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Page "Ulrike Meinhof" ¶ 2
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She and then
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She then went over them thoroughly giving each a strenuous test in showmanship.
She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.
She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.
She was Mary Lou Brew then, wide-eyed, but not naive.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She had assumed before then that one day he would ask her to marry him.
She was thirty-one years old then.
She walked restlessly across the room, then back to the windows.
She smoothed the skirt, sat down, then stood up and went back to the windows.
She made a face at him and then she laughed.
She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.
She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She and studied
She studied it for a long time.
She studied him hopefully, yearningly ; ;
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She discussed in her letters to Winslow some of the questions that came to her as she studied alone.
She studied him briefly.
She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.
She then studied for two years with the painter Francis Adolf Van der Wielen, who offered lessons in perspective and drawing from casts during the time that the new Pennsylvania Academy of the Fine Arts was under construction.
" She studied privately with William Sartain, a friend of Eakins and a New York artist invited to Philadelphia to teach a group of art students, starting in 1881.
She studied religion, the classics, Latin histories, canon and civil law, heraldry, and genealogy.
She studied under Henk Bremmer in 1906-1907.
She studied for her Bachelor of Arts degree at American University ( 1957 – 59 ), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967.
She studied at St Paul's Girls ' School, read history at Somerville College, Oxford, England, and became the first female president of the Oxford University Archaeological Society.
She studied with professor Franz Boas and Dr. Ruth Benedict at Columbia University before earning her Master's in 1924.
She rendered financial support to the investigator Nikolai Sokolov who studied the circumstances of the death of the Tsar's family.
She studied French, Spanish, music, dance, and perhaps Greek.
She was a sculptor, socialite and cosmopolitan who had studied under Auguste Rodin and whose circle included Isadora Duncan, Pablo Picasso and Aleister Crowley.
She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.
She studied modern European languages and was the first woman in Sweden to complete an academic degree when she finished a fil.
She later studied in France, where she met her husband, the historian Charles Le Guin.
She had studied chemistry at Oberlin College, helped with the experiments, took laboratory notes and gave business advice to Charles.
She attended Pacific High School in San Bernardino and studied at the Vera Lynn School of Dance.
She studied at University College of Arts, Crafts and Design in Stockholm in 1930 – 33, the Graphic School of the Finnish Academy of Fine Arts in 1933 – 1937 and finally at L ' École d ' Adrien Holy and L ' École des Beaux-Arts in Paris in 1938.
She studied acting at the Conservatoire National Supérieur d ' Art Dramatique ( CNSAD ), but quit after a short time as she disliked the curriculum.
She studied at Sarah Lawrence College in New York, where she was given the opportunity to spend a year of her studies in Paris.

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