Help


[permalink] [id link]
+
Page "The Pianist (memoir)" ¶ 15
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Szpilman and describes
In The Pianist, Szpilman describes a newspaper article that appeared in October 1940: A little while later the only Warsaw newspaper published in Polish by the Germans provided an official comment on this subject: not only were the Jews social parasites, they also spread infection.
In his memoir, Szpilman describes one of these forays: One day when I was walking along beside the wall I saw a childish smuggling operation that seemed to have reached a successful conclusion.
Szpilman describes their last moments together before the train arrived: At one point a boy made his way through the crowd in our direction with a box of sweets on a string round his neck.
Szpilman describes his last moments with his family :< p > By the time we had made our way to the train the first trucks were already full.
Szpilman describes the encounter:
Szpilman describes the scene :< p > I played Chopin ’ s Nocturne in C sharp minor.

Szpilman and Jewish
' speech to his brother Władysław Szpilman in a Jewish Ghetto in Warsaw, Poland, during the Nazi occupation in World War II.
The Pianist is a memoir of the Polish composer of Jewish origin Władysław Szpilman, written and elaborated by the Polish author Jerzy Waldorff, who met Szpilman in 1938 in Krynica and became a friend of his.
After his work on the wall Szpilman survived another selection in the ghetto and was sent to work on many different tasks, such as cleaning out the yard of the Jewish council building.
Szpilman followed, careful not to reveal himself as Jewish ( Szpilman had prominent Jewish features ) by straying into the light of a street lamp while a German was passing.
Władysław Szpilman and his family, along with all other Jews living in Warsaw, were forced to move into a " Jewish District "— the Warsaw Ghetto — on 31 October 1940.
A member of the Jewish Police ( Itzchak Heller ) pulled Szpilman from a line of people — including his parents, brother, and two sisters — being loaded onto a train at the transport site ( which, as in other ghettos, was called the Umschlagplatz ).
Szpilman was left in the ghetto as a laborer and helped smuggle in weapons for the coming Jewish resistance uprising.
In March 1999 Władysław Szpilman visited London for Jewish Book Week, where he met English readers to mark the publication of his bestselling book in England.
His work focusing on this period includes the films Operation Daybreak ( covering the assassination by the Czechoslovakian Resistance of Nazi leader Reinhard Heydrich ), The Statement ( a fictionalized account of the post-War life-on-the-run of French collaborator Paul Touvier ), The Pianist ( an adaptation of the autobiography of the Jewish-Polish musician Władysław Szpilman covering his survival during the Nazi occupation of Poland ), the play later adapted to film Taking Sides ( focused on the post-War " de-Nazification " investigation of the German conductor Wilhelm Furtwängler ), the play Collaboration ( about the composer Richard Strauss and his partnership with the Jewish writer Stefan Zweig ), and the play An English Tragedy ( dealing with the British fascist John Amery ).

Szpilman and could
In the introduction to its first edition Jerzy Waldorff informed that he wrote " as closely as he could " the story told to him by Szpilman, and that he used his brief notes in the process.
To avoid the concentration camps, rich, intellectual Jews like Szpilman ’ s family and many of his acquaintances could pay to have poorer Jews deported in their place.
If they could slip away from the wall, Szpilman and the other workers visited Polish food stalls and purchased such staples as potatoes and bread.
Szpilman, hiding in his flat on the fourth floor, could only hope that the flats on the first floor were the only ones that were burning and that he would be able to escape the flames by staying high.
Szpilman slithered, as fast as he could, off the roof and down through the trapdoor into the stairway.
Szpilman headed quickly away from his old building and soon found another, similar building that he could live in.

Szpilman and said
Szpilman said nothing, but sat down in despair by the larder door.
Again Szpilman said that he was Polish.

Szpilman and perhaps
He helped to hide or rescue several Poles, including Jews, in Nazi-occupied Poland, and is perhaps most remembered for helping Polish-Jewish pianist and composer Władysław Szpilman to survive, hidden, in the ruins of Warsaw during the last months of 1944.

Szpilman and they
Soon after they arrived, Szpilman ’ s family was reunited.
To do this they chose a young man known to Szpilman as “ Majorek ” ( Little Major ).
As soon as he saw Szpilman coming, Bogucki turned away and began to walk towards the hiding place they had arranged for him.
Looking out the window minutes later, Szpilman saw that his building had been surrounded by troops and that they were already making their way in via the cellars.
Surprisingly, the officer did not kill Szpilman, but instead after finding out that he was a pianist, asked Szpilman to play for him on a piano they had found.

Szpilman and .
* 1911 – Władysław Szpilman, Polish pianist ( d. 2000 )
* December 5 – Władysław Szpilman, Polish pianist and memoirist ( d. 2000 )
The book is written in the first person as the memoir of Szpilman.
It tells how Szpilman survived the German deportations of Jews to extermination camps, the 1943 destruction of the Warsaw Ghetto, and the 1944 Warsaw Uprising during World War II.
Because of Stalinist cultural policy, and the ostensibly " grey areas " in which Szpilman ( Waldorff ) asserted that not all Germans were bad and not all of the oppressed were good, the actual book remained sidelined for more than 50 years.
Szpilman was not a writer, according to his own son Andrzej.
The latest edition was slightly expanded by Andrzej Szpilman himself and printed under a different title, The Pianist.
In 1998, Szpilman ’ s son Andrzej Szpilman republished the memoir of his father ’ s, first in German as Das wunderbare Überleben (" The Miraculous Survival ") and then in English as The Pianist.
In 2002, Roman Polanski directed a screen version, also called The Pianist, but Szpilman died before the film was completed.
Władysław Szpilman studied the piano in the early 1930s in Warsaw and Berlin.
Upon his return to Warsaw, Szpilman worked as a pianist for Polish Radio until the German invasion of Poland in 1939.
Szpilman ’ s family ( he was living with his parents, his brother Henryk and his sisters Regina and Halina ) were amongst those who did not.
They hid their money in the window frame, an expensive gold watch under their cupboard and the watch ’ s chain beneath the fingerboard of Szpilman ’ s father ’ s violin.
Szpilman ’ s family was lucky to already be living in the ghetto area when the plans were announced.
Szpilman played piano at an expensive café which pandered to the ghetto ’ s upper class, made up largely of smugglers and other war profiteers, and their wives or mistresses.
On his way to or from work, Szpilman would sometimes pass by the wall during smuggling hours.
In addition to the methods of smuggling mentioned previously, Szpilman observed many child smugglers at work.

0.127 seconds.