" Slant Magazine's Sal Cinquemani echoed the same thought, saying that " she gets the Cher treatment on the blazing cover.

In Slant Magazine's four-out-of-four-star review, Eric Henderson rejects the " so-bad-it's-good " interpretation and lauds the film as " one of the most honest satires of recent years ", stating that the film targets Hollywood's " morally bankrupt star-is-born tales.

* Ranked # 5 on Slant Magazine's " Best Albums of the 1980's "

" Control has been honored by several music publication in recognition of its impact on the recording industry, including " Rolling Stone's 100 Best Albums of the Eighties ", Q magazine's " 100 Women Who Rock The World ", Slant Magazine's " Vital Pop: 50 Essential Pop Albums ", and " Best Albums of the ' 80s " Vibe magazine's " 100 Essential Albums of the 20th Century " and " The Unfadeable 51 ", and the Rock and Roll Hall of Fame's " The Definitive 200: Top 200 Albums of All-Time ".

Slant Magazine's Eric Henderson said it is "... artful enough to demand serious critical consideration, yet foul enough to christen you a pervert for even bothering ".

The film is now considered a classic film noir, as evidenced by its inclusion on the Time magazine " All-Time 100 List " as well as Slant Magazine's 100 Essential Films.

" Birth was placed at 96 on Slant Magazine's best films of the 2000s.

" Slant Magazine's Nick Schager awarded the film a full four stars.

" Slant Magazine's Sal Cinquemani agreed, stating that " it's this impishness that helps make ' What You Waiting For ' one of the hottest ' arrival ' songs of all time ".

Café Lumière was placed at 98 on Slant Magazine's best films of the 2000s.

L ' Emploi du temps was placed at 99 on Slant Magazine's best films of the 2000s ,, No. 9 of The Guardian's Best Films of the Noughties, and number 11 at The AV Club's top 50 films of the ' 00s.

Slant Magazine's Sal Cinquemani called Timberlake's 2007 single " What Goes Around ... Comes Around " a " ostensible " sequel of " Cry Me a River " in both lyrical and musical way.

Slant Magazine's review, while only marginally positive, called the film " not unlike an episode of Melrose Place as imagined by Lucio Fulci ", noting that it " may be Hooper's most impressive film in years ".

Grizzly Man was placed at 94 on Slant Magazine's best films of the 2000s.

Platform placed 32 on Slant Magazine's list of the 100 best films of the 2000s and was named as one of Sight & Sound ’ s films of the 2000s.

In 2010, it was included in Slant Magazine's list of the 100 best films of the decade.

Slant Magazine listed the album at # 84 on its list of " Best Albums of the 1980's ".

Slant Magazine listed the album at # 26 on its list of " Best Albums of the 1980's ".

In 2012, Slant Magazine listed the album at # 23 on its list of " Best Albums of the 1980s " saying " Power, Corruption & Lies marks the real beginning of New Order's career " and " their first perfect pop record ".

In 2012, Slant Magazine listed the album at # 59 on its list of " Best Albums of the 1980s ".

In 2012, Slant Magazine listed the album at # 68 on its list of " Best Albums of the 1980's ".

Slant Magazine listed the album at number 74 on its list of the best albums of the 1980s.

Slant Magazine listed the album at # 77 on its list of " Best Albums of the 1980's ".< ref >

Slant Magazine listed " Ray of Light " as 16th " Best Singles of the ' 90s " Furthermore, The Village Voice ranked the single as the fourth best in 1998 in their Pazz & Jop critics ' poll.

Slant Magazine listed " Secret " as the 42nd " Best Singles of the ' 90s ".

Slant Magazine listed " Secret " as the 42nd " Best Singles of the ' 90s ," stating that its " one of the most organic-sounding singles of Madonna's career, taking its sweet time to get where it's going and not giving up too much along the way.

