Common meter hymns were interchangeable with a variety of tunes ; more than twenty musical settings of " Amazing Grace " circulated with varying popularity until 1835 when William Walker assigned Newton's words to a traditional song named " New Britain ", which was itself an amalgamation of two melodies (" Gallaher " and " St. Mary ") first published in the Columbian Harmony by Charles H. Spilman and Benjamin Shaw ( Cincinnati, 1829 ).

" Amazing Grace ", with the words written by Newton and joined with " New Britain ", the melody most currently associated with it, appeared for the first time in Walker's shape note tunebook Southern Harmony in 1847.

The Society is best known for its worldly successes, most notably the establishment of three model communities, the first at Harmony, Pennsylvania ; the second, also called Harmony, in the Indiana Territory, now New Harmony, Indiana ; and the third and final town at Economy, now Ambridge, Pennsylvania.

Rapp and his group of believers began meeting in Iptengen and eventually emigrated to the United States, where they established three communities: Harmony, Butler County, Pennsylvania ; Harmony ( later named New Harmony ), Posey County, Indiana ; and Economy, Beaver County, Pennsylvania.

Ten years later, the town was sold and the Harmonists moved westward to the Indiana Territory, where they established the town of Harmony, now called New Harmony, Indiana, and remained there from 1815 to 1825.

The Indiana settlement was sold to Robert Owen and was renamed New Harmony.

Main Article New Harmony, Indiana

Harmony Society buildings in New Harmony, Indiana.

( The town's name was changed to New Harmony after the Harmonists left in 1824.

Owen named the town New Harmony, and by May, the last of the Harmony Society's remaining members returned to Pennsylvania.

This was planned in New Harmony, but fulfilled when they arrived at Economy.

* New Harmony Historic District

* New Harmony, Indiana

* Arndt, Karl J. R. Harmony on the Wabash in Transition to Rapp's Divine Economy on the Ohio and Owen's New Moral World at New Harmony on the Wabash 1824 – 1826.

* Boomhower, Ray E. " New Harmony: Home to Indiana's Communal Societies.

Instead, he went down to New York and submitted Welcome To Our City to the Theatre Guild, which had asked him to let them have a look at it after Professor Baker had recommended it highly.

* Aquila Theatre, a theatre company currently of New York

New York: Theatre Arts, 1987.

A full version was presented at the Yale Repertory Theatre in New Haven, Connecticut, in 1974, with Gilbert Price as Jimmy and Stephanie Cotsirilos as Jenny.

After becoming New York's de facto Red Light District in the 1960s and 1970s ( as can be seen in the films Taxi Driver and Midnight Cowboy ), since the late 1980s Times Square has emerged as a family tourist center, in effect being Disneyfied following the company's purchase and renovation of the New Amsterdam Theatre on 42nd Street in 1993.

" Great White Way " is a nickname for a section of Broadway in the Midtown section of the New York City borough of Manhattan, specifically the portion that encompasses the Theatre District, between 42nd and 53rd Streets, and encompassing Times Square.

Retrospectives of his work were presented that year at The National Film Theatre in London, the Munich Stadtmuseum and the Museum of Modern Art in New York, which also dedicated a gallery exhibition, Chaplin: A Centennial Celebration, to him.

* The new musical TULLY ( In No Particular Order ), which appeared in the 2007 New York Musical Theatre Festival, loosely adapts the poems of Catullus while retaining the non-linear structure of the published edition, exploring his relationships with both Clodia and Juventius, renamed Julie, and the timeless nature of memory and love.

Charles appeared in the John Godber comedy play Teechers, in which he swapped in and out of various roles, at the Arts Theatre, London, and at the Edinburgh Festival ( 1989 ), and he played Idle Jack in the pantomime Dick Whittington, at the Hull New Theatre ( 1997 ).

There are a number of performing arts groups at Columbia dedicated to producing student theater, including the Columbia Players, King's Crown Shakespeare Troupe ( KCST ), Columbia Musical Theater Society ( CMTS ), NOMADS ( New and Original Material Authored and Directed by Students ), LateNite Theatre, Columbia University Performing Arts League ( CUPAL ), Black Theatre Ensemble ( BTE ), sketch comedy group Chowdah, and improvisational troupes Alfred and Fruit Paunch.

While living in New York, Elwes studied acting at both the Actors Studio and the Lee Strasberg Theatre and Film Institute.

She made her professional debut on the New York stage, appearing in Beside Herself alongside Melissa Joan Hart, at the Circle Repertory Theatre.

