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Page "The Beatles (album)" ¶ 38
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Ampex and reel-to-reel
The Barons rehearsed for hours in the garage of Berry's parents ' home at 1111 Linda Flora Drive, Bel Air, where Berry's father provided an upright piano and two two-track Ampex reel-to-reel tape recorders.
These edited versions are unique to the Ampex reel-to-reel tape release of the album, and have not been issued since.
In 1948, Les Paul was given one of the first Ampex Model 200A reel-to-reel audio tape recording decks by Crosby and went on to use Ampex's eight track " Sel-Sync " machines for Multitrack recording.
With Crosby's backing, Mullin and Ampex created the Ampex Model 200, the world's first commercially produced reel-to-reel audio tape recorder.
* In 1954, in a recording studio equipped with an Ampex reel-to-reel audio tape recording machine, an unknown truck driver named Elvis Presley recorded his historic first single, " That's All Right " at Sun Studios in Memphis.
Ampex and RCA followed in 1965 with its own reel-to-reel monochrome VTRs priced under US $ 1, 000 for the home consumer market.
* ASC 502: Catherine Crozier at the RLDS Auditorium, Independence MO ( No. 1309, 1959 )-Program I ( Reubke, Langlais, Roger-Ducasse, Alain ) ( Ampex reel-to-reel tape )
* ASC 503: Catherine Crozier at the RLDS ( Community of Christ ) Auditorium ; Independence Missouri ( Ampex reel-to-reel tape )
The four-track tape, prepared by Ampex along with the reel-to-reel tape, has the songs in the original, chronological order.
The heart of the automation was a 8 x 24 telephone stepping relay which controlled two reel-to-reel tape decks, one twelve inch Ampex machine providing the main program audio and a second RCA seven inch machine providing " fill " music.
1 inch Type C ( designated Type C by SMPTE ) is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976.
It had up-to-date Ampex reel-to-reel tape machines and a combination of RCA and General Electric equipment ranging from microphones to the audio board.
The original reel-to-reel version ( manufactured for Capitol / EMI by Ampex ) is particularly noteworthy, in that it contains edited versions of " Got This Thing on the Move ," " Please Don't Worry ," " Mr. Limousine Driver " and " Inside Looking Out " not available elsewhere.
It was where Harrison, Lennon and their wives retreated during their first LSD experience in 1965, and in May 1968 it was where many of the demo recordings for the White Album were made, on Harrison's Ampex four-track reel-to-reel tape recorder.

Ampex and tape
It was the team at Ampex, led by Charles Ginsburg, that made the breakthrough of using a spinning recording head and normal tape speeds to achieve a very high head-to-tape speed that could record and reproduce the high bandwidth signals of video.
The Ampex system was called Quadruplex and used tape, mounted on reels like audio tape, which wrote the signal in what is now called transverse scan.
One famous application was in the Ampex MR-70, a costly studio tape recorder whose entire electronics section was based on nuvistors.
Development of magnetic tape recorders in the late 1940s and early 1950s is associated with Ampex ; the equally important development of magnetic tape media itself was led by Minnesota Mining and Manufacturing Company ( now known as 3M ).
The cost of a new 30-minute 2 " Ampex tape was £ 90 in 1970 prices.
* John Herbert Orr-Founder of Orradio, Ampex Tape which produced the first commercially available audio tape, video tape, and computer tape in the world
Within a short time, Crosby had hired Mullin to record and produce his radio shows and master his studio recordings on tape, and he invested US $ 50, 000 in a Northern California electronics firm, Ampex.
Paul's re-invention of the Ampex 200 inspired Ampex to develop two-track and three-track recorders, which allowed him to record multiple tracks on one tape without erasing previous takes.
In 1954, Paul continued to develop this technology by commissioning Ampex to build the first 8-track ( multitrack ) tape recorder, at his own expense.
Developed by John T. Mullin and Wayne R. Johnson since 1950, the device gave what were described as " blurred and indistinct " images, using a modified Ampex 200 tape recorder and standard quarter-inch ( 0. 6 cm ) audio tape moving at 360 inches ( 9. 1 m ) per second.
* Les Paul commissions Ampex to build the first eight track tape recorder, at his own expense.
Ampex introduced a color videotape recorder in 1958, which NBC used to tape An Evening With Fred Astaire, the oldest surviving network color videotape.
Since the first album sessions the studio had upgraded its equipment from a Cadac console with an Ampex MM-1000 2 inch 16 track and a MM-1000 8 track to a two-inch analog 24-track master tape recorder.

Ampex and version
In 1967 Ampex introduced a 16-track version of the MM 1000 which was the world's first 16-track professional tape recorder put into mass-production.
The 6. 5mm tape could record 20 minutes per reel of high-quality analog audio sound ; Alexander M. Poniatoff then ordered his Ampex company to manufacture an improved version of the Magnetophon for use in radio production.
In January 2012, a hi-res 24 / 192kHz version was remastered using a Ampex ATR100 and a MSB Technology Studio ADC and released on HDTracks. com.
Although it is clear on the vinyl version that " Hey Jude " opens side two, when compiling this issue for audio tape, some compilers ( at Capitol and Ampex ) thought to make the change, which resulted in " Hey Jude " leading off the album.
Ampex developed and released updated and improved models of their quad decks, such as the second-generation VR-2000 in 1964 and its scaled-down economy version, the VR-1200, in 1966, and the AVR series of VTRs, AVR-1, AVR-2, and AVR-3 in the 1970s.

Ampex and Beatles
While Abbey Road still only used four-track, Trident's Ampex eight-track machine drew The Beatles on 31 July 1968 to record " Hey Jude.

Ampex and released
In 2007, the Lunar Orbiter Image Recovery Project ( LOIRP ) began a process to convert the Lunar Orbiter Images directly from the original Ampex FR-900 analog video recordings of the spacecraft data to digital image format, a change which provided vastly improved resolution over the original images released in the 1960s.
* April 14-2-inch quadruplex videotape, the first practical and commercially successful analog recording videotape format, is released for the broadcast television industry by Ampex of Redwood City, California.
Runt is the self-titled debut of the band Runt, first released in 1970 on the Ampex Records label.
It was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California.
Ampex later released the first manufactured models of Quad VTR based on the Mark IV which were also prototypes, the VRX-1000, of which 16 were made.
The group had already initiated recording sessions for the album when Ampex manufactured and released the first Multitrack recording machine offering 16 tracks of recording and playback ( model number MM-1000 ).
The performance was recorded on an Ampex tape recorder, and released on LP under the " Boston Records " Label.

Ampex and 1970
Ampex 2 inch helical VTRs were manufactured from 1963 to 1970.
After " We Gotta Get You a Woman " became a hit single, Ampex decided to press more copies of the LP in November 1970 to keep up with demand.
The first issue was the 1970 Ampex release which reverses Sides One and Two of the LP, in order to sequence the longer side first.
The label was initially distributed by Ampex Records from 1970 to 1971, and then by Bell Records from 1972 to 1973.
* For Sale ( 1970 ), Ampex Records

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