She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She drives away in a tearful huff, and Alvin, who had started to run short of food, cooks and eats the deer, then mounts the antlers above the rear doorway of his trailer as a tribute to the deer and the human sustenance it had provided.

She drives Willy Jack home to Tennessee and then continues to Maine to find Forney at college.

She drives around searching and rear-ends a car stopped at an intersection and is slightly injured and hospitalized.

She drives Sonya into prostitution in a fit of rage, but later regrets it, and beats her children mercilessly, but works ferociously to improve their standard of living.

She was greatly interested in the building of Mason Temple and she kept her national building fund drives functioning until she knew the building was ready for dedication.

She uses the metaphor of a plant root to represent culture, describing that it drives organizations rather than vice versa.

" She frequently drives him to different places and he sometimes tutors her in go.

She drives a dark-faded red 1995 Nissan 240SX S14.

She is also a very skilled driver and drives an aqua-blue 1998 1997 Acura Integra Type R.

She has something of an inferiority complex which drives her to be the absolute best, and she can't tolerate seeing others better than her.

She usually drives him to the point of obsession and exhaustion, so that he is incapable of making rational decisions.

She drowns the child by throwing it into the lake, which drives her lover to commit suicide.

She has also participated in AIDS awareness drives and campaigns to clean up Mumbai.

She finally sabotages his car in the hope of killing him so that he will join her in the spirit world, but it is Ruth rather than Charles who drives off and is killed.

She defined sex education as the pedagogic tool to teach the individual to subject sexual drives to the will of an instructed, conscientious, and responsible intellect ( Luisi 1950: 82-83 in Little 1975: 394 ).

She immediately drives to the hospital where she recovers.

She drives off into the same lake Norman pushed Madison's car into.

She romances Clay Fallmont but their family rivalry drives him into the arms of Steven's ex-wife Sammy Jo.

She runs to Piggly Wiggly and Pete's house, then drives furiously towards Richmond to overtake her heartbroken friend.

She takes the fetal death of her third child as a punishment from God, which drives her further into a religious depression.

In chapter 7 " Social Life ", Beauvoir describes a woman's clothes, her girlfriends and her relationships with priests, doctors, famous performers, and lovers, concluding that "... adultery, friendships, and social life are but diversions within married life ...." She also thinks, " marriage, by frustrating women's erotic satisfaction, denies them the freedom and individuality fo their feelings, drives them to adultery ...." In chapter 8 " Prostitutes and Hetaeras ", Beauvoir describes prostitutes and their relationships with pimps and with other women, as well as hetaeras.

She drives a Ford Transit: " I'm colossally uninterested in cars ... but vans are different.

She helps Wolfsbane deal with the traumatic return of her lycanthropic powers, but an ill-thought romantic liaison between Wolfsbane and Elixir drives a deep wedge between the two women.

She travels around Toronto by bicycle but drives when in Los Angeles because it is " a harder town to cycle in.