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She and uses
She uses the alias " Radical Edward " when hacking.
She uses the fanciful name Edward Wong Hau Pepelu Tivruski IV, but an odd encounter with her father reveals that her real name is Françoise Appledelhi.
She then uses her silk webbing attack on Godzilla to stun him but it fails to stop him.
She uses her paralyzing spore attack to immobilize Godzilla and reflect his atomic ray, trapping Godzilla.
She then uses her power as Etzel's wife to take a bloody revenge in which not only Hagen and Gunther but all Burgundian knights find their death at festivities to which she and Etzel had invited them.
She said she rarely uses a second and when she travels to tournaments it is usually her husband who accompanies her.
She uses her telekinesis to often lift herself and others giving her the ability of levitation and flight.
She uses her telekinesis to create durable shields and energy blasts.
She uses examples, dating back to the text-based MUDs of the mid-1990s, showing college students who simultaneously live different lives through characters in separate MUDs, up to three at a time, all while doing schoolwork.
She claims that Gould — particularly in his popular essays — uses a variety of strategies from literature, political science, and personal anecdotes to substantiate the general pattern of punctuated equilibrium ( long periods of stasis interrupted by rapid, catastrophic change ).
She can no longer remain with Voyager, but before leaving, she uses her newly acquired powers to hurl Voyager and crew safely beyond Borg space, 9, 500 light-years closer to Earth.
She also uses her feminine wiles to distract men at card parties while Rawdon cheats them blind.
She uses the stage name " Chea Courtney ".
She uses a jian called " Sword of the Ancestor " for regular combat, and her combination attacks include Red Rocket and other fire attacks, thanks to Mushu.
She also uses the technique of Back-Bussing in order to avoid paying for a ticket on the bus.
She also uses Twitter and has a Facebook page.
She is portrayed as a cunning, manipulative and immoral woman, who uses her beauty and extraordinary intelligence to both maintain her position on the French social hierarchy, but also to avenge herself on anyone who has wronged her in the past.
She faces ridicule as the lady tells her to drink and wash at a spring that doesn't exist, but digs a hole in the ground and uses the wet sand and mud.
She uses space children and Morolians alike as shields before using her tongue to attack.
She uses herself as an example, because she teaches gym and likes to sew her own dresses.
She uses the name Photon for quite some time, until Genis-Vell adopts the same name.
She has voted in favor of lifting the ban on privately funded abortions at U. S. military facilities overseas ( HA 209, rejected ), in favor of an amendment that would repeal a provision that forbids service women and dependents from getting an abortion in overseas military hospitals ( HA 722, rejected ), in favor of stripping the prohibition of funding for organizations working overseas that uses its own funds to provide abortion services or engage in advocacy related to abortion services ( HA 997, rejected ).
She uses medium-lights (. 012 –. 054 ) for her guitars in E A D G A D and D A D G A D tunings.
She immediately uses it on him, and so he is imprisoned forever, as if dead to anyone but her, in a hollow, nearby oak tree.
She works from a shed in her back garden and is active on Twitter, where she is known as @ joannechocolat, and which she uses, along with her website's message board, to answer questions from her fans.

She and visual
She had, of course, been exposed to and enjoyed a music appreciation course which had included the better known classical works such as `` Tristan und Isolde '', `` Candide '', `` Oklahoma '', `` Nozze de Figaro '', the atomic age singers, Eileen Farrell, Elvis Presley and Geraldine Todd, as well as the curious rhythmic progressions of the Venusians, Capellan visual chromatics and the sonic concerti of the Altairians.
She asserts: " In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness ," and as a result contends that in film a woman is the " bearer of meaning, not maker of meaning.
She has been noted for her ethereal visual style and symbolic lyrics.
She collected jewellery, especially cameos and intaglios, acquired important portraits and miniatures, and enjoyed the visual arts.
She also explores research that identifies mood disorders in such famous writers and artists as Ernest Hemingway ( who shot himself after electroconvulsive treatment ), Virginia Woolf ( who drowned herself when she felt a depressive episode coming on ), composer Robert Schumann ( who died in a mental institution ), and even the famed visual artist Michelangelo.
She works closely with friend and photographer Maria Mochnacz to develop the visual style of each album.
She claims she is a primarily visual thinker and has said that words are her second language.
She occasionally sang in these films, and often displayed a talent for hectic, visual comedy.
She calls this the emergence of a new visual code.
She earned her BA at Sarah Lawrence College and an MA in visual education at Harvard University.
She is described as " blonde " in every way, whereas Baum's original Glinda as well as Billie Burke's Glinda in the 1939 MGM movie ( which dictated the visual look as well as the overall feel and flavor of this stage musical ) had red hair.
She later made a visual appearance in 1990, in Rockin ' with the Chipmunks, where she danced and lip-synced in the music video for " Crocodile Rock " by Elton John.
She looks in the mirror for visual signs of dimpling, swelling, or redness on or near the breasts.
She is also one of the few parliamentarians with a physical disability, having become partially blind due to an illness in early 2011 ; she uses visual aids and a white cane.
She studied visual communication, eventually obtaining a master's degree from Islamic Azad University in Tehran.
She used elaborated visual technology on the stage and it is said that they cost over a hundred million yen.
She did her doctor's thesis on the influence of visual imagery on judgements of tactual distance and direction.
As early as 1946, John Martin noted, " She is keenly alert to modern experiments in the other arts music, poetry, visual design and employs them freely.
She made a number of visual contacts with British aircraft and warships, including a submarine, according to the Argentine version.
She tracked the convoy by radar along with Usurbil, but was ordered to return to Mar del Plata on 9 May before making visual contact.
She began her stage career and was frequently employed afterward, widely noted for both her talent and visual appeal.
She was as enthusiastic about the script and about the visual references that were sort of put to her, and jumped on board.
She trained as a sculptor at the Royal College of Art and was a visual artist for the first part of her life.
She spoke of verbal / analytic processing as taking place in the brain's left hemisphere, and visual / perceptual processing as taking place in the right.
She studied trains and other visual effects to prepare herself for the film and is proud of the results.

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