She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She is the catalyst that transforms Homer from his comfortable but not entirely admirable position at the apple orchard to becoming Dr. Larch's replacement at the orphanage.

She meets a farm boy, Brevis, at a crossroads, takes his goat, and transforms him into a second goat, using the two animals to pull her small chariot.

She becomes enamoured of her mysterious schoolmate Mytho, and transforms into Princess Tutu to restore his shattered heart.

She transforms into a giant alien slug and chases Stokely and Casey ; Stokely is badly injured and then infected and Zeke is knocked out.

She then tells him that he shall have to fight her, and " all the powers of Hell " and transforms into a huge dark dragon.

She has a magical mask that transforms her into a purple panther of formidable strength by pulling the mask over her eyes.

She saves Billy, who transforms into Captain Marvel to help Mary defeat the thugs, but the two Marvels cannot save Sarah Primm, who is murdered by one of the thugs.

She transforms into a blue motorcycle, inspired by her appearance in live film series, but with a more humanoid robot form.

She transforms into the New Jerusalem being rebuilt.

She starts out as a pretty red head, but then transforms and her hair stands straight back, then bounces into six curls.

She transforms into a panther and kills him, though he manages to wound her in the shoulder with the sword concealed in his cane.

She also can no longer transforms into stone during the day as other gargoyles do.

She fails to retrieve the proper triangle for her sword ( each power unit will only work for a specific sword ), but Moll and Lora end up with a unit that transforms Moll's sword.

She still transforms into a spaceship from time to time, albeit smaller than in other series, but can also transform into a gigantic pink-colored mecha, which is either piloted by Sasami or autonomously.

She transforms into a red Tekkaman with the help of a new Pegasus robot, based on the design of the original ( which was destroyed by Tekkaman Omega in the final episode of Tekkaman Blade ).

She kidnaps King Otar Fenris III and hides him in Ooga Booga Land, and transforms Edgar into King Otar's form and brainwashes him into doing her bidding.

She appears like a young child because her Flickers were not in her body, but when they are absorbed into her body, she transforms into a seventeen-year old teenage girl, which is her true shape and form.

She is able to use powerful magic, especially when she transforms into Seeda.

She transforms into the white bunny Valerian by using the " bracelet of the flower " which is attached to her left arm.

She transforms into a small crab-like creature and disappears into the crack.

She transforms herself into the human form known as Violeta to kill the Sugo and later purified into Mulawin as Veronica.

She is ultimately defeated by The Cure frontman Robert Smith, who himself transforms into a giant moth monster.

She was also the Disney artists ' model for the old crone that the Queen transforms herself into in order to give Snow White the poisoned apple.