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Page "belles_lettres" ¶ 808
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She and would
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She would return this symbol to the mountain, as one pours seed back into the soil every Spring or as ancient fertility cults demand annual human sacrifice.
She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.
She did not pause to consider what she would do if her plan should fail ; ;
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??
She had to move in some direction -- any direction that would take her away from this evil place.
She began it deliberately, so that none of her words would be lost on him.
She would look at Jack, with that hidden something in her eyes, and Jack would see the Woman and become breathless and a little sick.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She gave me the names of some people who would surely help pay for the flowers and might even march up to the monument with me.
She would hover over him and, looking like her brother, anxiously watch the progress of Scotty's fork or spoon.
She was the only kind of Negro Laura Andrus would want around: independent, unservile, probably charging double what ordinary maids did for housework -- and doubly efficient.
She would not accept the death of such a little child.
She stood there, a large old woman, smiling at the things she would say to him in the morning, this big foolish baby of a son.
She and her husband had formerly lived in New York, where she had many friends, but Mr. Flannagan thought the country would be safer in case of war.
She would rather live in danger than die of loneliness and boredom.
She would have said triumph.
She was personally sloppy, and when she had colds would blow her nose in the same handkerchief all day and keep it, soaking wet, dangling from her waist, and when she gardened she would eat dinner with dirt on her calves.
She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.

She and often
She is often depicted nude in many of the images she is in.
She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women ; she often was depicted as a huntress carrying a bow and arrows.
She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer.
She has consequently often credited her faith as having helped her overcome addictions and personal problems.
She and Pissarro were often treated as " two outsiders " by the Salon since neither were French or had become French citizens.
She refers to Diana, goddess of the moon, who is often depicted with a silver hunting bow.
She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.
She is often cited as one of the earliest dominatrices, although she herself used the title of " Governess ".
She did not have the opportunity to see her sons very often during her imprisonment, though she was released for special occasions such as Christmas.
She often wrote to its then ruler, Tsar Ivan IV, on amicable terms, though the Tsar was often annoyed by her focus on commerce rather than on the possibility of a military alliance.
She is most often associated with her Homeric epithet " rosy-fingered " ( rhododactylos ), but Homer also calls her Eos Erigeneia:
Dialogue now took precedence over " slapstick " in Hollywood comedies: the fast-paced, witty banter of The Front Page ( 1931 ) or It Happened One Night ( 1934 ), the sexual double entrendres of Mae West ( She Done Him Wrong, 1933 ) or the often subversively anarchic nonsense talk of the Marx Brothers ( Duck Soup, 1933 ).
She is always very supportive of Mike and there are often hints that she actually has a crush on him.
She was often portrayed as the shrewish, jealous wife of Zeus, who himself often escaped from her controlling ways by cheating on her with other women, mortal and immortal.
She was often described as a Lady Macbeth-type who dominated her husband.
She uses her telekinesis to often lift herself and others giving her the ability of levitation and flight.
She is understood in various and often conflicting aspects, as the embodiment of treachery, the quintessential victim, or simply as symbolic mother of the new Mexican people.
She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.
She is often depicted with her sacred creature, an owl usually named as the " owl of Minerva ", which symbolizes her ties to wisdom.
She was often given to harsh language, and she did not spare her husband, even when strangers were present.
She is often depicted as a trio of goddesses, all sisters, although membership of the triad varies ; the most common combinations are Badb, Macha and Nemain, or Badb, Macha and Anand ; Anand is also given as an alternate name for Morrigu.
She often fills in for Carter when he is indisposed.

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