Recorded in rather primitive and " minimalist " two-channel sound, the stereo antiphonal effect is striking ( if crude ); but unfortunately the complete performance from March 21, 1954 of the Tchaikovsky Symhony No. 6 (" Pathetique ") is not entirely stereo as the master 2-track tape of the entire ' Allegro molto vivace ' third movement has apparently not survived ; an artificial stereo synthesis is substituted.

The second movement starts with an Allegro largely based on a single recurring rhythmic cell ; this section has been described as cadenza-like, with very difficult passages in the solo part.

The programme of the first performance in Boston clearly has the movement marked " Allegro scherzando " and the keeper of the Bartók archives was able to give us further conclusive evidence that the faster tempo must be correct.

One example of a concerto in only one discrete movement ( Allegro brillante ) is Tchaikovsky's Piano Concerto No. 3 in E-flat major ( 1893 ).

The motifs of the theme of the Allegro moderato appear in changing combinations and are separated and intensified throughout the movement.

The fourth and last movement is in lively tempo, marked Allegro ; the key is again G major.

The tempo marking for the first movement is " Allegro brillante ".

The following Allegro section culminates in a fortissimo timpani solo, a rhythmic motif which featured in the third movement.

The first movement, marked Allegro moderato, opens with a cushion of pianissimo strings pulsating gently.

The third movement of the Sibelius Violin Concerto (' Allegro Ma non Tanto ', not overly fast ) is widely known amongst violinists for its formidable technical difficulty and is widely considered one of the several greatest concerto movements ever written for the instrument.

* ( the Allegro con brio movement )

The third movement is on the one hand remarkable, because, although it is indicated as Menuetto, it is marked Allegro molto e vivace and, consequently, to be played so fast that it is essentially a Scherzo – a description mostly used after Beethoven's first symphony.

After finally reaching an F, outlining a dominant seventh chord in C major, the real start of the finale Allegro molto e vivace begins in C major with a theme taken directly from the 4th movement of Joseph Haydn's Symphony No. 88 in G major.

This movement, Scherzo: Allegro, encloses a melodious oboe and bassoon quartet within typical-sounding Austrian side-slapping dance.

The fourth movement, Allegro molto, is composed of very rapid string passages.

The Introduction excited deepest attention, the Allegro charmed, the Andante was encored, the Minuets, especially the trio, were playful and sweet, and the last movement was equal, if not superior to the preceding.

The third movement, " Allegro con fuoco ," energetically combines various nimble, articulate, and rhapsodic themes, bookended by a delightfully clownish tune — a mixture of serious and silly that well represents Poulenc's oeuvre as a whole.

Later, it was replaced by Allegro Non Troppo, the fifth movement from Malcolm Arnold's Second Set of English Dances Opus 33.

Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor.

# Allegro con brio ( G major ) – The first movement is a powerful and glowing exposition characterized by liberal use of timpani.

# Allegro ma non troppo ( G major ) – The finale ( formally a set of variations ) is the most turbulent movement.

They usually are constructed with a fast opening movement, followed by middle slow movements that alternate with fast ones and close with a fast Presto or Allegro movement.

This is also a single movement sonata-form, but Allegro, dramatic and ferocious, with three themes of which one ( the reminiscence from " Canzona Matinata ") fails to return.

The Presto Ma non assai of the first trio of the scherzo is taken literally and may shock you, as the real Allegro con Spirito of the finale is likely to bring you to your feet.

In tone and imagery the storyline for this series of strips is very similar to the animation segment for Valse Triste from Allegro non troppo, which depicts a ghostly cat roaming around the ruins of the home it once inhabited.

Allegro is a software library for video game development.

There is also an independent port of Allegro on AmigaOS 4.

Released under the terms of the zlib license, Allegro is free and open source software.

Shawn Hargreaves is no longer involved with Allegro.

Current development is focused on the Allegro 5 branch, with the current version 5. 0. 7.

Allegro 5 is a complete redesign of the API and much of the internal operation of the library.

Allegro 5 is intended to be event driven.

" The Barbarian " is heavily influenced by " Allegro barbaro " by Bartók, and " Knife Edge " was virtually a note-for-note restatement of " Sinfonietta " by Janáček.

The township is home to several campsites, Allegro Vineyards, and Apollo Park.

Key Allegro Marina is also a popular attraction, especially during The Rockport Offshore Challenge or The R. O. C.

This is interrupted by an Allegro Assai section in cut common at bar 29.

The orchestration becomes rather violent at its climax ( which is literally marked in the score as " High point of the Allegro "); the fourth and final section, marked Adagio, is in a much calmer mood.

Rondo as a character-type ( as distinct from the form ) refers to music that is fast and vivacious – normally Allegro.

The exposition, marked Allegro di molto con brio, is in time ( alla breve ) in the home key of C minor and features three themes.

The Karelian Trains Class Sm6 | Allegro is used between Helsinki and Saint Petersburg

# Allegro assai-The rapid finale is in sonata form with a 6 / 8 time.

Its author, Christian Mauduit, has announced that a complete rewrite is in progress to produce version 6. 0, which will abandon the Allegro library used for 5. x releases for a full OpenGL implementation.