She takes the form of a huge bladder of a creature whose face is all mouth and whose arms and legs are flippers.

She eventually becomes an electrician and takes a female lover, Lorna.

She takes control of his business while he is away and her business practices leave many Atlantans resentful of her.

She takes him to his father, who gives him to his brother, Gavida the smith, in fosterage.

She provides prenatal care, massage, attends delivery, and takes care " takes charge of " mother and child after birth.

She sometimes appears in the form of a crow, flying above the warriors, and in the Ulster cycle she also takes the form of an eel, a wolf and a cow.

She tells him that she probably only has a year or two left to live, and therefore takes everything as it comes.

" She said she will not release three albums in the span of a year again, " When you do 16 or 13 songs in one go, you kind of empty yourself, and it takes a while to fill back up and have new things to talk about, so I think it's good for everyone.

She travels to the past and attempts to hand the past Voyager over to the Vidiians while she takes her past self home, but this attempt is thwarted.

She worked only two weeks on the film, early and late during the production that went from January to April 1997 while Sam Elliott was only on set for two days and did many takes of his final speech.

She takes office the following day.

She is unsure of who she is ; despite all the tasks she takes on and excels at, for much of the series she has no identity.

She forcefully takes advantage of any opportunity to further her goals.

She rises, takes down her father ’ s knife, kisses the blade, and reads the inscription.

She flees to Milford Haven, where " Fidele's " beauty earns " him " the affection of Lucius, who takes " him " on as a page.

She said that Voldemort takes up terrorism by destroying bridges, murdering innocents, and forcing children to kill their elders.

" She then takes the tea to the living room.

She impersonates a man and takes her father's place during a general conscription to counter a fictitious Hun invasion led by Shan Yu.

She takes the name " Fa Ping " ( 花平, Huā Píng ), which sounds identical to 花瓶 ( huāpíng ), meaning both a literal " flowerpot " and figurative " eye candy ".

She clarified her meaning on the difference between speculative and science fiction, admitting that others use the terms interchangeably: " For me, the science fiction label belongs on books with things in them that we can't yet do .... speculative fiction means a work that employs the means already to hand and that takes place on Planet Earth.

She then is seen standing in the middle of the racecourse as two more horses pass on the inside of her, and on the film suddenly she takes a lunge at one of the last few trailing horses.

She has twelve sons ; when one of them dies, Romulus takes his place to found the priestly college of Arval brothers Fratres Arvales.

She occasionally takes Jo under her wing and entertains her.

" She generously takes them in, and doesn't betray them to a passing German army patrol.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She played Frau Blücher in Young Frankenstein ( 1974 ), in which the mere mention of her character's name elicits the loud neighing of horses ( an homage to a cinematic villain stereotype ).

She lived with them, and they were taking care of her, and they were about seventy years old ..." By being willing to let go the stereotype about a person with AIDS, she was able to help this women more effectively.

She wears " ghetto fabulous " clothing and depicts an exaggerated stereotype of youth.

She observes that there appears to have been no conscious effort on the part of screenwriters or film-makers to rewrite or change the stereotype, in pursuance of some revisionist agenda, but that it has simply fallen back a generation.

She is one of the first film actresses to focus on reality, rather than on a dramatic stereotype, an anticipation of Neorealistic canons.

She was dissolute and drunk and became a notorious stereotype of the bad secular nurse in the early Victorian era, before the reforms of campaigners like Florence Nightingale.

She represents the stereotype of faceless, underfunded and uncaring bureaucracy upon which HUD residents depend for supplies and guidance.

She is often portrayed as a stereotypical television mother and is often included on lists of top " TV moms ".

She is a stereotypical skill character with many skill-based abilities.

She represents the stereotypical popular girl portrayed on many TV shows.

She has demonstrated her ability to go beyond stereotypical images, most notably in the monologue series of playlets Up In Town ( 2002 ), written by Hugo Blick, and focusing on a society hostess's realisation that her star is fading.

She was repeatedly depicted as the stereotypical naïve blonde damsel in distress.

She advocated that women seek any employment they wish, rather than catering to the stereotypical " feminine " roles of the time, such as teaching.

She is depicted as a stereotypical blonde, a popular bombshell who is interested in her looks, teenage boys and little else.

She is a stereotypical beatnik that is always seen wearing a beret and dark glasses.

She was linked to the murder of her stepson King Edward the Martyr and appeared as a stereotypical bad queen and evil stepmother in many medieval histories.

She naturally looks like the stereotypical " evil witch " of folk stories and appears to be the " lead " witch of the Ankh Morpork coven.

She greatly despises Nanette for her heartless, snobby behavior and her failed attempts at the stereotypical refinement, behavior, language, and fashion of the French, as she believes that she is French herself.

She played stereotypical gangster's women in such films as Manhattan Melodrama ( 1934 ) and Marked Woman ( 1937 ).

She enthusiastically participated in retrospective screenings of Valley Girl and in 2005, taped interviews for nostalgia segments on VH-1, which led to rekindled cult interest in her as the " quintessential 1980s stereotypical female " and new critical appreciation for her acting abilities.

She was initially noted to be a stereotypical shōnen character, serving as a love interest for the protagonist, and served little purpose in the series initially beyond being comic relief.

She is often a stereotypical character who does not hesitate to do bad, bad things to the main actress including trying to steal her boyfriend before the wedding.

She is a single, thirty-eight-year-old woman whose life is a satirised version of the stereotypical single London thirty-something in the nineties.

She appears to have formed a very close friendship with Jubilee and become Westernized, wearing revealing clothes and enjoying stereotypical ' mall rat ' activities, although it is revealed that she may carry some reservations and resentments for trading in on her morals and beliefs for her Western behavior.

She is not the stereotypical female character and exchanges witty repartee with Lord Illingworth, indeed she could be viewed as a female dandy.

She is stereotypical representation of a nineteenth century ‘ girl ’ child-afraid, needs male protection, and innocent.

She often acts as the voice of reason, but displays exaggerated behavior traits of stereotypical mothers and takes the blatant dysfunctionality of her family for granted, unlike the other family members, who are aware that they are eccentric.

She bears little physical similarities with the other Nessies, having the appearance of a stereotypical Loch Ness monster.

She appears to fit the stereotypical, cheerful catgirl archetype, but it is later revealed that she was the subject and victim of horrible medical experiments, which is most likely what made her an Orochi follower.

She disguises herself in a costume very similar to a stereotypical Hallowe ' en witch, wearing a green-faced old crone mask, a floppy black hat, and a long black dress.

" She was impressed that the series " is surprisingly devoid of the sexual innuendo and exploitation that anime fans have come to associate with decorative female characters " in that it avoids the stereotypical random beautiful women, and instead creates its own " extreme " world that features " superhuman strength, superhuman senses, fantastically grotesque monsters, inhumanly powerful villains and gorgeous sidekicks.