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Page "Sara Storer" ¶ 1
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She and studied
She studied it for a long time.
She studied him hopefully, yearningly ; ;
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She discussed in her letters to Winslow some of the questions that came to her as she studied alone.
She studied him briefly.
She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.
She then studied for two years with the painter Francis Adolf Van der Wielen, who offered lessons in perspective and drawing from casts during the time that the new Pennsylvania Academy of the Fine Arts was under construction.
" She studied privately with William Sartain, a friend of Eakins and a New York artist invited to Philadelphia to teach a group of art students, starting in 1881.
She studied religion, the classics, Latin histories, canon and civil law, heraldry, and genealogy.
She studied under Henk Bremmer in 1906-1907.
She studied for her Bachelor of Arts degree at American University ( 1957 – 59 ), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967.
She studied at St Paul's Girls ' School, read history at Somerville College, Oxford, England, and became the first female president of the Oxford University Archaeological Society.
She studied with professor Franz Boas and Dr. Ruth Benedict at Columbia University before earning her Master's in 1924.
She rendered financial support to the investigator Nikolai Sokolov who studied the circumstances of the death of the Tsar's family.
She studied French, Spanish, music, dance, and perhaps Greek.
She was a sculptor, socialite and cosmopolitan who had studied under Auguste Rodin and whose circle included Isadora Duncan, Pablo Picasso and Aleister Crowley.
She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.
She studied modern European languages and was the first woman in Sweden to complete an academic degree when she finished a fil.
She later studied in France, where she met her husband, the historian Charles Le Guin.
She had studied chemistry at Oberlin College, helped with the experiments, took laboratory notes and gave business advice to Charles.
She attended Pacific High School in San Bernardino and studied at the Vera Lynn School of Dance.
She studied at University College of Arts, Crafts and Design in Stockholm in 1930 – 33, the Graphic School of the Finnish Academy of Fine Arts in 1933 – 1937 and finally at L ' École d ' Adrien Holy and L ' École des Beaux-Arts in Paris in 1938.
She then studied philosophy, sociology, education and German at Marburg where she became involved with reform movements.
She studied acting at the Conservatoire National Supérieur d ' Art Dramatique ( CNSAD ), but quit after a short time as she disliked the curriculum.
She studied at Sarah Lawrence College in New York, where she was given the opportunity to spend a year of her studies in Paris.

She and be
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She must be cautious so as not to alert the scheming forest.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She began it deliberately, so that none of her words would be lost on him.
She wouldn't be taking a cold shower.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
She said without turning her head, `` After that rain beating in atop the dust, there isn't a thing that won't be streaked ''.
She was exposing herself to temptation which it is best to avoid where it can consistently be done.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.
She was wise enough to realize a man could be good company even if he did weigh too much and didn't own the mint.
She was so beautiful with her rosy mouth and haughty air that she had to be wicked.
She disciplined herself daily to do what must be done.
She added a postscript begging me to be careful about drinking.
She concluded by asking him to name another hour should this one be inconvenient.
She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.
She and her husband had formerly lived in New York, where she had many friends, but Mr. Flannagan thought the country would be safer in case of war.
She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.
She did this now, comfortably aware of the mist running down the windows, of the silence outside, of the dark afternoon it was getting to be.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She arrived late and as she entered the party, noted that gentlemen seemed to be in the majority ; ;
She always let it be known that there was wine in the pot roast or that the chicken had been marinated in brandy, and that Koussevitzky's second cousin was an intimate of theirs.
She was hired and was found to be entirely satisfactory when she played the role eight hours a day.

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