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Page "Amanda Root" ¶ 14
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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and voice
She said, her voice rising.
She even spoke differently when she was clean, and she was clean now for his departure and her voice clear and rather sharp.
She appeared in several productions in Paris, earning rave reviews for her fine soprano voice.
She also lent her voice to the end credits of The Cat's Meow, singing Henry Creamer and Turner Layton's jazz standard " After You've Gone.
Alboni's voice, an exceptionally fine contralto with a seamless compass of two and one-half octaves, extending as high as the soprano range < ref name = C243 >" She was a real contralto from f < sub > 3 </ sub > to g < sub > 5 </ sub >, then, up to c < sub > 6 </ sub >, she was an excellent soprano.
She co-starred in 1950's The Next Voice You Hear ..., playing a pregnant housewife who hears the voice of God from her radio.
She also did the Swedish voice of Anne-Marie in All Dogs Go to Heaven.
She provided the likeness and voice for Serena St. Germaine in the 2004 video game, James Bond 007: Everything or Nothing.
" She often provides a voice of reason for the town itself, but many of the townspeople are frustrated or contemptuous of her frequent failure to recognize or react correctly to breaches of social norms.
She continued with the play ; but, when Korda moved it to a larger theatre, Leigh was found to be unable to project her voice adequately or to hold the attention of so large an audience, and the play closed soon after.
' So I asked her about the disease ... She explained how it begins with a trembling, which gets more and more noticeable, until later the patient can no longer speak without the voice shaking.
She " had a voice over agent for about two years, and I used to go out auditions all the time, but it never really came to anything.
The Prophet focuses once again on Jerusalem: " Woe to the provoking, and redeemed city ... She hath not hearkened to the voice, neither hath she received discipline.
She stayed with Chicken Shack for two albums, during which time her genuine feel for the blues became evident, not only in her Sonny Thompson-style piano playing, but through her authentic " bluesy " voice.
She began a new career in 1963 as a singer and surprised her audiences with the deep, smoky quality of her voice and the many lyrics, which she wrote herself.
She is drinking heavily, has lost her singing voice and much of her looks and spends time with card sharps and con artists.
She also lent her voice to the Oscar-nominated animated feature Persepolis ( 2007 ).
Henry Pleasants, an American classical-music critic, wrote this about her: She has a lovely voice, one of the warmest and most radiant in its natural range that I have heard in a lifetime of listening to singers in every category.
" She frequently used shorter, stabbing phrases, and her voice was harder, with a wider vibrato ", one biographer wrote.
She also guest starred ( as the voice of ' The Queen ') in The Goodies 1980 episode " Goodies and Politics ".
She was appalled by the conditions she witnessed first-hand in the Manchester workhouse: Pankhurst immediately began to change these conditions, and established herself as a successful voice of reform on the Board of Guardians.
She was praised for her elegance, style, and low, " silvery ", beautifully modulated voice.
She hears voices in her head, each one ostensibly the voice of a person in her life, primarily " The Goodwife " or " Goody Burlingame " ( a somewhat Puritanical version of Jessie ), Ruth Neary ( an old college friend ), and Nora Callighan ( her ex-psychiatrist ), both of whom Jessie hasn't spoken to in decades.
She said, " it's wonderful to be in the midst of all this hype about the show, and people enjoying the show so much, and to be totally a fly on the wall ; people never recognise me solely from my voice.
She regularly read to soldiers in the military hospitals and on the front line ; indeed, her later pieces seem to be the voice of those who had struggled and the many she has outlived.

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