She also reviews tech gadgets and writes the weekly Booting Up column.

She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.

She writes that the " eradicationists " have responded to these criticisms by reaching out to the African communities and strengthening their relationships with local anti-FGM activists.

She writes that he has been a paid consultant for many years for ARCO, ExxonMobil, Shell, Sun Oil Company, and Unocal, and that SEPP has received grants from ExxonMobil.

Seldon writes " She ... made Major smarten his appearance, groomed him politically, and made him more ambitious and worldly.

" She writes:

She writes that only three fragmentary manuscripts are known to have survived into the modern period, two 3rd-century fragments ( P. Rylands 463 and P. Oxyrhynchus 3525 ) published in 1938 and 1983, and a longer 5th-century Coptic translation ( Berolinensis Gnosticus 8052, 1 ) published in 1955.

Barer writes that several early Saint stories were rewritten from non-Saint stories, including the novel She Was a Lady, which appeared in magazine form featuring a different lead character.

She writes that the CIA was encouraging Contra terror and then indirectly by the U. S. government and President Reagan, violating Reagan ’ s own Presidential Directive.

She writes very much in the spirit of Louis Cha.

She is frank and open about her feelings about the projects in which she has been involved, and also writes about her personal life and how it was affected by her career.

She writes, “ For I saw no wrath except on man's side, and He forgives that in us, for wrath is nothing else but a perversity and an opposition to peace and to love ”.

She also connects God with motherhood in terms of ( 1 ) " the foundation of our nature's creation, ( 2 ) " the taking of our nature, where the motherhood of grace begins " and ( 3 ) " the motherhood at work ", and writes metaphorically of Jesus in connection with conception, nursing, labor, and upbringing.

She writes that " the picture which is usually painted of Hooke as a morose and envious recluse is completely false .".

She writes in a poem about her own style that " lucid and transparent / are my images ".

She writes that James was the example for the Stewart kings to follow by putting Scotland securely into a European setting.

She composes plays for her sisters to perform and writes short stories.

She writes a letter to Huma and Agrado saying that she is leaving and once again is sorry for not saying goodbye, like she did years before.

In act 4, scene 14, “ an un-Romaned Antony ” laments, “ O, thy vile lady !/ She has robb'd me of my sword ,” ( 22-23 )— critic Arthur L. Little Jr. writes that here “ he seems to echo closely the victim of raptus, of bride theft, who has lost the sword she wishes to turn against herself.

She writes usually with female protagonists in the first person, set in Colonial-Civil War era America or World War I era.

She writes ( often humorously ) about her career, self-image, vices, family, friends, and romantic relationships.

She writes a phone number on a scrap of paper, which leads Mike to the local veterans ' hospital where Steven has been for several months.

“‘ Technology ,’ she writes, ‘ catalyzes changes not only in what we do but in how we think .’” She goes on using Jean Piaget's psychology discourse to discuss how children learn about computers and how this affects their minds.

She writes to her mother for advice ; Joan tells her to keep silent about her past.

She still writes screenplays for Hollywood.

She lay there, making no effort to get back on her feet.

She drank greedily, and murmured, `` Thank you '', as he lowered her head.

She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She stared at him, her eyes wide as she thought about what he had said ; ;

She got to her feet, staggered, and almost fell.

She sat down at the table, shaking her head.

She clung to him, talking to him, and dabbing at her eyes.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.

She came down against him, and he tried to break her fall.

She wiped it off with the sleeve of her coat.

She brought up her free hand to hit him, but this time he was quicker.

She finally regained her balance and got up in the saddle.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.