Mina Loy, born Mina Gertrude Löwry ( December 27, 1882 – September 25, 1966 ), was an artist, poet, playwright, novelist, Futurist, actress, Christian Scientist, designer of lamps, and bohemian.

The Futurist Manifesto, written by the Italian poet Filippo Tommaso Marinetti, was published in the Italian newspaper Gazzetta dell ' Emilia in Bologna on 5 February 1909, then in French as " Manifeste du futurisme " in the newspaper Le Figaro on 20 February 1909.

* In 1916, the Russian Futurist Painter Vladimir Baranoff Rossiné premiered the Optophonic Piano at his one-man exhibition in Kristiana ( Oslo, Norway ).

The Herbst salon ( Erster Deutscher Herbstsalon, Berlin ) of 1913, organized by Herwarth Walden of Der Sturm, exhibited many works by Robert and Sonia Delaunay, Jean Metzinger ’ s l ' Oiseau bleu ( 1913, Musée d ' Art Moderne de la Ville de Paris ), paintings by Picabia, Léger and Albert Gleizes, along with several Futurist paintings.

In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Filippo Tommaso Marinetti the Manifesto of Futurist Painters, and began a phase of painting that became his most popular and influential.

Boccioni developed these ideas at length in his book, Pittura scultura Futuriste: Dinamismo plastico ( Futurist Painting Sculpture: Plastic Dynamism ) ( 1914 ).

'... these weights thicknesses sounds smells molecular whirlwinds chains nets and channels of analogies concurrences and synchronisms for my Futurist friends poets painters and musicians zang-tumb-tumb-zang-zang-tuuumb tatatatatatatata picpacpampacpacpicpampampac uuuuuuuuuuuuuuu

In the 1912 catalogue for the Futurists ' first Parisian exhibition Umberto Boccioni remarked " the sheaves of lines corresponding to all the conflicting forces, following the general law of violence " which he labeled force lines encapsulating the Futurist idea of physical transcendentalism.

Trento's railway station represents Mazzoni's interpretation of the functionalist style typical of the times ; the building's continuous windows and dynamic structural lines are said to express Futurist ideas of speed and streamlining.

" Lewis found the strong structure of Cubist painting appealing, but said it did not seem " alive " compared to Futurist art, which, conversely, lacked structure.

He has said about the creation of L = A = N = G = U = A = G = E, " We tried to trace a history of radical poetics, taking up the model presented in Jerome Rothenberg ’ s Revolution of the Word, and later by Rothenberg and Pierre Joris in Poems for the Millennium and Marjorie Perloff in The Futurist Moment.

" No one's really looked at the house as a total organic system ", said Mason, who was also the architecture editor of The Futurist magazine.

Futurist Paul Raskin has hypothesized that a new, more legitimate form of global politics could be based on “ constrained pluralism .” This principle guides the formation of institutions based on three characteristics: irreducibility, where some issues must be adjudicated at the global level ; subsidiarity, which limits the scope of global authority to truly global issues while smaller-scope issues are regulated at lower levels ; and heterogeneity, which allows for diverse forms of local and regional institutions as long as they meet global obligations.

In that same year she participated with the “ Russians ” Archipenko, Koulbine and Rozanova in the International Futurist Exhibition in Rome.

After the Second World War, many Futurist artists had difficulty in their careers because of their association with a defeated and discredited regime.

Futurist H. G. Wells wrote in his 1906 book The Future in America: A Search After Realities:

After the war, attracted to the avant-garde, Evola briefly associated with Filippo Marinetti's Futurist movement, but became a prominent representative of Dadaism in Italy through his painting, poetry, and collaboration on the shortly published journal, Revue Bleu.

I never thought I should live to hear Arnold Schoenberg sound tame, yet tame he sounds — almost timid and halting — after Ornstein who is, most emphatically, the only true-blue, genuine, Futurist composer alive.

During World War I Balla's studio became the meeting place for young artists but by the end of the war the Futurist movement was showing signs of decline.

Boccioni's death, combined with expansion of the group's personnel and the sobering realities of the devastation caused by World War I, effectively brought an end to the Futurist movement as an important historical force in the visual arts.

Carrà's Futurist phase ended around the time World War I began.

:" Some years ago, I too perpetrated some startling horrors in music, entitled Four Futurist Dances, and very hideous they were.

* Vita futurista ( Futurist life ), directed by Arnaldo Ginna & Lucio Venna ( 1916 ), lost film

Filippo Tommaso Marinetti, author of the Futurist Manifesto ( 1908 ) and later the co-author of the Fascist Manifesto ( 1919 ).

Futurism that was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto ( 1908 ), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics.

Marinetti rejected conventional democracy for based on majority rule and egalitarianism while promoting a new form of democracy, that he described in his work " The Futurist Conception of Democracy " as the following: " We are therefore able to give the directions to create and to dismantle to numbers, to quantity, to the mass, for with us number, quantity and mass will never be — as they are in Germany and Russia — the number, quantity and mass of mediocre men, incapable and indecisive ".

In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat ( a. k. a. the Fascist Manifesto ).

The Manifesto that was written by national syndicalist Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti.

The gap between the Imagist and Futurist groups was defined partly by Aldington's critical disapproval of the poetry of Filippo Marinetti.

It was not until 1917, after meeting with Giacomo Balla in Rome, and with Filippo Tommaso Marinetti in Naples ( who later enthusiastically praised Conti's book Imbottigliature which was about to be printed ) that Conti became part of the Futurist movement.

Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell ' Emilia, an article then reproduced in the French daily newspaper Le Figaro on 20 February 1909.

Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young ( as had Marinetti ), because only they could understand what he had to say.

Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in 1914.

Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Lourié, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914.

Marinetti founded the Futurist Political Party ( Partito Politico Futurista ) in early 1918, which was absorbed into Benito Mussolini's Fasci di combattimento in 1919, making Marinetti one of the first members of the National Fascist Party.

When Filippo Tommaso Marinetti issued his Futurist Manifesto in 1909, he chose to contrast his movement with the supposedly defunct artistic sentiments of the Winged Victory: "... a race-automobile which seems to rush over exploding powder is more beautiful than the ' Victory of Samothrace '.

Filippo Tommaso Marinetti, author of the Futurist Manifesto.

* The Futurist Manifesto-F. T. Marinetti

Janco attended the 1930 reunion organized by Contimporanul in honor of the visiting Futurist Filippo Tommaso Marinetti, and gave a welcoming speech.

Marinetti visited in 1914, proselytizing on behalf of Futurist principles of speed, danger and cacophony.

The publication of the English Futurist manifesto Vital English Art, in June 1914 edition of The Observer, co-written by Marinetti and the " last remaining English Futurist " C. R. W. Nevinson, Lewis found his name, among others, had been added as a signatory at the end of the article without permission, in an attempt to assimilate the English avant-garde for Marinetti's own ends.

The sentiment of Futurists was most vocally expressed by Filippo Marinetti in the Futurist Manifesto, where he called for a rejection of the past, a rejection of all imitation — of other artists or of the outside world — and praised the virtue of originality and triumph of technology.