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She studied filmmaking at New York University's Tisch School of the Arts and has directed, written, and acted in more than 30 films, including Europa Europa ( 1990 ), The Voyager ( 1991 ), Three Colors: White ( 1993 ), Before Sunrise ( 1995 ), Before Sunset ( 2004 ), and 2 Days in Paris ( 2007 ).
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She and studied
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She discussed in her letters to Winslow some of the questions that came to her as she studied alone.
She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.
She then studied for two years with the painter Francis Adolf Van der Wielen, who offered lessons in perspective and drawing from casts during the time that the new Pennsylvania Academy of the Fine Arts was under construction.
" She studied privately with William Sartain, a friend of Eakins and a New York artist invited to Philadelphia to teach a group of art students, starting in 1881.
She studied for her Bachelor of Arts degree at American University ( 1957 – 59 ), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967.
She studied at St Paul's Girls ' School, read history at Somerville College, Oxford, England, and became the first female president of the Oxford University Archaeological Society.
She studied with professor Franz Boas and Dr. Ruth Benedict at Columbia University before earning her Master's in 1924.
She rendered financial support to the investigator Nikolai Sokolov who studied the circumstances of the death of the Tsar's family.
She was a sculptor, socialite and cosmopolitan who had studied under Auguste Rodin and whose circle included Isadora Duncan, Pablo Picasso and Aleister Crowley.
She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.
She studied modern European languages and was the first woman in Sweden to complete an academic degree when she finished a fil.
She had studied chemistry at Oberlin College, helped with the experiments, took laboratory notes and gave business advice to Charles.
She studied at University College of Arts, Crafts and Design in Stockholm in 1930 – 33, the Graphic School of the Finnish Academy of Fine Arts in 1933 – 1937 and finally at L ' École d ' Adrien Holy and L ' École des Beaux-Arts in Paris in 1938.
She then studied philosophy, sociology, education and German at Marburg where she became involved with reform movements.
She studied acting at the Conservatoire National Supérieur d ' Art Dramatique ( CNSAD ), but quit after a short time as she disliked the curriculum.
She studied at Sarah Lawrence College in New York, where she was given the opportunity to spend a year of her studies in Paris.
She and filmmaking
She called for a new feminist avant-garde filmmaking that would rupture the magic and pleasure of classical Hollywood filmmaking.
Throughout her years of filmmaking, she has been able to address many points that are significant to women: “ abortion, contraception, the situation of women at work, spousal abuse, and traditional female role .” She continues today with her work, unafraid to let her thoughts be heard and her artistic vision seen by the world.
She has also appeared in the short film Lay Down Lean, a project by the experimental filmmaking team The Belles Of The Black Diamond Field.
She is recognized as the mentor to Jean Renoir, creating and encouraging his interest in filmmaking.
She would later lead the denunciation of many of Yuan's leftist colleagues in the Shanghai filmmaking scene, accusing them of being rightists, destroying their careers and lives.
She ceased filmmaking and emigrated to the United States in 1979, becoming a respected restaurateur in Los Angeles.
She also began to pursue her interest in still photography, which preceded her initial entry into filmmaking.
She continued her career in filmmaking, producing both simple commercial films and complex pre-Surrealist narratives such as two of her most famous works: La Souriante Madame Beudet (" The Smiling Madam Beaudet ", 1922 / 23 ) and La Coquille et le Clergyman (" The Seashell and the Clergyman ", 1928 ).
She and at
She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
She had driven up with her husband in a convertible with Eastern license plates, although the two drivers knew nothing at the moment about that.
She began to watch a blonde-haired man, also in shorts, standing right at the rear of the wrecked car in the one spot that most of the crowd had detoured slightly.
She would look at Jack, with that hidden something in her eyes, and Jack would see the Woman and become breathless and a little sick.
She daubed at her swimming eyes with a lacy handkerchief and said with obvious emotion: `` That poor boy!!
She passed the entrance examinations to the University of Illinois, but during the year at Urbana felt more important events transpired at the University of Chicago.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She used to tell me, `` When I stand there and look at the flag blowing this way and that way, I have the wonderful, safe feeling that Americans are protected no matter which way the wind blows ''.
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