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She and then
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She then went over them thoroughly giving each a strenuous test in showmanship.
She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.
She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.
She was Mary Lou Brew then, wide-eyed, but not naive.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She had assumed before then that one day he would ask her to marry him.
She was thirty-one years old then.
She walked restlessly across the room, then back to the windows.
She smoothed the skirt, sat down, then stood up and went back to the windows.
She made a face at him and then she laughed.
She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.
She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She and began
She too began to weep.
She began it deliberately, so that none of her words would be lost on him.
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She began to watch a blonde-haired man, also in shorts, standing right at the rear of the wrecked car in the one spot that most of the crowd had detoured slightly.
She began to laugh.
She began to doubt whether there had been in fact a lethal dose of opium in the cup.
She turned and began to walk toward the house.
She lost control over Nero when he began to have an affair with the freedwoman Claudia Acte, which Agrippina strongly disapproved of and violently scolded him for.
She was admitted to the District of Columbia Bar in 1980 and began her law career as an associate with the Washington, D. C. firm of Wald, Harkrader & Ross.
She claimed that she was able to heal others and began to be called out to the bedsides of those whom the medical faculty had not been able to help.
She and her surviving siblings — Branwell, Emily, and Anne – created their own literary fictional worlds, and began chronicling the lives and struggles of the inhabitants of these imaginary kingdoms.
She again played the role for the Los Angeles production which began performances on February 7, 2007.
She then transferred with the L. A. company, to play the role once again, in the San Francisco production which began performances January 27, 2009.
She slowly began to turn into a black poplar, the bark spreading up her legs from the earth, but just before the woody stiffness finally reached her throat and as her arms began sprouting twigs her husband Andraemon heard her cries and came to her.
She began collaborating with Vertov, beginning as his editor but becoming assistant and co-director in subsequent films, such as Man with a Movie Camera ( 1929 ), and Three Songs About Lenin ( 1934 ).
She became his girlfriend shortly thereafter and began acting in his films.
She began her musical career in 1980, when she briefly joined her family band Clannad before leaving to perform solo.
She was born Frances Barton, the daughter of a private soldier, and began her career as a flower girl and a street singer.
Carangi is considered by some to be the first supermodel, although that title has been applied to others, including Janice Dickinson, She usually used cocaine in clubs, but later began to develop a heroin addiction.
She was a devoted Catholic who believed that she could turn the clock back to 1516, before the Reformation began.
She contributed to the resurgence of the Russian nobility that began after the death of Peter the Great.
She began creating works of fiction at a very early age.
She began singing in the local choir and expanded her listening to blues singers such as Odetta, Billie Holiday and Big Mama Thornton.
The article began, " She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her Autoharp with her everywhere she goes so that in case she gets the urge to break into song it will be handy.

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