She was a loyal, affectionate wife, who supported her husband.

She supported the argument that the death penalty would have deterrent value, as within five years of its abolition the national murder rate had more than doubled.

She first supported Michael Ancram, who was eliminated in the first round, and then Kenneth Clarke, who lost in the final round.

She suggests this explains the low numbers of black women who participated in the feminist movement in the 1970s, pointing to Louis Harris ' Virginia Slims poll done in 1972 for Philip Morris that she says showed 62 percent of black women supported " efforts to change women's status " and 67 percent " sympathized with the women's rights movement ", compared with 45 and 35 percent of white women ( also Steinem, 1972 ).

She supported the efforts of the National Trust to preserve not just the places of extraordinary beauty, but those heads of valley and low grazing lands that would be irreparably ruined by development.

She resumed life with her family, and they supported her fully, acknowledging her chosen path and demanding of her little in the way of household responsibilities, " I was never once asked to do an errand in town, some bit of shopping … so well did they understand.

She only half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France and Ireland.

She supported Socialist Party candidate Eugene V. Debs in each of his campaigns for the presidency.

She had supported her husband in donating the Augustinian provostry at Nowogród Bobrzański ( Naumburg ) and the commandery of the Knights Templar at Oleśnica Mała ( Klein Oels ).

She was supported by, among others, Manasses of Hierges, who essentially governed for her as constable ; her son Amalric, whom she set up as Count of Jaffa ; Philip of Milly ; and the Ibelin family.

She attracted much favorable notice in Parma and was supported and encouraged by the art community there: " All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her ".

She instilled in her son a deep love of poetry and literature, recited verse daily and supported him unceasingly in his efforts to write.

She moved to Manhattan and supported herself as a bartender, cocktail waitress, and coat checker.

She supported its goals by articles in her newspaper.

She worked in Off Broadway productions such as For Dear Life and Dancing on Checker's Grave, and supported herself with several part-time jobs, which included working as a telemarketer, waitress, and bike messenger.

She moved to Los Angeles, where she supported herself working in a shoe store, receiving $ 18 per week ( 2009: $).

She supported her second son, Albert, who succeeded to the throne as George VI, until his death in 1952.

She greatly distrusted her nephew, German Emperor Wilhelm II, and supported her son during World War I, in which Britain and its allies fought Germany.

She told one Nazi official, who later turned out to be working against Nazis from within, that she supported their re-armament, but she supported this policy because Germany was " surrounded by Catholics " in her opinion.

She also supported Tom Mooney, and Warren Billings, who had been framed for a bombing at the Preparedness Day Parade in San Francisco in 1916.

She also supported African Americans in their struggle for greater equality.

She likewise supported Huey Newton and the Black Panthers in the early 1970s, stating " Revolution is an act of love ; we are the children of revolution, born to be rebels.

She has repeatedly publicly supported candidates identified with her Socialist Left faction.

She stated that she did this in order to give her son " artistic genes ".

She added that it was through her friends and their Pratt professors that she learned much of her own artistic skills, making the honour from the institute particularly poignant for Smith 43 years later.

She claimed to paint instinctively and rejected artistic theories.

She once indicated, " I have always tried to paint instinctively in a way that comes naturally to me, without any real thought or attention to artistic theories.

At 17 years old, in his journal Sirius, she published her first poem which could be translated as On his hand are many shiny rings, ( 1907 ) signing it ‘ Anna G .’ She soon became known in St Petersburg's artistic circles, regularly giving public readings.

She was noted for her ceaseless political intrigues at the French court and extensive artistic patronage.

She was the fifth of eight children of a Philadelphia engraver, well known in the artistic community.

She then became close to Millais when he accompanied the couple on a trip to Scotland in order to paint Ruskin's portrait according to the critic's artistic principles.

She was a tutor, and encouraged others to expand their artistic creativity.

She is a young woman with artistic leanings who lives with Lady Dormer.

She started her artistic career at the age of five when she played on the show Plaza Sésamo ( the Mexican version of Sesame Street ).

She was cynical and artistic, very different from the optimistic and technology-minded Monty.

She moved to Paris at the age of twenty-three and became an integral part of the artistic community on its left bank called, Montparnasse.

She drank heavily, was sexually promiscuous, and kept numerous lovers and close associations within the artistic community.

She first worked as a clerk in an avant-garde bookstore, the Sunwise Turn, where she became enamored with the members of the bohemian artistic community.

She sang at the Carnegie Hall and was backed up by her artistic godmother, legendary Argentinian singer and actress, Libertad Lamarque.

She is often seen in episodes engaging in artistic hobbies and had success in industry at the helm of the company of her late father, Sir John Knight.

She was the director of the Broadway musical Spider-Man: Turn Off the Dark but left in March 2011, following artistic differences with the producers.

She is a former president of the Manhattan School of Music and former artistic director of the Kennedy Center for the Performing Arts in Washington, D. C.

She withdrew from this scene in the early 1980s, believing that its focus had shifted from artistic process to product.

She spent her childhood developing surfing and artistic skills.

She also became extremely active in literary, musical and artistic circles around the university and the wider Ann Arbor community.

She writes that Night has a useful lesson to teach about the complexities of memoir and memory, and that the story of how it came to be written reveals how many factors come into play in creating a memoir: " the obligation to remember and to testify, certainly, but also the artistic and even moral obligation to construct a true persona and to craft a beautiful work ... truth in prose, it turns out, is not always the same thing as truth in life.

She was received in the artistic and philosophical salons, where she met many writers, including La Harpe, Mercier, and Chamfort as well as future politicians such as Brissot and Condorcet.