
She was ordered to decide a fight between two kings, Hjalmgunnar and Agnar, and knew that Odin preferred the older king, Hjalmgunnar, yet she decided the battle for Agnar.
She preferred German princes who could establish homes in the UK.
She, her father Tokimasa, and her brother Yoshitoki created a council of regents for the eighteen-year-old Yoriie, but the headstrong shogun hated his mother's family and preferred his wife's family, the Hiki clan, and his father-in-law, Hiki Yoshikazu.
“” She preferred to cross the mountain by leaving a track that would show forever her contempt for Ulster … to make the Pass of the Cualinge Cattle .” Furthermore this scene also reveals much of Medb ’ s character as a somewhat stubborn, scornful woman.
She preferred simplicity and solitude to the pomp and ceremony of life at Court.
" She preferred to renounce all social amusements and pleasures so desired by young ladies of her age ... and has devoted her entire life to loving and caring for me ," the Tsar wrote.
" She writes that gynomorphic male and andromorphic female are preferred, adding, " I hope future work on these animals is carried out with more professionalism.
She preferred to say she wrote " romantic novels of suspense ".
She is also well known for her trademark rapid-fire dialogue, which is often full of obscure pop culture references ; and as well for her preferred master shot filming style.
She preferred a life of comfort but evidently did not wish to stifle his ambition.
She preferred to buy readymade garments rather than made-to-order outfits.
She opposed the execution of Louis XVI of France, partly out of opposition to capital punishment and partly because she preferred a relatively tame and living king to the possibility of a rebel regency in exile.
She opposed Pierce's decision to run for president, for she much preferred private life.
She preferred originals to their adaptations, and so her work ended up being critical of Shakespeare.
She naturally preferred the stage in any event.
" She also wished to live a life more in the style of a queen, while he preferred a more simple family life.
She continued to commute to Hollywood to make films but preferred the small town life.
She preferred to remain independent.
She worked with all of the grades, but she preferred to work with the fourth year students, and prepare them for the wider world.
She insisted on being sponsored by Robert Smillie and her old friend, James Maxton to be introduced to the commons, rather than by the leadership's preferred choice of sponsors.
She and painting
She was the subject for an Andy Warhol painting.
She tried applying the plein-air painting techniques used by the Impressionists to her own landscapes and portraiture, with little success.
" She adds that " no member of the group did more to mediate the internecine disputes that threatened at times to break it apart, and no one was a more diligent proselytizer of the new painting.
She attended Loreto Community School in Milford, County Donegal and then moved away to attend college wanting to become a classical pianist, continuing her studies in music and also studying watercolour painting.
She enjoys writing and painting.
She enjoys writing and painting.
An African giraffe being led into a Ming Dynasty zoo, a Chinese painting by She Du, 1414 AD, during the reign of the Yongle Emperor.
She was educated in drawing, painting, music and dancing – the disciplines which would have prepared her for the role of queen consort.
She learned water colour painting and made trips around the countryside.
She designed a stained glass window for St. Edmund's Church, Pitlake, and her painting of the Christ Child, The Darling of the World Has Come, was purchased by Queen Mary.
She spent much time in bed at home amusing herself with painting books and a nursery library that included the works of Kate Greenaway and Randolph Caldecott – two artists who exerted strong influences on her later art.
She loved painting and politics and served as a stabilizing influence throughout their enduring marriage ; they had three children: David, Jane, and Mary.
She is the presumed subject of the painting Gabrielle d ' Estrées et une de ses sœurs by an unknown artist ( c. 1594 ).
She was an outstanding student and winner of the Mary Smith prize for the best painting by a matriculating woman artist.
She is also very unskilled at things like driving, cooking, and painting, which tends to be a source of problems for Condorito.
( She was then painting his picture, a half-length ; of which she also made an etching.
She attended boarding school in Lausanne, Switzerland, and spent the winter of 1911 with her grandmother in Italy and on the French Riviera, where she was treated to her first taste of the Great Masters of Italian painting.
She was soon the most fashionable portrait painter of her generation among the haute bourgeoisie and aristocracy, painting duchesses and grand dukes and socialites.
She modelled for Henri de Toulouse-Lautrec ( who gave her painting lessons ), Pierre-Auguste Renoir, and Pierre-Cécile Puvis de Chavannes, and is known to have had affairs with the latter two.
She likes gardening and painting.
She returned to painting on canvas and developed a large body of work which was included in a retrospective, sponsored by the Arts Council in 1991, and exhibited in the R. H. A.
She originally trained as a nurse and began painting during the 1950s while recovering from illness.
She once suggested Timmy try painting.
She was a senior lecturer at St Martin ’ s School of Art, London, from 1965 to 1978 and became head of painting at Winchester School of Art in 1978.
She was deeply influenced by the French phenomenologist Maurice Merleau-Ponty, who wrote extensively on perception, vision, embodiment, and painting.
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