She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She was quick.

She brought up her free hand to hit him, but this time he was quicker.

She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.

She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.

She was bewildered.

She was standing in a thick grove.

She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.

She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.

She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.

She was wearing nothing beneath the coat.

She was standing with her back to the glass door.

She was just not able to break the spell.

She was telling herself that this might just be her reward at the end of a long meaningful search for truth.

Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!

She confessed she was unhappy, he asked was it her husband??

She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.

She was like charcoal, he thought -- dark, opaque, explosive.

She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.

She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.

She would not accept the death of such a little child.

She didn't like her stepmother, but nothing is known to have occurred shortly before the crime that could have caused such a murderous rage.

She set out to make sure that no Jewish child anyplace in the world had to live in a place such as this ''.

She was not alone for there were three other such children in the big city's special nursery.

She had, of course, been exposed to and enjoyed a music appreciation course which had included the better known classical works such as `` Tristan und Isolde '', `` Candide '', `` Oklahoma '', `` Nozze de Figaro '', the atomic age singers, Eileen Farrell, Elvis Presley and Geraldine Todd, as well as the curious rhythmic progressions of the Venusians, Capellan visual chromatics and the sonic concerti of the Altairians.

She also argued that the two traditions are not comparable and should not be regarded as such.

She had earlier told the House of Commons that if she had been aware of such facts she would have done something about it.

She remembers that her father was such a fan of Bessie Smith, " he once rode 50 miles on horseback just to see her perform live.

She was also taught domestic skills, such as needlepoint, lace-making, embroidery, music and dancing.

She became known in the 1970s in films such as Hester Street ( for which she received an Academy Award nomination ) and Annie Hall.

She argued that these terms denigrated the proper and natural function of sexuality, and that such language was inappropriate for female characters such as Madame Raison.

She was frequently cast in romantic comedies such as Wishful Thinking ( 1997 ), The Wedding Singer ( 1998 ), and Home Fries ( 1998 ).

She also was respected by the semi-Hellenic countries around the Greek world, such as Lydia, Caria, and even Egypt.

She continued to make minor and frequently nostalgic period musicals such as Starlift, The West Point Story, On Moonlight Bay, By the Light of the Silvery Moon, and Tea For Two for Warner Brothers.

She also continued to explore new business and entertainment ventures such as her Dollywood theme park, that opened in 1986 in Pigeon Forge, Tennessee.

She is recorded to have used implements such as whips, canes and birches, to chastise and punish her male clients, as well as the Berkley Horse, a specially designed flogging machine, and a pulley suspension system for lifting them off the floor.

She began collaborating with Vertov, beginning as his editor but becoming assistant and co-director in subsequent films, such as Man with a Movie Camera ( 1929 ), and Three Songs About Lenin ( 1934 ).

She sees sectors of education such as courses for business executives as being " more lucrative than traditional markets ".

She started taking roles in such B-movies as Bikini Beach Race and Lethal Cowboy.

She was the patroness of such literary figures as Wace, Benoît de Sainte-Maure, and Bernart de Ventadorn.

She did not have the opportunity to see her sons very often during her imprisonment, though she was released for special occasions such as Christmas.