Directly across from the Gardens I found a bus stop sign for T 4 and rode it down to the Bosphorus, with the sports center on my left just before I reached the water and the entrance to Dolmabahce Palace immediately after that.

He also bought a huge square of pegboard for hanging up his tools, and lumber for his workbench, sandpaper and glue and assorted nails, levels and T squares and plumb lines and several gadgets that he had no idea how to use or what they were for.

If Af is the change per unit volume in Gibbs function caused by the shear field at constant P and T, and **yr is the density of the fluid, then the total potential energy of the system above the reference height is Af.

The lines are asymmetric and over the range of field Af gauss and temperature Af the asymmetry increases with increasing Af and decreasing T.

We are trying to study a linear operator T on the finite-dimensional space V, by decomposing T into a direct sum of operators which are in some sense elementary.

We can do this through the characteristic values and vectors of T in certain special cases, i.e., when the minimal polynomial for T factors over the scalar field F into a product of distinct monic polynomials of degree 1.

If we try to study T using characteristic values, we are confronted with two problems.

Second, even if the characteristic polynomial factors completely over F into a product of polynomials of degree 1, there may not be enough characteristic vectors for T to span the space V.

This is clearly a deficiency in T.

The second situation is illustrated by the operator T on Af ( F any field ) represented in the standard basis by Af.

The characteristic polynomial for A is Af and this is plainly also the minimal polynomial for A ( or for T ).

Thus T is not diagonalizable.

If ( remember this is an assumption ) the minimal polynomial for T decomposes Af where Af are distinct elements of F, then we shall show that the space V is the direct sum of the null spaces of Af.

Let T be a linear operator on the finite-dimensional vector space V over the field F.

Let p be the minimal polynomial for T, Af, where the Af, are distinct irreducible monic polynomials over F and the Af are positive integers.

( C ) if Af is the operator induced on Af by T, then the minimal polynomial for Af is Af.

It is certainly clear that the subspaces Af are invariant under T.

If Af is the operator induced on Af by T, then evidently Af, because by definition Af is 0 on the subspace Af.

Thus Af is divisible by the minimal polynomial P of T, i.e., Af divides Af.

If Af are the projections associated with the primary decomposition of T, then each Af is a polynomial in T, and accordingly if a linear operator U commutes with T then U commutes with each of the Af, i.e., each subspace Af is invariant under U.

In the notation of the proof of Theorem 12, let us take a look at the special case in which the minimal polynomial for T is a product of first-degree polynomials, i.e., the case in which each Af is of the form Af.

As S approaches T the square will be outside C and therefore both Af and Af must cross C an odd number of times as S varies from zero to T.

As S varies from zero to T, the values of S for which Af and Af cross C will be denoted by Af and Af respectively.

Army of Mississippi in Encyclopedia of the American Civil War: A Political, Social, and Military History, edited by David S. Heidler and Jeanne T. Heidler.

" In Encyclopedia of the American Civil War: A Political, Social, and Military History, edited by David S. Heidler and Jeanne T. Heidler.

* If S and T are in M then so are S ∪ T and S ∩ T, and also a ( S ∪ T )

* If S and T are in M with S ⊆ T then T − S is in M and a ( T − S ) =

When " Light breaks where no sun shines " appeared in The Listener in 1934, it caught the attention of three senior figures in literary London, T. S. Eliot, Geoffrey Grigson and Stephen Spender.

* The Hollow Man ( 1992 ) is influenced by Dante's Inferno and T. S. Eliot

* Four Quartets by T. S. Eliot

T. S. Eliot said: " It is difficult for us to read that essay without reflecting that if Poe plotted out his poem with such calculation, he might have taken a little more pains over it: the result hardly does credit to the method.

Donald Hall goes as far as to say that " the form of free verse is as binding and as liberating as the form of a rondeau ," and T. S. Eliot wrote, " No verse is free for the man who wants to do a good job.

On the advice of Richard Rees, he offered it to Faber & Faber, whose editorial director, T. S. Eliot, also rejected it.

However it gave him an opportunity to create cultural programmes with contributions from T. S. Eliot, Dylan Thomas, E. M. Forster, Ahmed Ali, Mulk Raj Anand, and William Empson among others.

A similar fate was met from other publishers ( including T. S. Eliot at Faber and Faber ) until Jonathan Cape agreed to take it.

In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: " The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence.

He was personal friends with such literary figures as T. S. Eliot and Carl Sandburg.

* Eliot, T. S. 1920.

* Quillian, William H. Hamlet and the New Poetic: James Joyce and T. S. Eliot.

The romance tradition did, however, remain sufficiently powerful to persuade Thomas Hardy, Laurence Binyon and John Masefield to compose Arthurian plays, and T. S. Eliot alludes to the Arthur myth ( but not Arthur ) in his poem The Waste Land, which mentions the Fisher King.

This reference is based on a quote found in a letter written by T. S. Eliot, whose book Old Possum's Book of Practical Cats forms the basis of the musical.

T. S. Eliot, poet and literary critic

T. S. Eliot attacked the reputation of Kubla Khan and sparked a dispute within literary criticism with his analysis of the poem in his essay " Origin and Uses of Poetry " from The Use of Poetry and the Use of Criticism ( 1933 ): " The way in which poetry is written is not, so far as our knowledge of these obscure matters as yet extends, any clue to its value ...

* Eliot, T. S. Selected Prose of T. S. Eliot.

He continues to influence religious thinkers to the present day, and was cited as an influence by T. S. Eliot, among others ( Eliot also borrowed, almost word for word and without his usual acknowledgement, the opening of Andrewes ' 1622 Christmas Day sermon for ' The Journey of the Magi ').

* Eliot, T. S. ( 1928 ) Lancelot Andrewes.

" This generation included distinguished artists such as F. Scott Fitzgerald, John Steinbeck, T. S. Eliot, John Dos Passos, Waldo Peirce, Isadora Duncan, Abraham Walkowitz, Alan Seeger, and Erich Maria Remarque.