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Page "History of Spain" ¶ 109
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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and viewed
She can be viewed as a transitional figure in her field, redirecting both anthropology and folklore away from the limited confines of culture-trait diffusion studies and towards theories of performance as integral to the interpretation of culture.
She wrote in her diary on 15 March 1910 that she couldn't understand the family's regard for Rasputin as " almost a saint " when she viewed him as only a " khlyst " Tyutcheva told Grand Duchess Xenia that the starets visited when Olga and Tatiana were getting ready for bed and sat there talking with them and " caressing " them.
She remained a loyal companion to him as they carried out their crime spree and awaited the violent deaths they viewed as inevitable.
She was viewed as the patroness of a secretive group of dancers known as the calusari who operated up until at least the 19th century.
She is generally viewed as belonging to the liberal wing of the Court.
She then went to St. Petersburg where the Tsar viewed her performances.
She is often viewed as a bit strange because of her habits and the men she dates ( not to mention her habit of over-drinking, to which she openly confesses ).
She has also started her own ( as the show's producer, Meetinghouse Productions Inc., ( which also produces World's Dumbest ) calls it ) docu-comedy series ( the first episode of which can be viewed on YouTube ) about herself, family, and friends.
She was known as " the Muse of Automatic Writing " by the Surrealists, who viewed Smith as evidence of the power of the surreal, and a symbol of surrealist knowledge.
" Furthermore, in interviews with perpetrators of anti-gay violence, forensic psychologist Karen Franklin points out that “ heterosexism is not just a personal value system, it is a tool in the maintenance of gender dichotomy .” She continues by saying that “ assaults on homosexuals and other individuals who deviate from sex role norms are viewed as a learned form of social control of deviance rather than a defensive response to personal threat .”
She refused many marriage proposals from Yeats because she viewed him as insufficiently nationalist and because of his unwillingness to convert to Catholicism.
She viewed film of some of Anderson and Conway's skits and proceeded to take Conway under her wing.
She drew a distinction between authoritarian dictators, who she believed were capable of embracing democracy and who were, not coincidentally, allies of the United States, and communist totalitarian dictators, who she viewed as unyielding and incapable of change.
She may also be viewed as an emerging feminist figure, able to defend herself with her knobkerry and — although naïve — capable of formulating searching theological questions.
She has been accused in print of espousing, " a ' scientific ' racism that viewed groups such as Jews and Armenians as ' undesirable ' immigrants.
She attended the Catholic parish school, where she was viewed as something of a problem child.
She was associated with a group of newly elected, activist, largely middle-class councillors who were viewed with varying degrees of antagonism by some established Labour Party councillors.
She is largely viewed as one of the strongest social conservative in the House of Commons.
She is viewed by many women around the world as a martyr for women's rights and symbol for human rights.
She viewed consciousness as an epiphenomenon of excitation and inhibition of motor discharge.
She can be viewed as one of the most moral, stable and respected empresses in the history of the Roman Empire.
She, as a single woman of only 25 years of age, was not viewed as socially acceptable to obtain the guardianship of the baby.
In DVD commentary she applauds the work of her cast and crew, remarking " was very lucky to have such a wonderful crew ..." She did feel regret that the film was rated R, for language, despairing that the movie might not be viewed by teenagers who would like and relate with the characters.
She was well aware of how females and female artists were viewed by men therefore explains why her works in the beginning of her career were bold and defiant ( Bissell, 113 ).

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