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Page "Isabella of France" ¶ 36
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She and then
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She then went over them thoroughly giving each a strenuous test in showmanship.
She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.
She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.
She was Mary Lou Brew then, wide-eyed, but not naive.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She had assumed before then that one day he would ask her to marry him.
She was thirty-one years old then.
She walked restlessly across the room, then back to the windows.
She smoothed the skirt, sat down, then stood up and went back to the windows.
She made a face at him and then she laughed.
She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.
She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She and used
She used to tell me, `` When I stand there and look at the flag blowing this way and that way, I have the wonderful, safe feeling that Americans are protected no matter which way the wind blows ''.
She had used his rumpled shorts as the very image of his childishness, his lack of control, his general male looseness, while she remained cool, airy, and untouched, the charming teacher who disciplined an unruly body.
She created many sketches and carved engravings of the laboratory instruments used by Lavoisier and his colleagues.
She also used the priory during her short reign, particularly in 1547, where she felt safe from the English Army.
She returned to Haworth in January 1844 and used the time spent in Brussels as the inspiration for some experiences in The Professor and Villette.
She tried applying the plein-air painting techniques used by the Impressionists to her own landscapes and portraiture, with little success.
She is often cited as one of the earliest dominatrices, although she herself used the title of " Governess ".
She is recorded to have used implements such as whips, canes and birches, to chastise and punish her male clients, as well as the Berkley Horse, a specially designed flogging machine, and a pulley suspension system for lifting them off the floor.
She used her Miss America scholarship money to study acting at HB Studios in New York City before moving to Hollywood to pursue a film and television career.
She used a pseudonym Mary Pollock for a few titles ( middle name plus first married name ).
She also used to explore the forests when she was a little girl and wrote of her dreams in a notebook kept by her bedside.
She was called up by women to assist in giving birth to children, and Scandinavians used the plant Lady's Bedstraw ( Galium verum ) as a sedative, they called it Frigg's grass ).
She used the opportunity to denounce Christianity as irredeemable for women and to call for women ( and men ) to make an exodus from the Church.
Carangi is considered by some to be the first supermodel, although that title has been applied to others, including Janice Dickinson, She usually used cocaine in clubs, but later began to develop a heroin addiction.
She used a male pen name, she said, to ensure her works would be taken seriously.
She used the term ' visio ' to this feature of her experience, and recognized that it was a gift that she could not explain to others.
She was used for harbour service from 1872 and was sold in 1888.
She married Dutch shipping and mining tycoon Anton Kröller in 1888 and used both surnames in accordance with Dutch tradition.
" She notes that the term Śrāvakayāna was " the more politically correct and much more usual " term used by Mahāyānists.
She used a drawing of baby Humphrey in a well-known ad campaign for Mellins Baby Food.
She was used for harbour service from 1853 and was sold in 1865.
She was used for harbour service from 1881, as a barracks from 1905, was renamed HMS Calcutta in 1909, HMS Fisgard II in 1915, and was sold in 1932.
She used only 48 minutes to win this game.
) She used that for travel to her husband, imprisoned in Olmutz.
She later learns that she is an " Omega-level " mutant, a term used to describe mutants with unlimited potential.

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