* 1948 – The Cole Porter Broadway musical, Kiss Me, Kate ( 1, 077 performances ), opens at the New Century Theatre and becomes the first show to win the Best Musical Tony Award.

He gained his first Method experience at the Neighborhood Playhouse School of Theatre in New York City.

The 1979 film La Cage aux Folles ran for well over a year at the Paris Theatre, an art house cinema in New York City, and was a commercial success at theaters throughout the country, in both urban and rural areas.

In 2006, the Drama Desk Award winning Godlight Theatre Company produced and performed the New York City premiere of Ray Bradbury's Fahrenheit 451 at 59E59 Theaters.

" He was also heavily influenced by an African-American dancer Dancing Dotson, whom he saw at Loew's Penn Theatre around 1929, and was briefly taught by Frank Harrington, an African-American tap specialist from New York.

*-Aboutface Theatre Company, New York City.

Filming was finished in late May 1930 and premiered in July, setting a first week box office record at the Winter Garden Theatre in New York.

In the years following America's independence, Thomas Apthorpe Cooper, the young nation's leading tragedian, performed Hamlet among other plays at the Chestnut Street Theatre in Philadelphia, and at the Park Theatre in New York.

Sam Waterston later played the role himself at the Delacorte for the New York Shakespeare Festival, and the show transferred to the Vivian Beaumont Theatre in 1975 ( Stephen Lang played Bernardo and other roles ).

Had the situation been reversed, had, for instance, England been the enemy in 1898 because of issues of concern chiefly to New England, there is little doubt that large numbers of Southerners would have happily put on their old Confederate uniforms to fight as allies of Britain.

There is a New South emerging, a South losing the folksy traditions of an agrarian society with the rapidity of an avalanche -- especially within recent decades.

It would be interesting to know how much `` integration '' there is in the famous, fashionable colleges and prep schools of New England.

It is a question which New Englanders long ago put out of their minds.

It is true that New England, more than any other section, was dedicated to education from the start.

Was it supposed, perchance, that A & M ( vocational training, that is ) was quite sufficient for the immigrant class which flooded that part of the New England world in the post-Civil War period, the immigrants having been brought in from Southern Europe, to work in the mills, to make up for the labor shortage caused by migration to the West??

And it is clearly argued by Lord Percy of Newcastle, in his remarkable long essay, The Heresy Of Democracy, and in a more general way by Voegelin, in his New Science Of Politics, that this same Rousseauan idea, descending through European democracy, is the source of Marx's theory of the dictatorship of the proletariat.

The young William Faulkner in New Orleans in the 1920's impressed the novelist Hamilton Basso as obviously conscious of being a Southerner, and there is no evidence that since then he has ever considered himself any less so.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

His credulity is perhaps best illustrated in his introduction to The Emancipation Of Massachusetts, which purports to examine the trials of Moses and to draw a parallel between the leader of the Israelite exodus from Egypt and the leadership of the Puritan clergy in colonial New England.

There is, of course, nothing new about dystopias, for they belong to a literary tradition which, including also the closely related satiric utopias, stretches from at least as far back as the eighteenth century and Swift's Gulliver's Travels to the twentieth century and Zamiatin's We, Capek's War With The Newts, Huxley's Brave New World, E. M. Forster's `` The Machine Stops '', C. S. Lewis's That Hideous Strength, and Orwell's Nineteen Eighty-Four, and which in science fiction is represented before the present deluge as early as Wells's trilogy, The Time Machine, `` A Story Of The Days To Come '', and When The Sleeper Wakes, and as recently as Jack Williamson's `` With Folded Hands '' ( 1947 ), the classic story of men replaced by their own robots.

Since the great flood of these dystopias has appeared only in the last twelve years, it seems fairly reasonable to assume that the chief impetus was the 1949 publication of Nineteen Eighty-Four, an assumption which is supported by the frequent echoes of such details as Room 101, along with education by conditioning from Brave New World, a book to which science-fiction writers may well have returned with new interest after reading the more powerful Orwell dystopia.

He is New York-born and Jewish.

His may typify a certain kind of postwar New York experience, but his experience is certainly not typical of his `` generation's ''.

In any case, who ever thought that New York is typical of anything??

Only a native New Yorker could believe that New York is now or ever was a literary center.

Krim's typicality consists only in his New Yorker's view that New York is the world ; ;

he displays what outlanders call the New York mind, a state that the subject is necessarily unable to perceive in himself.

The New York mind is two parts abstraction and one part misinformation about the rest of the country and in fact the world.

In his fulminating against the literary world, Krim is really struggling with the New Yorker in himself, but it's a losing battle.