Some jazz drummers avoid using thick drum heads, preferring single ply drum heads or drum heads with no muffling.

Some bassists increase their employ-ability by learning several different styles, such as classical and jazz or rockabilly and bluegrass.

" Some critics have even stated that Ellington's music was not jazz because it was arranged and orchestrated.

Some guitarists incorporate a Latin jazz influence, acid jazz-style dance club music uses samples from Wes Montgomery, and guitarists such as Bill Frisell continue to defy categorization.

Some jazz guitarists use their knowledge of jazz scales and chords to provide a walking bass-style accompaniment.

Some jazz guitarists also borrow ornamentation techniques from other jazz instruments, such as Wes Montgomery's borrowing of playing melodies in parallel octaves, which is a jazz piano technique.

Some artists, like Jelly Roll Morton, were present and performed both ragtime and jazz styles during the period the two genres overlapped.

Some bands remain faithful to the original roots, while others continually expand the jug band repertoire to include other folk music, popular music, jazz and classical music forms, such as The Juggernaut Jug Band of Louisville, Kentucky ( formed in the late 1960s and possibly the only full-time jug band in existence at this time ), The Cincinnati Dancing Pigs ( who also have been together for 40 years ), The Carolina Chocolate Drops ( an African American jug band that also plays old-time African American fiddle tunes ), The Hobo Gobbelins, The Kitchen Syncopators and The Inkwell Rhythm Makers.

Some fusion jazz groups use a lightweight, stripped-down electric upright bass rather than a double bass.

Some jazz big bands use electric bass.

Some famous Polish jazz artists are: Krzysztof Komeda, Adam Makowicz, Tomasz Stańko, Michał Urbaniak.

Some big ensembles, like the Joe " King " Oliver outfit played a kind of half arranged, half improvised jazz, often relying on “ head ” arrangements.

Some large contemporary European jazz ensembles play mostly avant-garde jazz using the instrumentation of the big bands.

Some may miss Beefheart's surreal poetry, gruff vocals, and / or free jazz influence, while others may find it fascinating to hear the Magic Band simply letting go and cutting loose ".

Some people from elsewhere continue to associate Storyville with the origins of jazz.

Some of bassist Charles Mingus ' work was also important in establishing free jazz.

Some international jazz musicians have come to North America and become immersed in free jazz, most notably Ivo Perelman from Brazil and Gato Barbieri of Argentina ( this influence is more evident in Barbieri's early work ).

Some left and achieved national recognition, such as Ike & Tina Turner and the jazz great Miles Davis, who was born in nearby Alton and grew up in East St. Louis.

Some historians consider these recordings among the earliest examples of jazz on record.

Some of the in-person performers were Jack Teagarden, Gene Krupa, Bud Freeman, Pee Wee Russell, Johnny St. Cyr, Joe Sullivan, Red Allen, Lil Armstrong, Blossom Seeley.

Some performers were noted at this, such as the 18th century Mariola della Piazzole and Clorinda Franseschi.

Some performers use a noise gate pedal at the end of a chain to reduce unwanted noise and hum introduced by overdrive units or vintage gear.

Some performers may deliberately block ( or otherwise break out of character ) for comedic effect — this is known as gagging -- but this generally prevents the scene from advancing and is frowned upon by many improvisers.

Some veterans speak of a " sickness " among wrestling performers, an inexplicable pull to remain active in the wrestling world despite the devastating effects the job can have on one's life and health.

Some of the performers completing the bill were Chuck Berry, Cathy Carr, Shirley & Lee, Della Reese, the Cleftones, and the Spaniels with Illinois Jacquet's Big Rockin ' Rhythm Band.

Some performers create new compositions using traditional musical instruments while others add electronic sounds, modern harmonies, rhythms, improvisation and sound design elements to enhance the film watching experience.

Some performers use more dramatic objects such as knives, fire torches, and even chainsaws.

Some burlesquers of the past have become instructors and mentors to New Burlesque performers such as Velvet Hammer, The World Famous Pontani Sisters.

Some performers while paying great attention to their skills and abilities give little thought to the difference that a well-thought-out name can make to their career.

Some performers and artists may choose to simplify their name to make it easier to spell and pronounce, and easier for others to remember.

Some performers take a series of different stage names.

Some performers will use different names in different settings.

Some dance historians say there is evidence to suggest that the term " shagger " was used to refer to vaudeville performers in the late 19th century, who were known to have danced the Flea Hop.

Some of the permanent exhibits include a history of audio technology, a section of mannequins donning outfits of famous performers past and present, and an area which looks at music scenes in various cities throughout different eras, including Memphis in the 50s, Detroit, Liverpool and San Francisco in the 60s, Los Angeles in the 70s, New York City and London in the 70s and 80s and Seattle in the 90s.

Some feature all four performers, while others feature fewer.

Some of the earliest successes came from folk clubs, where performers such as Billy Connolly, Mike Harding and Jasper Carrott started as relatively straight musical acts whose between-song banter developed into complete comedy routines.

Some post-punk performers developed styles parallel to industrial music's defining attributes.

Some performers who had been resting backstage escaped through an open window and called police ; in all, some 90 people managed to flee the building or hide.

Some previous performers at the local

Some of the performers impersonate royalty, field-workers and craftsmen.

Some by the performers for whom they were written, such as the concertos for piano ( 1939 ), violin ( 1955 ) and cello ( 1970 ); some by literary and theatrical partners, such as the film music, ballets, cantatas and The Olympians ; some by painters, such as the Serenade and the Metamorphic Variations ; some by classical literature, such as Hymn to Apollo ( 1926 ), The Enchantress and Pastoral.

Some music festivals are strictly local in scope, including few or no performers with a national reputation, and are generally operated by local promoters.

Some of these early recordings were made on ' field trips ' to the South by record company talent scouts, but some Delta blues performers were invited to travel to northern cities to record.