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Théodore Chassériau ( September 20, 1819 – October 8, 1856 ) was a French romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria.
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Théodore and Chassériau
Ingres ' pupil Théodore Chassériau ( 1819 – 1856 ) had already achieved success with his nude The Toilette of Esther ( 1841, Louvre ) and equestrian portrait of Ali-Ben-Hamet, Caliph of Constantine and Chief of the Haractas, Followed by his Escort ( 1846 ) before he first visited the East, but in later decades the steamship made travel much easier and increasing numbers of artists traveled to the Middle East and beyond, painting a wide range of Oriental scenes.
The best known of them is Théodore Chassériau, who studied with him from 1830, as a precocious eleven-year-old, until Ingres closed his studio in 1834 to return to Rome.
Moreau initially studied under the guidance of François-Édouard Picot and became a friend of Théodore Chassériau, whose work strongly influenced his own.
The mythical Andromeda was a popular subject for bondage in art by painters including Rembrandt's Andromeda Chained to the Rocks ( 1630 ), Théodore Chassériau ( 1840 ), Edward Poynter ( 1869 ) and Gustave Doré ( 1869 ).
Henri-Dominique Lacordaire at the convent of Sainte-Sabine in Rome, by Théodore Chassériau ( 1840 ), Musée du Louvre
One artist after another was claimed by critics to have achieved the synthesis, among them Théodore Chassériau, Ary Scheffer, Francesco Hayez, Alexandre-Gabriel Decamps, and Thomas Couture.
There is in Paris a Society for the painter: Association des Amis de Théodore Chassériau ( see External links ).
< gallery > File: Théodore Chassériau 003. jpg | The Two Sisters, 1843, oil on canvas, 180 x 135 cm, Paris, Louvre
* Théodore Chassériau exhibition at the Metropolitan Museum of Art The Metropolitan Museum of Art, New York Retrieved on April 15, 2007.
Théodore and September
He had a sister, Adélaïde de Lesseps ( 1803 – 1879 ), married to Jules Tallien de Cabarrus ( 19 April 1801 – 1870 ), and two brothers, Théodore de Lesseps ( Cádiz, 25 September 1802 – Saint-Germain-en-Laye, 20 May 1874 ), married in 1828 to Antonia Denois ( Paris, 27 September 1802 – Paris, 29 December 1878 ), and Jules de Lesseps ( Pisa, 16 February 1809 – Paris, 10 October 1887 ), married on 11 March 1874 to Hyacinthe Delarue.
Jean-Louis André Théodore Géricault ( 26 September 1791 – 26 January 1824 ) was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings.
* Camille Bachasson de Montalivet ( 1 September 1832-Menton, 4 February 1887 ), married on 28 November 1849 Théodore du Moncel ( 1821 – 1884 ) and had female issue
Jean Théodore Delacour ( 26 September 1890 – 5 November 1985 ) was an American ornithologist of French origin.
Théodore and 20
Théodore and 1819
Théodore Géricault's The Raft of the Medusa ( 1818 – 1819 ) was a sensation, appearing to update the history painting for the 19th century, and showing anonymous figures famous only for being victims of what was then a famous and controversial disaster at sea.
The Raft of the Medusa () is an oil painting of 1818 – 1819 by the French Romantic painter and lithographer Théodore Géricault ( 1791 – 1824 ).
In the complex of lithographs entitled Medusa ( 1996 ), Kippenberger used photography as his starting point although, this time, he himself posed for wife and photographer Elfie Semotan, mimicking the postures of the characters in the famous painting The Raft of the Medusa ( 1819 ) by Théodore Géricault ( 1791-1824 ).
Théodore and –
However, the presence of man in the Lower Paleolithic is attested by the discovery of stone tools characteristic of Acheulean such as hand axes reported by Théodore Monod at the tip of Fann in the peninsula of Cap-Vert in 1938, or cleavers found in the south-east .< ref > Abdoulaye Camara et Bertrand Duboscq, La préhistoire dans le Sud-Est du Sénégal, Actes du 2 < sup > e </ sup > Colloque de Kédougou, 18 – 22 fév.
Theodore Beza ( Théodore de Bèze or de Besze ) ( June 24, 1519 – October 13, 1605 ) was a French Protestant Christian theologian and scholar who played an important role in the Reformation.
It was directed from July 1935 to May 1963 by the Italian Henri Théodore Pigozzi ( born Enrico Teodoro Pigozzi, 1898 – 1964 ).
It precedes the influence of the more colourful and rich style of the Flemish painter Peter Paul Rubens ( 1577 – 1640 ), and fellow French artist Théodore Géricault ( 1791 – 1824 ), whose works marked an introduction to Romanticism in art.
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