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She and writes
She also reviews tech gadgets and writes the weekly Booting Up column.
She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.
She writes that the " eradicationists " have responded to these criticisms by reaching out to the African communities and strengthening their relationships with local anti-FGM activists.
She writes that he has been a paid consultant for many years for ARCO, ExxonMobil, Shell, Sun Oil Company, and Unocal, and that SEPP has received grants from ExxonMobil.
Seldon writes " She ... made Major smarten his appearance, groomed him politically, and made him more ambitious and worldly.
" She writes:
She writes that only three fragmentary manuscripts are known to have survived into the modern period, two 3rd-century fragments ( P. Rylands 463 and P. Oxyrhynchus 3525 ) published in 1938 and 1983, and a longer 5th-century Coptic translation ( Berolinensis Gnosticus 8052, 1 ) published in 1955.
Barer writes that several early Saint stories were rewritten from non-Saint stories, including the novel She Was a Lady, which appeared in magazine form featuring a different lead character.
She writes that the CIA was encouraging Contra terror and then indirectly by the U. S. government and President Reagan, violating Reagan ’ s own Presidential Directive.
She writes very much in the spirit of Louis Cha.
She is frank and open about her feelings about the projects in which she has been involved, and also writes about her personal life and how it was affected by her career.
She writes, “ For I saw no wrath except on man's side, and He forgives that in us, for wrath is nothing else but a perversity and an opposition to peace and to love ”.
She also connects God with motherhood in terms of ( 1 ) " the foundation of our nature's creation, ( 2 ) " the taking of our nature, where the motherhood of grace begins " and ( 3 ) " the motherhood at work ", and writes metaphorically of Jesus in connection with conception, nursing, labor, and upbringing.
She writes that " the picture which is usually painted of Hooke as a morose and envious recluse is completely false .".
She writes that James was the example for the Stewart kings to follow by putting Scotland securely into a European setting.
She composes plays for her sisters to perform and writes short stories.
She writes a letter to Huma and Agrado saying that she is leaving and once again is sorry for not saying goodbye, like she did years before.
In act 4, scene 14, “ an un-Romaned Antony ” laments, “ O, thy vile lady !/ She has robb'd me of my sword ,” ( 22-23 )— critic Arthur L. Little Jr. writes that here “ he seems to echo closely the victim of raptus, of bride theft, who has lost the sword she wishes to turn against herself.
She writes usually with female protagonists in the first person, set in Colonial-Civil War era America or World War I era.
She writes ( often humorously ) about her career, self-image, vices, family, friends, and romantic relationships.
She writes a phone number on a scrap of paper, which leads Mike to the local veterans ' hospital where Steven has been for several months.
“‘ Technology ,’ she writes, ‘ catalyzes changes not only in what we do but in how we think .’” She goes on using Jean Piaget's psychology discourse to discuss how children learn about computers and how this affects their minds.
She writes to her mother for advice ; Joan tells her to keep silent about her past.
She still writes screenplays for Hollywood.

She and poem
She was the pursuer as clearly as was Venus in Shakespeare's poem.
She is the subject of a poem ( Peregrine White and Virginia Dare ) by Rosemary and Stephen Vincent Benet, and the North Carolina Legend of the White Doe.
She was portrayed as Belphoebe or Astraea, and after the Armada, as Gloriana, the eternally youthful Faerie Queene of Edmund Spenser's poem.
She is a figure of imaginary power within the poem who can inspire within the narrator his own ability to craft poetry.
She is also mentioned in the poem Appius and Virginia by John Webster and Thomas Heywood, which includes the following lines:
She appears in the following verse from the Poetic Edda poem Völuspá, along with Urðr and Skuld:
She read a free verse poem calling for peace in the world.
At 17 years old, in his journal Sirius, she published her first poem which could be translated as On his hand are many shiny rings, ( 1907 ) signing it ‘ Anna G .’ She soon became known in St Petersburg's artistic circles, regularly giving public readings.
( She noted that Song of the Last Meeting, dated 29 September 1911, was her 200th poem ).
She tells how Akhmatova would write out her poem for a visitor on a scrap of paper to be read in a moment, then burnt in her stove.
She was also invoked at the beginning of a lost poem, Rhadine (), that was referred to and briefly quoted by Strabo.
She chants a poem, and then returns to her husband Manannán, who shakes his magical cloak of mists between Fand and Cúchulainn, that they may never meet again.
She also helped to create a poem to include the Wiccan Rede within it.
" She wrote a poem entitled The Martyrdom of St. Cyprian in two books, of which 800 lines survived, and an inscription of a poem on the baths at Hammat Gader.
She wrote an epic poem combining her classical Athens educational background by doing a Homeric centos, but adding stories from the book of Genesis and the New Testament stories of the life of Jesus Christ.
She ensured the posthumous publication of his final volume of poetry, The Far Field, which includes the poem " Meditation at Oyster River.
She began writing at an early age, publishing her first poem at the age of ten and compiling a collection of poetry at 15.
Humanities scholar Camille Paglia speculated that the song's lyrics might have been partly inspired by William Blake's poem " The Mental Traveller ": " She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat.
She performed T. S. Eliot's poem The Waste Land as a one-person show at the Liberty Theatre in New York to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.
She developed a love of poetry at a young age, after discovering a poem by Tennyson on a scrap of newspaper that had been used to wrap a pat of butter ; this discovery was one of Siddall's inspirations to start writing her own poetry.
She amassed a devoted readership and attempted to begin each column with a poem.
She was the subject of an Irish poem, of which an English version was written by James Mangan from a prose translation by Eugene O ' Curry.
She wrote Scissorhands as a " love poem " to Burton, calling him " the most articulate person I know, but couldn't put a single sentence together ".

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