She is in Madame Tussard's Waxworks in London, a princess of the Kiowa tribe and an honorary colonel in many states.

She states: " Since we do not succeed in fleeing it, let us therefore try to look the truth in the face.

She states in Volume One of her diaries that she drew inspiration from Marcel Proust, André Gide, Jean Cocteau, Paul Valéry, and Arthur Rimbaud.

She also reigns as monarch directly in a number of states, known as Commonwealth realms.

She further states another tradition that when the last Latin Emperor of Constantinople, Baldwin II, was leaving Constantinople in 1261 he took this original circular portion of the icon with him.

She states:

She also states that she saw vampires before they became trendy — a reference to Buffy the Vampire Slayer.

She states that the art of creating, of actually writing songs, " was very different from performing them and became progressively important ".

She has met with political and religious leaders, heads of states, diplomats, and leaders on behalf of the deprived to convey the message to those who have the power to bring about political and social change.

On October 29, 2006, Judd appeared at a " Women for Ford " event for Democratic Tennessee Senate candidate Harold Ford, Jr. She has also campaigned extensively locally and nationally for a variety of Democratic candidates, including President Barack Obama in critical swing states.

She also states she got lost on her way home and she does not look like herself.

She states that " ope literally opens us up ... removes the blinders of fear and despair and allows us to see the big picture thus allowing us to become creative " and have " elief in better future ".

She states that during the start of her career she did not ask for cash in exchange for sex, but her partners voluntarily gave her money and other presents.

She is buried in Green-Wood Cemetery, in Brooklyn, New York where her tombstone states: " Mrs. Eliza Gilbert / Died Jan. 17, 1861 ".

She states that the reason for this, apart from the many differences in the text, and some extremely sloppy writing in A Shrew, is " because it identifies the acting company with an audience of lowlifes like Sly.

She also states that for many years, she feared to call herself a feminist, because she believed that all feminists were " anti-male ".

She states that when she divorced Ted Turner, she felt like she had also divorced the world of patriarchy, and was very happy to have done so.

She states that she owns Carterhaugh, because her father has given it to her.

She states that guarding and trading are two concrete activities that human beings must learn to apply metaphorically to all choices in later life.

She states that the group attempts to " strip references of their original meaning without necessarily losing their status as icons ".

She states that this Ivy was a vegetable creature from a few years back, that she had created as a distraction for Batman, in order to escape from her old supervillain life in Gotham.

She began her career billing herself as " That Fucking Dyke "; she states " I called myself that because I would walk down the street and people would yell ( it ) at me.

She states on the latter page, " Eurynomus could have been one of the keres or derivative of Etruscan Charun, but Pausanias does not seem to think so.

She also states that abolishing priestly celibacy is something only the Vatican can do and counsels patience.

She lay there, making no effort to get back on her feet.

She drank greedily, and murmured, `` Thank you '', as he lowered her head.

She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She stared at him, her eyes wide as she thought about what he had said ; ;

She got to her feet, staggered, and almost fell.

She sat down at the table, shaking her head.

She clung to him, talking to him, and dabbing at her eyes.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.

She came down against him, and he tried to break her fall.

She wiped it off with the sleeve of her coat.

She brought up her free hand to hit him, but this time he was quicker.

She finally regained her balance and got up in the saddle.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.