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Technicolor and manufactured
It was manufactured for 74 years in various formats to suit still and motion picture cameras, including 8 mm, Super 8, 16 mm for movies ( exclusively through Eastman Kodak ), and 35 mm for movies ( exclusively through Technicolor Corp as " Technicolor Monopack ") and 35 mm, 120, 110, 126, 828 and large format for still photography.

Technicolor and for
In contrast, Technicolor concentrated primarily on getting their process adopted by Hollywood studios for fictional feature films.
The AMS was originally designed to leverage Technicolor's DVD manufacturing and distribution arm but when the first feature came to post production too late for reproduction Technicolor leveraged the AMS removable hard disk drives to the transport the files.
Technicolor introduced a color reversal stock, called Monopack, for location shooting in 1941 ; it was ultimately a 35 mm version of Kodachrome that could be used in standard motion picture cameras.
A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
In 1933, Pickford underwent a Technicolor screen test for an animated / live action film version of Alice in Wonderland, but Walt Disney discarded the project when Paramount released its own version of the book.
The RCA trademark is used by Sony Music Entertainment and Technicolor, which licenses the name to other companies like Audiovox and TCL Corporation for products descended from that common ancestor.
To satisfy that demand, a number of new systems have recently been proposed for 3D systems based on 35 mm film by Technicolor, Panavision and others.
The Technicolor system uses the polarisation of light to separate the left and right eye images and for this they rent to exhibitors a combination splitter-polarizer-lens assembly which can be fitted to a lens turret in the same manner as an anamorphic lens.
No other modifications are required to the projector for either system, though for the Technicolor system a silver screen is necessary, as it would be with polarised-light digital 3D.
for short – intact ), as they had no access to the original Technicolor negatives.
( Asked for a statement on the scandal, he reportedly said " No comment ... in glorious Technicolor !").
Perelman would ultimately divest the company's core business and use MacAndrews & Forbes as a holding company investment vehicle for subsequent leveraged buyouts including Technicolor, Inc., Pantry Pride and Revlon.
It has original music by Brian Easdale and cinematography by Jack Cardiff, and is well regarded for its creative use of Technicolor.
The film featured a musical sequence for " The Wedding of the Painted Doll " that was presented in early two-color Technicolor ( red and green ).
Oswald made a cameo appearance in the first animated sequence with both sound and color ( two-strip Technicolor ), a 2½ minute animated sequence of the live action movie The King of Jazz ( 1930 ), produced by Laemmle for Universal.
Dough for the Do-Do was produced in Technicolor, but was originally released in Cinecolor due to a dispute with the Technicolor corporation.
Cassidy, in turn, was himself a replacement for the lead in the original 1982 Broadway production of Joseph and the Amazing Technicolor Dreamcoat.
Walt Disney had seen some of Dr. Herbert Kalmus ' tests for a new three-strip, full-color Technicolor process, which would replace the previous, two-tone Technicolor process.
In Britain, Decca bought out the bankrupt UK branch of Brunswick Records in 1932, which added such stars as Bing Crosby and Al JolsonAl Jolson, who had recorded for the Victor Talking Machine, Columbia Records, and Brunswick Records, made a series of recordings for Decca from 1946 until his death in 1950, following the success of Columbia Pictures Technicolor film biography The Jolson Story ( 1946 ).< sub >< citation needed ></ sub ></ ref >

Technicolor and on
Following the favorable response to the vivid color photography, shot partly on location in the Canadian Rockies, DeMille decided to always use Technicolor in his films.
* 1939 – Shooting begins on Paramount Pictures ' Dr. Cyclops, the first horror film photographed in three-strip Technicolor.
To achieve a tone and quality that was true to the story as well as reflected the period in which it is set, Spielberg once again collaborated with cinematographer Janusz Kamiński, saying, " Early on, we both knew that we did not want this to look like a Technicolor extravaganza about World War II, but more like color newsreel footage from the 1940s, which is very desaturated and low-tech.
In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to reshoot the black and white Flowers and Trees in three-strip Technicolor.
Many of these draw more directly on the 1939 MGM Technicolor film version of the novel, a now-classic of popular culture shown annually on American television from 1959 to 1991, and shown several times a year every year beginning in 1999.
Thus Andrew Lloyd Webber created two popular musicals, Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat, which filled traditional biblical stories with modern-day sensibilities ; and on a similar note, Catherine Hardwicke's The Nativity Story shows a field of maize-corn in a Nazareth farming scene.
O ' Brien continued to work with Merian C. Cooper at RKO on a number of projects including the epic The Last Days of Pompeii ( 1935 ) and The Dancing Pirate ( 1936 ), which was O ' Brien's first Technicolor production.
Anchors Aweigh is a 1945 American Technicolor musical comedy film directed by George Sidney and starring Frank Sinatra, Kathryn Grayson, and Gene Kelly, in which two sailors go on a four-day shore leave in Hollywood, accompanied by music and song, meet an aspiring young singer and try to help her get an audition at MGM.
Directed by Hungarian-turned-Hollywood filmmaker Michael Curtiz and based on a story by Robert Buckner, it was filmed in early Technicolor.
Until about 1930, there was only one building ( part of Bath Road Farm ) on the north side of Bath Road between The Magpies ( an area around and opposite the north exit of the recent Heathrow Road ), and Longford ; other buildings were built afterwards there before WWII, including two factories ( Technicolor and Penguin Books ).
* 1936: Technicolor Ltd opened a factory on the north side of the Bath Road opposite Heathrow's land.
Knowing that the Eastman stock would fade over time, Demy fortunately, had the three main yellow, cyan and magenta color separation masters made on black and white negative films that couldn't fade ( a process similar to the creation of the older Technicolor process: see the article on Technicolor for an explanation of this ' three-strip ' process ).
* May 25-The all Technicolor musical film, Song of the Flame, based on the 1925 Broadway musical of the same name, is released to rave reviews.
Cohn was reluctant to spend lavish sums on even his most important pictures, and it was not until 1943 that he agreed to use three-strip Technicolor in a live-action feature.
Another biopic, 1946's The Jolson Story with Larry Parks and Evelyn Keyes, was started in black-and-white, but when Cohn saw how well the project was proceeding, he scrapped the footage and insisted on filming in Technicolor.
Instead of creating entirely new opening / closing sequences, NTA replaced the Paramount logos with their own, and on other title cards, all references to Paramount, Technicolor, Cinecolor, and Polacolor were replaced with black bars, including the original copyright notice.
( Edna Ferber's novel, on which the musical is based, had already been filmed as a part-talkie in 1929, and the musical would be remade in Technicolor in 1951, but the 1936 film is considered by most critics and many film buffs to be the definitive motion picture version.

Technicolor and these
In addition to these, scores of features were released with Technicolor sequences, as well as numerous short subjects.
Eventually one of these characters clicked ; his name was Andy Panda, who aired in Technicolor.
From 2010 to February 2011, " Technicolor " ( having rebranded itself ) divested these sub-businesses: Grass Valley and Broadcast to the Francisco Partners in July and December along with the Transmission business to PARTER Capital Group ; Head-end to the FCDE ( Fonds de Consolidation et de Développement des Entreprises ), and reintegration of PRN.
She became so identified with these adventure epics that she became known as " The Queen of Technicolor.

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