Sniffin ' Glue ran for 12 photocopied issues ; the first issue was produced by Perry immediately following ( and in response to ) the London debut of The Ramones on July 4, 1976.

By late 1976, bands such as the Ramones, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement.

The cover of the Ramones ' 1976 debut album, featuring a shot of the band by Punk photographer Roberta Bayley, set forth the basic elements of a style that was soon widely emulated by rock musicians both punk and nonpunk.

In eastern Canada, the Toronto protopunk band Dishes had laid the groundwork for another sizable scene, and a September 1976 concert by the touring Ramones had catalyzed the movement.

From 1976 the Stranglers became associated with the burgeoning punk rock movement, due in part to their opening for the first British tours of American punks The Ramones and Patti Smith.

Mark Perry produced the first photocopied issue of Sniffin ' Glue in London immediately after that Ramones concert in 1976.

The first punk band is usually thought to be the Ramones from 1976.

By late 1976, acts such as the Ramones and Patti Smith, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement.

The first punk band is usually thought to be the Ramones from 1976.

Craig Leon, the producer of the first album, Ramones, had left Sire Records by fall 1976 and was replaced by Tony Bongiovi.

Post Office telephone engineer Jennings met record shop manager Ruffy in 1976 and became interested in punk after discussing the latter's Ramones ' T-shirt.

He formed Sham 69 in 1976, inspired by The Ramones and initially called Jimmy and the Ferrets, along with Albie Slider, Billy Bostik and Neil Harris, while employed at Wimbledon Stadium, and they rehearsed at Slider's parents ' pig farm, where King sometimes came to watch them.

With the support of radio DJs such as Milo from WHFS, Xyra and Steve Lorber ( who played Iggy Pop and the Ramones on his Sunday evening shows in 1976 ) from WGTB, everyone was made welcome, and everyone came.

* Ep 522 ( 2006-04-30 ) 30 Years of Punk Rock, Part 2 ( 1975 – 1976 )-featuring: Ramones & The Saints & The Dictators & Patti Smith & Sex Pistols

* Ep 642 ( 2010-01-24 ) The Complete History of Alt-Rock 3: The Rise of the Weirdos ( 1974 – 1976 )-featuring: David Bowie & Paul Anka & Television & Ramones & Patti Smith & The Dictators & Pere Ubu & The Saints

Perry was a bank clerk when, inspired by The Ramones, he founded the punk fanzine Sniffin ' Glue ( And Other Rock ' n ' Roll Habits ) in 1976.

Their only record with enough U. S. sales to be certified gold was the compilation album Ramones Mania.

The title track was previously on the Ramones ' final studio album, ¡ Adios Amigos !.

Punk rock songs tend to be shorter than those of other popular genres — on the Ramones ' debut album, for instance, half of the fourteen tracks are under two minutes long.

That April, the Ramones ' debut album was released by Sire Records ; the first single was " Blitzkrieg Bop ", opening with the rally cry " Hey!

One thing I remember having had a really depressing effect on me was the first Ramones album.

Leave Home, the Ramones ' second album, had come out in January.

) The Ramones ' third album, Rocket to Russia, appeared in November 1977.

The same year, Waits contributed a version of " The Return of Jackie and Judy " by The Ramones to the compilation album We're a Happy Family: A Tribute to Ramones, which was released in 2003 on Columbia Records.

The album is also notable for containing a number of covers of songs by other artists, including The Ramones (" The Return of Jackie and Judy " and " Danny Says "), Daniel Johnston (" King Kong "), Kurt Weill and Bertolt Brecht (" What Keeps Mankind Alive "), and Leadbelly (" Ain't Goin ' Down to the Well " and " Goodnight Irene "), as well as renditions of works by poets and authors admired by Waits, such as Charles Bukowski and Jack Kerouac and a previously released duet with Mark Linkous of Sparklehorse entitled " Dog Door ".

The band admired label head Seymour Stein, who had managed the Ramones, and Stein recruited Tommy Ramone as producer for their first major label album.

Punk rock band the Ramones played this song as the opening for their live album Loco Live as well as in concerts until their disbandment in 1996.

* April 23 – The punk rock group The Ramones release their first self-titled album.

Some bands, such as the Tindersticks, Metallica, Led Zeppelin, Crowded House, Van Halen, Duran Duran, Bang Camaro, Santana, Living in a Box, and the Ramones, have released more than one and are thus referred to in other ways, including number and album art ( e. g., The Blue Album ).

September 1999 saw the release of Coverkill, an album consisting entirely of cover versions from bands that were especially influential to Overkill, such as Black Sabbath ( featured no less than three times ), Kiss, Motörhead, Manowar, and The Ramones.

Although it was a commercial flop, the film broke stylistic ground by being more focused and less visually ambitious – and thus easier to emulate on a tight budget – than either RHPS or Ken Russell's 1975 adaptation of The Who's music and storyline from the album Tommy, or even a lower-budget affair like The Ramones ' Rock ' n ' Roll High School ( 1979 ).

Viv Albertine went further in defence of his ability, saying that one night she " went to bed, and Sid stayed up with a Ramones album and a bass guitar, and when I got up in the morning, he could play.

One night, he played the first Ramones album nonstop, all night, then next morning, Sid could play the bass.

The album was well received by critics, and since then he has released several more albums, including a collaboration with the Phantom Surfers, Ramonetures, an album of instrumental versions of Ramones songs, done Ventures-style.

In the United States, dirty, simple clothes-ranging from the T-shirt / jeans / leather jacket Ramones look to the low-class, second-hand " dress " clothes of acts like Television or Patti Smith-were preferred over the expensive or colorful clothing popular in the disco scene. The Ramones | Ramones playing for an audiences at CBGB's circa 1977

After the Mercer Arts Center collapsed in August 1973, there were few locations in New York where unsigned bands could play original music, and some of the Mercer refugees, including Suicide, The Fast, Wayne County and the Magic Tramps all played in the very early days of CBGB. Marky Ramone of the Ramones and Debbie Harry of Blondie ( band ) | Blondie attend a screening of Burning Down the House, a 2009 documentary about CBGB's heyday.

Joey and Dee Dee Ramones | Ramone in concert in 1983

| SHORT DESCRIPTION = Drummer for The Ramones

" The Return of Jackie and Judy " is a follow-up to their well-known early song, " Judy Is a Punk ", appearing on Ramones, the band's debut album.

" I Don't Wanna Grow Up " was covered by Ramones for their album Adios Amigos, by Petra Haden and Bill Frisell on their collaboration Petra Haden & Bill Frisell ( 2003 ), by Hayes Carll on his Trouble In Mind ( 2008 ), and by Scarlett Johansson on her debut album, Anywhere I Lay My Head ( 2008 ).

It appeared as the opening track on the band's debut album, Ramones, also released that month.

Influenced by early Kiss, punk and rock bands such as MC5, Ramones, Sex Pistols, The Damned, The Stooges and The Heartbreakers as well as heavier bands such as Venom, Blue Cheer and Motorhead the band's debut album-Supershitty to the Max!