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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and contemporary
She was a near contemporary of better-known American artist Mary Cassatt and also received her training in Philadelphia and France.
She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny.
She created hits with the songs " Got a Hold on Me " ( Top 10 pop and # 1 adult contemporary ) and " Love Will Show Us How " (# 30 ).
She wrote it in French to her father, who was still living in England while Anne was completing her education at Mechelen, in the contemporary Netherlands, now Belgium.
She drew on and blended styles from Chinese histories, narrative poetry and contemporary Japanese prose.
She discussed the type of contemporary actress she wanted to emulate and explained that there were two in particular that she was influenced by: Faye Dunaway and Catherine Deneuve.
She conceded, but with irritation and anger, according to contemporary reports.
She adds that beginning the assignment was an " extraordinary risk " for Chagall, as he had finally become well known as a leading contemporary painter, but would now end his modernist themes and delve into " an ancient past ".
She was the first woman to appear on provincial coins in 16 BC and her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman.
She was influenced in using native plant species from: her many successful Reef Point experiences ; studying the contemporary books from the U. S. and abroad advocating the advantages of native palettes ; and from visiting the influential British garden authors William Robinson at Gravetye Manor in Sussex, and Gertrude Jekyll at Munstead Hall in Surrey, both in England.
" She went on to note however that " Childe's Marxism frequently differed from contemporary ' orthodox ' Marxism ; partly because he had studied Hegel, Marx and Engels as far back as 1913 and still referred to the original texts rather than later interpretations, and partly because he was selective in his acceptance of their writings.
She is said now to preside over the contemporary festival as well.
She is especially interested in showing how authors portrayed the many configurations of family relationships, from the early immigrant narratives of journeying to a new world, through novels that stress intergenerational conflicts, to contemporary works about the struggle of modern women to form nontraditional gender roles.
She was an avid reader and critic of contemporary literature, reviewing for publications such as the London Evening Standard, The Spectator, The Daily Mail, The Times, The Sunday Times and Books & Bookmen.
She took a keen interest in the work of young contemporary artists, such as Stanley Spencer, and she was particularly close to Mark Gertler and Dora Carrington, who were regular visitors to Garsington during the war, whilst Gilbert Spencer lived for a while in a house on the Garsington estate.
She would give the first performances of many works by other contemporary French composers.
She began her career in the contemporary Christian music industry but uncomfortable with that image and industry, she left it behind and rebranded herself as " Sam ", thus transitioning into the mainstream market after meeting producer T-Bone Burnett.
She has also published a critical study of contemporary Canadian women's texts,
She argues that some fans see this as a " stumbling block ", perhaps unconsciously, to recognising the character's masculinity and at a wider level, in constructing a notion of contemporary masculinity.
She is probably among the world's first three female film-makers, after Alice Guy and contemporary with Laura Bayley.
She collaborated with talented craftsman such as Jim Steinman and David Foster who helped her devise more adult contemporary songs.
She has also been highly-credited for remaining one of country's most popular female artists for over three decades, maintaining her success by continually incorporating contemporary musical sounds without changing her traditional vocal style.
She is a rhetorical illustration used by atheists and other religious skeptics as a contemporary version of Russell's teapot, sometimes mentioned in conjunction with the Flying Spaghetti Monster.
She was regarded as an ideal wife and mother according to the contemporary Serbian ideal and described as a humble person.
She tried to write contemporary mainstream fiction in the early 1970s and then gave up, turning to ancient Egypt for inspiration.

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