She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She was quick.

She brought up her free hand to hit him, but this time he was quicker.

She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.

She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.

She was bewildered.

She was standing in a thick grove.

She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.

She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.

She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.

She was wearing nothing beneath the coat.

She was standing with her back to the glass door.

She was just not able to break the spell.

She was telling herself that this might just be her reward at the end of a long meaningful search for truth.

Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!

She confessed she was unhappy, he asked was it her husband??

She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.

She was like charcoal, he thought -- dark, opaque, explosive.

She came home afterward with the necklace and kept silent as if nothing happened.

She is the niece of Diana Barrymore and the grandniece of Lionel Barrymore, Ethel Barrymore and Helene Costello, the great-great-granddaughter of John Drew and actress Louisa Lane Drew, and the great grandniece of Broadway idol John Drew, Jr. and silent film actor / writer / director Sidney Drew.

She appeared in a silent film, Deliverance ( 1919 ), which told her story in a melodramatic, allegorical style.

She married Owen Moore ( 1886 – 1939 ), an Irish-born silent film actor, on January 7, 1911.

She comes to realize that remaining silent condones the prejudice.

" She kept silent out of respect for her father and denies that the two had agreed that she would not reveal her connection to Thurmond.

She also appeared in the Garrel films Anathor ( 1972 ); the silent Jean Seberg feature Les Hautes Solitudes, released in 1974 ; Un ange passe ( 1975 ); Le Berceau de cristal ( 1976 ), starring Pierre Clémenti, Nico and Anita Pallenberg ; and Voyage au jardin des morts ( 1978 ).

She agrees to remain silent.

She immediately stirred interest with her first silent film, Torrent, released in 1926 ; a year later, her performance in Flesh and the Devil, her third movie, made her an international star.

Speed is credited as the designer on the 1916 silent movie version of the novel She by H. Rider Haggard, which he had illustrated.

She writes to her mother for advice ; Joan tells her to keep silent about her past.

She appeared in 46 silent films and 11 talkies, including hits such as Mantrap ( 1926 ), It ( 1927 ) and Wings ( 1927 ).

She made her film debut in The Scarlet Woman ( 1925 ) and in 1928 appeared in three ' silent shorts ' written for her by H. G.

* She Stoops to Conquer, a 1910 silent movie starring Anna Rosemond

* She Stoops to Conquer, a 1914 silent movie directed by George Loane Tucker and starring Henry Ainley and Jane Gail

* She Stoops to Conquer, a 1923 silent movie directed by Edwin Greenwood

She attempted tried an older role with her final silent film My Best Girl in 1927., and in 1928, following the death of her mother, cut off her world famous curls.

She also appeared in the silent films Second Youth ( 1924 ) and The Man Who Found Himself ( 1925 ).

She appeared as herself at her Long Island home in a cameo with one of her adult daughters in the 1915 silent How Molly Made Good, a film that's available on DVD.

She starred in the 1916 silent film A Night Out, an adaptation of the play she co-wrote, The Three Lights.

She couldn ’ t speak until the age of three, but the films were all silent.

She was silent – who would hear her pleading?

She first collaborated on a screenplay for The Dark Angel, an earlier play and silent film.

She debuted on stage on 29 December 1919, aged 12, in Bluebell in Fairyland, by Seymour Hicks, music by Walter Slaughter and lyrics by Charles Taylor, at the Metropolitan Music Hall, Edgware Road, London, as a child dancer ; she made her film debut in 1923 in the silent film The Beloved Vagabond.