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Page "Madeline Kahn" ¶ 4
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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and singing
She notes that she too once had dreams, having come to Vienna to study opera singing with Salieri.
She began singing in the local choir and expanded her listening to blues singers such as Odetta, Billie Holiday and Big Mama Thornton.
She also lent her voice to the end credits of The Cat's Meow, singing Henry Creamer and Turner Layton's jazz standard " After You've Gone.
She led the crowd singing " Over the Rainbow " and " People Have the Power " at the campaign's rallies, and also performed at several of Nader's subsequent " Democracy Rising " events.
She performed on the children's show All That in 1997, singing " Show Me Love ," proving her growing popularity in the United States.
She was supposedly a very skilled musician as well, in both singing and playing the lute.
She developed her skills at singing and playing the piano.
She got her first taste of singing solo at a fire hall, where she soaked up the crowd ’ s appreciation.
She ’ d win prizes for looking, acting and dancing like Ruby Keeler and singing exactly like Bing Crosby.
She developed domestic skills such as dancing, embroidery, good manners, household management, music, needlework, and singing.
She is drinking heavily, has lost her singing voice and much of her looks and spends time with card sharps and con artists.
She was born as Akiko Suzuki ( Suzuki Akiko ) in Tokyo and raised in Aomori, Aomori, and later began her singing career in the mid-1970s.
She also began to participate in amateur plays and musicals, starting in 1780, in a theatre built for her and other courtiers who wished to indulge in the delights of acting and singing.
She began singing regularly with Webb's Orchestra through 1935 at Harlem's Savoy Ballroom.
She made numerous guest appearances on television shows, singing on The Frank Sinatra Show, The Andy Williams Show, The Pat Boone Chevy Showroom, and alongside other greats Nat King Cole, Dean Martin, Mel Tormé, and many others.
" She also starred in a number of commercials for Kentucky Fried Chicken, singing and scatting to the fast-food chain's longtime slogan, " We do chicken right!
She was one of the first musicians to use her popularity as a vehicle for social protest, singing and marching for human rights and peace.
She began as a flower seller in a restaurant in her hometown, singing popular ballads as she sold blossoms.
She has had a part in the writing and singing of five songs on Conjure One's albums: " Center of the Sun " and " Make a Wish " on the self-titled first album and " Endless Dream ", " One Word " and " Extraordinary Way " on Extraordinary Ways.
She became successful in Europe and the Americas ; during her singing career, she earned many platinum and gold discs.
She is probably best known for her pivotal role as the tortured nightclub singer Dorothy Vallens in David Lynch's Blue Velvet, in which she also did her own singing.
She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963.
She started 1985 by participating on USA for Africa's famine-relief fund-raising single " We Are the World ", singing the climactic soprano part of the bridge.
She received several other uncredited film roles in the early 1930s, often singing in choruses.
She had a leading part in the film and demonstrated her singing talent, including a duet with Rogers.

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