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Page "Sheila Copps" ¶ 22
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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and often
She would often go up on the roof to see the attendant take down the flag in the evening.
She is often depicted nude in many of the images she is in.
She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women ; she often was depicted as a huntress carrying a bow and arrows.
She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer.
She has consequently often credited her faith as having helped her overcome addictions and personal problems.
She and Pissarro were often treated as " two outsiders " by the Salon since neither were French or had become French citizens.
She refers to Diana, goddess of the moon, who is often depicted with a silver hunting bow.
She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.
She is often cited as one of the earliest dominatrices, although she herself used the title of " Governess ".
She did not have the opportunity to see her sons very often during her imprisonment, though she was released for special occasions such as Christmas.
She often wrote to its then ruler, Tsar Ivan IV, on amicable terms, though the Tsar was often annoyed by her focus on commerce rather than on the possibility of a military alliance.
She is most often associated with her Homeric epithet " rosy-fingered " ( rhododactylos ), but Homer also calls her Eos Erigeneia:
Dialogue now took precedence over " slapstick " in Hollywood comedies: the fast-paced, witty banter of The Front Page ( 1931 ) or It Happened One Night ( 1934 ), the sexual double entrendres of Mae West ( She Done Him Wrong, 1933 ) or the often subversively anarchic nonsense talk of the Marx Brothers ( Duck Soup, 1933 ).
She is always very supportive of Mike and there are often hints that she actually has a crush on him.
She was often portrayed as the shrewish, jealous wife of Zeus, who himself often escaped from her controlling ways by cheating on her with other women, mortal and immortal.
She was often described as a Lady Macbeth-type who dominated her husband.
She uses her telekinesis to often lift herself and others giving her the ability of levitation and flight.
She is understood in various and often conflicting aspects, as the embodiment of treachery, the quintessential victim, or simply as symbolic mother of the new Mexican people.
She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.
She is often depicted with her sacred creature, an owl usually named as the " owl of Minerva ", which symbolizes her ties to wisdom.
She was often given to harsh language, and she did not spare her husband, even when strangers were present.
She is often depicted as a trio of goddesses, all sisters, although membership of the triad varies ; the most common combinations are Badb, Macha and Nemain, or Badb, Macha and Anand ; Anand is also given as an alternate name for Morrigu.
She often fills in for Carter when he is indisposed.

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