Slant Magazine listed " Vogue " as tenth " Best Singles of the ' 90s " as well as third in their list of the " 100 Greatest Dance Songs ".

Sal Cinquemani from Slant Magazine gave the song a positive review, claiming it was " one of the great pop masterpieces of the ' 90s.

Sal Cinquemani of Slant Magazine notes that the album " was at the forefront of the increasingly popular sampling trend in the ' 90s, with one song even employing three different samples as its foundation.

The staff of Slant magazine later ranked " Since U Been Gone " at number 13 in their list of Best Singles of the Aughts, writing that the song proves Clarkson's powerful ability as a vocalist as well as her versatility as an artist.

" Eric Henderson of Slant Magazine praised the song, calling it " female-empowering " and wrote, "' What Have You Done for Me Lately ' predates TLC's ' No Scrubs ' by over a decade.

Slant Magazine has called the song " adult-skewed pop-punk ", comparing it to Green Day's previous album Warning.

Sal Cinquemani of Slant Magazine complimented Dre and Vidal for producing an old-sounding music without sampling records, calling it " super-tight " alongside " Follow Me ", another song from the album.

" Rich Juzwiak from Slant lauded " My All ", calling it the " song of her career ," and writing " the lyrical strokes are as broad and obvious as they are naked.

Slant Magazine ranked the song at number sixty on their " Best Singles of the ' 90s " list, writing it is " escapism perfected, summer bubblegum gem with a sweet, flawless vocal line driven by a diva in her prime.

" Rich Juzwiak from Slant complimented the song, calling it " awakening, both sensually and musically.

Writers for Slant, listing the song at number 100 on the " Best of the Aughts: Singles ," its list of the Top 100 Singles of the Decade, noted the song's lyrical range and novelty in being used on fashion runway shows, saying " A runway is not the venue you expect to hear about gun culture, the Iraq War, the PLO, snipers, racial profiling, and sweatshops, but those are just some of the topics that M. I. A.

" In 2006, Slant Magazine ranked the song at # 88 in their 100 Greatest Dance Songs, commenting that " with its parenthetical title, gummy bassline, schmaltzy horns, tinkling keyboards, and half-step key changes, song is definitive ' 80s dance-pop.

Eric Handerson of Slant Magazine found that the song " provocatively merges a Weather Report-esque jazz-fusion bass riff with a heavy-timbered rock drumbeat to match her contemptuous vocal delivery (" Self-sufficience, please!

" Slant magazine praised the song in a review of the album: " is a retro hands-in-the-air club song reminiscent of Debbie Deb's " When I Hear Music " and Madonna's own " Into The Groove ( 1985 )," is the singer's best dancefloor-beckoning track since " Vogue.

" Sal Cinquemani from Slant Magazine had said that Madonna had expressed a more " soul " tone towards to song, which is also towards her other single " Don't Tell Me ".

Sal Cinquemani of Slant Magazine wrote that the song was a " celebratory tech-frenzy ", and noted Madonna's " elation " in the song, giving it an " A " rating.

In a Slant Magazine list of the best singles of the 1990s, in which the song was placed 16th, it was written that the song's " beat is restless ", and that " Ray of Light " is " a standout single " due to the song's " emotional warmth ".

Sal Cinquemani from Slant Magazine called the song a classic.

Slant Magazine said of the album: " Vespertine delicately traces the cycle of said relationship " and called the song " loss of personal identity and full possessive entrapment ".

Slant Magazine ranked the song second in its 100 Greatest Dance Songs list, adding: " No song delivered the group's world-conscious Word as colorfully and open-heartedly as " Groove Is in the Heart ," which flew up the Billboard charts while goosing stuffed shirts ".

Ed Gonzalez of Slant Magazine compared Madonna's performance of " Lucky Star " as " emerging as a soul butterfly fluttering to the disco heavens during a remix of song that actually makes sound good.

Sal Cinquemani of Slant Magazine called the song soulful.