Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

The New York Times editorialist wondered just who would stop Mr. Lewis and make him write a book.

Then followed a period in which he wrote reviews for The New York Times Book Review, The Commonweal, Commentary, had a small piece in Partisan Review, and moved on to Hudson, The Village Voice, and Exodus.

to the editor of the New York Times:

to the editor of the New York Times:

to the editor of the New York Times:

to the editor of the New York Times:

to the editor of the New York Times:

I found recently a very small article in the New York Times:

Newspaper advertising was mainly concentrated in the New York Times and the Wall Street Journal ( Eastern and Midwestern editions ) which averaged two prominent ads per month, and to a lesser degree the New York Herald Tribune and, for the west coast, the Los Angeles Times and the Wall Street Journal ( Pacific Coast edition ).

In addition to the regular schedule, advertisements were run for maximum impact in special editions of the New York Times, Boston Herald, American Banker, Electronic News and, for local promotion, the Providence Sunday Journal.

Mr. Speaker, I rise today to pay tribute to a great newspaper, the New York Times, on the occasion of a major change in its top executive command.

I am pleased to note that Mr. Sulzberger will continue to serve as chairman of the board of the New York Times.

Mr. Sulzberger's successor as publisher is Mr. Orvil E. Dryfoos, who is president of the New York Times Co., and who has been with the Times since 1942.

My heartiest congratulations go to their successors, Orvil E. Dryfoos and John B. Oakes, who can be counted upon to sustain the illustrious tradition of the New York Times.

The people of the 17th District of New York, and I as their Representative in Congress, take great pride in the New York Times as one of the great and authoritative newspapers of the world.

Other embassies cable home The New York Times without changing a comma.

After his speech, reporters asked him about the report of his political intentions, published in yesterday's New York Times.

On microfilm, headquarters also has a file of the New York Times from its founding in 1851 to the present day, as well as bound volumes of important periodicals.

* 1924 – Janet Frame, New Zealand author ( d. 2004 )

In her review for the New York Times, Janet Maslin praised, " Mr. Campbell's manly, mock-heroic posturing is perfectly in keeping with the director's droll outlook ".

* 2004 – Janet Frame, New Zealand writer ( b. 1924 )

Referring to his 1991 film releases, The New York Times ’ critic, Janet Maslin, praised Reeves ’ versatility, saying that he “ displays considerable discipline and range.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Janet Maslin of The New York Times said: " Generations is predictably flabby and impenetrable in places, but it has enough pomp, spectacle and high-tech small talk to keep the franchise afloat.

Sondheim was born to a Jewish family in New York City, Etta Janet " Foxy " ( née Fox ) and Herbert Sondheim.

Janet Maslin praised Bridges ' performance in her review for The New York Times: " Mr. Bridges finds a role so right for him that he seems never to have been anywhere else.

Other films shot in widescreen were the musical Happy Days ( 1929 ) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12 year old Betty Grable as a chorus girl ; Song o ’ My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage ( Seventh Heaven, A Farewell to Arms ), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger ( the 35mm version, however, debuted in New York on March 11, 1930 ); and the western The Big Trail ( 1930 ) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930, all of which were also made in the 70mm Fox Grandeur process.

In her New York Times review Janet Maslin wrote, Natalie Portman got film's " archest dialogue ", and called her " a budding knockout, and scene-stealingly good even in an overly showy role.

Janet Maslin wrote a strongly positive review in the New York Times, describing the film as " a delightful and witty compendium of the film maker's favorite things.

Janet Maslin of The New York Times wrote that film was " the best and funniest Clint Eastwood movie in quite a while ", and praised Eastwood's directing and the way he intricately juxtaposes the old West and the new.

Janet Maslin of The New York Times wrote that the film marked the highest point of Eastwood's directing career, and the film has since been cited as one of his most underrated directorial achievements.

The film received a mixed reception, with Janet Maslin of The New York Times writing, " his direction is galvanized by a sense of second chances and tragic misunderstandings, and by contrasting a larger sense of justice with the peculiar minutiae of crime.

Janet Maslin in The New York Times said Spacey was at his " wittiest and most agile " to date, and Roger Ebert of the Chicago Sun-Times singled Spacey out for successfully portraying a man who " does reckless and foolish things who doesn't deceive himself ".

Janet Maslin of The New York Times called it " as breezily escapist as a film this facile can be " and added, " Ms. MacDowell ... has a lovely, demure ease that makes George's appreciative gaze quite understandable.

* New Zealand author and poet Janet Frame received a literary award in 1951 the day before a scheduled lobotomy was to take place, and it was never performed.

" Janet Malcolm interviewed Masson at length when writing her long New Yorker article on this controversy, which she later expanded into In the Freud Archives, a book that also dealt with Eissler and Peter Swales.

In her review in The New York Times, Janet Maslin called the film a " romantic comedy with barely a laugh or a spark, and with a pace that makes it feel longer than Mr. Kasdan's previous work, Wyatt Earp.

New York Times critic Janet Maslin praised DiCaprio's performance, writing " the film's real show-stopping turn comes from Mr. DiCaprio, who makes Arnie's many tics so startling and vivid that at first he is difficult to watch.

Janet Maslin, in a review of an Addams biography for The New York Times, wrote, " Addams's persona sounds cooked up for the benefit of feature writers ... was at least partly a character contrived for the public eye ," noting that one outré publicity photo showed the humorist wearing a suit of armor at home, " but the shelves behind him hold books about painting and antiques, as well as a novel by John Updike.

In 1890 Robert Louis Stevenson, his wife Fanny Vandegrift Stevenson, and her son Lloyd Osbourne sailed on the Janet Nicoll, a trading steamer owned by Henderson and Macfarlane of Auckland, New Zealand, which operated between Sydney, Auckland and into the central Pacific.

Paris Journal was written by Janet Flanner, Paris writer for the New Yorker, 1925-1975.