She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She thought it was sometime during the second week she worked for Stanley.

She worked very hard.

She also worked for the government agent-turned-philanthropist, Parker Pyne.

She worked for Unilever ( 1973 – 75 ) and then as an administrator at the University of London ( 1975 – 87 ) before entering Parliament.

She spent two years in France, where she worked for Anne Willan, the founder of Ecole de Cuisine La Varenne.

She has also worked on the principal gene mutations causing neuromuscular diseases.

She also worked to bring the papacy of Gregory XI back to Rome from its displacement in France, and to establish peace among the Italian city-states.

She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.

She worked as a management trainee for Kmart in 1981 but quit after a few months and entered a beauty pageant.

She therefore always worked with parliament and advisers she could trust to tell her the truth — a style of government that her Stuart successors failed to follow.

She was a classics major at Scripps College, worked for the Delta Ministry in 1965 and taught at Howard University School of Religion from 1966 to 1976.

She worked for the Judiciary Circuit, and left the state's attorney's office in 1976 to become a partner in a private law firm.

She worked as a guest artist with Roland Petit's Le Ballet National de Marseilles, the Bolshoi Ballet, the London Festival Ballet, the Paris Opera Ballet, the Hamburg Ballet, the Vienna State Opera Ballet, and the Eliot Feld Ballet.

She reflected on her employment experiences to a group of children in 2003, saying, " I worked as a teacher and librarian and I learned how important reading is in school and in life.

She also worked extensively in live musical theatre as a band member and accompanist.

She moved to Greece in 1956, and worked as a professional saw musician.

She has worked for animal rights for many years.

She has worked with Farm Sanctuary to raise awareness about the cruelty of factory farming and to promote the compassionate treatment of farm animals.

She followed that up with the second novel with the same setting, The Warrior's Apprentice then worked on Ethan of Athos.

She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp ( as sung in Cher's hit single ) to a ballad.

She then worked as a political adviser to Democrat senators John Coulter ( SA ) and Cheryl Kernot ( Qld ).

She worked as a model before she began a career in film.

She also worked with Urban Care to achieve Council approval for what is recognized as one of the best Landmarks Preservation Ordinances in the Nation.

She worked only two weeks on the film, early and late during the production that went from January to April 1997 while Sam Elliott was only on set for two days and did many takes of his final speech.