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The Italian composer Domenico Scarlatti was an important figure in the transition from Baroque to Classical.
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While Italian by birth, Salieri had lived in imperial Vienna for almost 60 years and was regarded by such people as the music critic Friedrich Rochlitz as a German composer.
Anton Diabelli, lithograph by Josef KriehuberAnton ( or Antonio ) Diabelli ( 5 September 17817 April 1858 ) was an Austrian music publisher, editor and composer of Italian descent.
Alessandro Scarlatti ( 2 May 1660 – 24 October 1725 ) was an Italian Baroque composer especially famous for his operas and chamber cantatas.
The Italian composer Luigi Dallapiccola used some of the text in his choral work Canti di prigionia ( 1938 ).
Claudio Giovanni Antonio Monteverdi (; 15 May 1567 ( baptized ) – 29 November 1643 ) was an Italian composer, gambist, and singer.
1710 – 14 October 1740 ) was an Italian singer, harpsichordist, and composer whose works bridge the Baroque and Classical periods.
Italian and Domenico
The name was suggested by an article on the Italian newspaper Il Tempo written in 1992 by Domenico Fisichella, a prominent conservative academic.
The Italian bass virtuoso Domenico Dragonetti helped to encourage composers to give more difficult parts for his instrument.
In 1802 Gian Domenico Romagnosi, an Italian legal scholar, deflected a magnetic needle by electrostatic charges.
Gregorio Allegri ( 1582 – 17 February 1652 ) was an Italian composer of the Roman School and brother of Domenico Allegri ; he was also a priest and a singer.
Giacomo Puccini ( full name: Giacomo Antonio Domenico Michele Secondo Maria Puccini ) (; Lucca 22 December 1858Brussels 29 November 1924 ) was an Italian composer whose operas are among the most frequently performed in the standard repertoire.
* 1719 – Domenico Lorenzo Ponziani, Italian law professor, priest, chess player, composer and theoretician ( d. 1796 )
Many foreign composers such as Baldassare Galuppi, Giovanni Paisiello, Giuseppe Sarti, and Domenico Cimarosa ( as well as various others ) were invited to Russia to compose new operas, mostly in the Italian language.
Our knowledge of 15th century Italian dances comes mainly from the surviving works of three Italian dance masters: Domenico da Piacenza, Antonio Cornazzano and Guglielmo Ebreo da Pesaro.
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