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Futurist and Manifesto
* UpWingers: A Futurist Manifesto 1973 ( ISBN 0-381-98243-2 ) ( pbk.
* 1909 – Publication of the Futurist Manifesto in the French journal Le Figaro.
Filippo Tommaso Marinetti, author of the Futurist Manifesto ( 1908 ) and later the co-author of the Fascist Manifesto ( 1919 ).
Futurism that was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto ( 1908 ), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics.
In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat ( a. k. a. the Fascist Manifesto ).
# REDIRECT Futurist Manifesto
Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.
The Manifesto that was written by national syndicalist Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti.
This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 ( as they report in the Futurist Manifesto of Cinema ), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920.
" Manifesto of Futurist Musicians " from Apollonio, Umbro, ed.
The Futurist Manifesto had declared, " We will glorify war-the world's only hygiene-militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.
Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell ' Emilia, an article then reproduced in the French daily newspaper Le Figaro on 20 February 1909.
The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting.
It illustrates the precepts of the Technical Manifesto of Futurist Painting that, " On account of the persistency of an image upon the retina, moving objects constantly multiply themselves ; their form changes like rapid vibrations, in their mad career.
His ideas on sculpture were published in the Technical Manifesto of Futurist Sculpture In 1915 Balla also turned to sculpture making abstract " reconstructions ", which were created out of various materials, were apparently moveable and even made noises.
The Futurist Manifesto had declared, " We will glorify war — the world's only hygiene — militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.
Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young ( as had Marinetti ), because only they could understand what he had to say.
Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Lourié, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914.
Marinetti's Manifesto of Futurism ( 1909 ), as it delineated the various ideals Futurist poetry should strive for.
* Manifesto of Futurist Musicians by Francesco Balilla Pratella

Futurist and by
Futurist Christians consider the " Abomination of Desolation " prophecy of Daniel mentioned by Jesus in and as referring to an event in the end time future, when a 7 year peace treaty will be signed between Israel and a world ruler called " the man of lawlessness ", or the " Antichrist " affirmed by the writings of the Apostle Paul in 2 Thessalonians.
* Futurist ( magazine ), published by the World Future Society
* The Futurist, an album by actor Robert Downey, Jr., released in 2004
* Futurist ( album ), by Alec Empire
* The Futurist ( Shellac album ), an album by Shellac
* " Futurist ", a song by Miss Kittin from On the Road
* The Prometheus Award is given by the Libertarian Futurist Society for Libertarian science fiction.
The Prometheus Award is an award for libertarian science fiction novels given annually by the Libertarian Futurist Society, which also publishes a quarterly journal Prometheus.
The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.
The gap between the Imagist and Futurist groups was defined partly by Aldington's critical disapproval of the poetry of Filippo Marinetti.
Futurist Ray Kurzweil has speculated that by the end of the 21st century it may be possible by using femtotechnology to create new chemical elements composed of exotic baryons that would eventually constitute a new periodic table of elements in which the elements would have completely different properties than the regular chemical elements.
* Futurist mosaic by Prampolini inside the Post Office
An example of Futurist architecture by Antonio Sant ' Elia
Examples of Futurist buildings still in use today are Trento's railway station, built by Angiolo Mazzoni, and the Santa Maria Novella station in Florence.
Poets and painters collaborated on theatre production such as the Futurist opera Victory Over the Sun, with texts by Kruchenykh and sets by Malevich.
Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and would influence several 20th century composers.
Poetry, the predominate medium of Futurist literature, can be characterized by its unexpected combinations of images and hyper-conciseness ( not to be confused with the actual length of the poem ).

Futurist and Italian
* Primo Conti ( 1900-1988 ), Italian Futurist artist
Primo Conti ( October 16, 1900 — November 12, 1988 ) was an Italian Futurist artist.
Closely identified with the central Italian Futurist movement were brother composers Luigi Russolo and Antonio Russolo, who used instruments known as " intonarumori ", which were essentially sound boxes used to create music out of noise.
Some precedents may be seen in Cubist, Dada and Futurist ( both Italian and Russian ) painting and typographical works, such as Marinetti's Zang Tumb Tuum, or in poems such as Apollinaire's Calligrammes.
Category: Italian Futurist painters
Category: Italian Futurist painters
Category: Italian Futurist painters
This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 ( as they report in the Futurist Manifesto of Cinema ), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920.
Antonio Russolo ( 1877-1942 ) was an Italian Futurist composer, brother of the more famous Futurist composer and theorist Luigi Russolo.
Gino Severini ( 7 April 1883 – 26 February 1966 ), was an Italian painter and a leading member of the Futurist movement.
During the First World War he produced some of the finest Futurist war art, notably his Italian Lancers at a Gallop ( 1915 ) and Armoured Train ( 1915 ).
Category: Italian Futurist painters
Carlo Carrà ( February 11, 1881 – April 13, 1966 ) was an Italian painter, a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century.
" ( Schuller 1965, p. 34 ) Varèse also acknowledged the influence of the Italian Futurist artists Luigi Russolo and Filippo Tommaso Marinetti in the composition of this work.
Italian Futurism influenced Russian Futurist cinema ( Lev Kuleshov, Dziga Vertov, Sergei Eisenstein, Vsevolod Pudovkin, Aleksandr Dovzhenko ) and German Expressionism.
Neo-Futurism, inspired by the Italian Futurist movement from the early 20th century, is based on an aesthetics of honesty, speed and brevity.
Category: Italian Futurist painters
* 12 November – Primo Conti, Italian Futurist artist ( b. 1900 ).
Formally trained by Italian Futurist painter-sculptor Ambrogio Casati, Giorgini stayed on with his mentor as an apprentice, and assisted in the restoration of classic works by old masters damaged during the Second World War.
When Aristarkh Lentulov returned from Paris in 1913 and exhibited his works in Moscow, the Russian Futurist painters adopted the forms of Cubism and combined them with the Italian Futurists ' representation of movement.

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