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Rossini and Opera
The institution has collaborated since the beginning with the Rossini Opera Festival.
* Rossini Opera Festival
* The Center for Italian Opera Studies: Rossini critical edition
** Carlo Felice Cillario ( conductor ), Montserrat Caballe & the RCA Italiana Opera Orchestra & Chorus for Rossini: Rarities
On 13 August 1993, the Italian parliament unanimously approved the Special Law N. 319 " Regulations in support of the Rossini Opera Festival ", which recognizes the Pesaro Festival's achievements in the reviving of Rossini's operas as entitled to be included among the state-supervised works of restoration of the national artistic heritage.
* Rossini Opera Festival website
de: Rossini Opera Festival Pesaro
fr: Rossini Opera Festival
it: Rossini Opera Festival
** Carlo Felice Cillario ( conductor ), Montserrat Caballé & the RCA Italiana Opera Orchestra & Chorus for Rossini: Rarities
In 1993, Fleming sang the role of Alaide in Bellini's La straniera with the Opera Orchestra of New York, made her debut at the Rossini Opera Festival in the title role of Rossini's Armida, and her debut with the Lyric Opera of Chicago in the title role of Carlisle Floyd's Susannah.
OperaRossini Ermione Soloists ; Geoffrey Matchell Choir ; London Philharmonic Orchestra / David Parry Opera Rara
OperaRossini Matilde di Shabran
OperaRossini, Il Turko in Italia, soloists ; Milan La Scala Chorus and Orchestra / Riccardo Chailly ( Decca )
* Rossini: The Barber of Seville ( 2001 ) -- As Rosina with Nello Santi and Zurich Opera
* Opera composer Gioacchino Rossini was born in Pesaro in 1792.
Pesaro is home of the Rossini Opera Festival, which has taken place every summer since 1980 as well as the Conservatorio Statale di Musica " Gioachino Rossini " which was founded with a legacy from the composer.
He made his opera début as the music teacher Don Basilio in Gioacchino Rossini ’ s Il Barbiere di Siviglia at the Paris Opera in 1961, and remained in the company until 1965, when he sang his first major role, Escamillo from Bizet's Carmen.
* Italian Opera Arias: Arias by Broschi, Leoncavallo, Monteverdi, Paisiello and Rossini, with conductor Mario Bernardi, CBS 1978.

Rossini and Festival
The Rossini Festival staged the work in Pesaro in 1992.
The Rossini Festival has seen many of Rossini's lesser-known works revived, some of which have since entered the standard operatic repertoire.
In 1988 he conducted the world premiere of the Messa per Rossini that he also conducted at the Rheingau Musik Festival in 2001, where he has traditionally conducted the final concert.
During 2005 and 2006 the tenor's stage roles ranged from Tamino in The Magic Flute at the Teatro Real in Madrid and at ENO, to the Madwoman in Benjamin Britten ’ s Curlew River at the Edinburgh Festival, Count Almaviva in Rossini ’ s The Barber of Seville at Covent Garden and Tom Rakewell in Igor Stravinsky's The Rake's Progress.
Pier Luigi Pizzi staged a production of Tancredi at the Teatro Rossini in Pesaro in 1999, a production which was later transported to the Rossini Opera Festival in 2004.
In 1981, she began a decade-long association with the Rossini Opera Festival in Pesaro, thus broadening her repertoire of Rossini's operas.
She has sung in most of the major Italian opera houses as well as the Rossini Festival in Pesaro and at the Martina Franca Festival.
Elsewhere in 1988, Anderson focused on Rossini roles: playing her first Armida in Aix-en-Provence, appearing in Otello at the Pesaro Festival, and debuting as Anna in Maometto II ( an early version of Rossini's Le siège de Corinthe ) at the San Francisco Opera ( she had previously recorded this work with Samuel Ramey in 1983 ).
Her recent performances include roles of La Cieca in La Gioconda, Bertarido in Handel's Rodelinda, the title role in Rossini's Tancredi, the title role in Handel's Giulio Cesare, Isabella in Rossini's L ' italiana in Algeri, Erda in Wagner's Ring Cycle ( at the Seattle Opera ), Klytämnestra in Richard Strauss's Elektra ( with the Canadian Opera Company ), Madame de la Haltière in Massenet's Cendrillon ( at London's Royal Opera House ), and the title role in Rossini's Ciro in Babilonia ( in the work's US premiere at the Caramoor International Music Festival in July 2012 and at the Rossini Opera Festival in Pesaro, Italy, in August 2012, where she scored a triumph ).

Rossini and frequently
During this time, Rossini was frequently left in the care of his aging grandmother, who had difficulty supervising the boy.
Voices of this type are utilized frequently in the operas of Rossini, Donizetti, Bellini and in music dating from the Baroque period.
Rossini demanded similar qualities for his comic heroines, and Vivaldi wrote roles frequently for this voice as well.

Rossini and among
In his compositions, Rossini plagiarized freely from himself, a common practice among deadline-pressed opera composers of the time.
As a result of his success Bizet became a regular guest at Offenbach's Friday evening parties, where among other musicians he met the aged Gioachino Rossini, who presented the young man with a signed photograph.
Antonio Pini-Corsi was the standout Italian buffo baritone in the period between about 1880 and World War I, reveling in comic opera roles by Rossini, Donizetti and Paer, among others.
Even though the young Tebaldi successfully performed roles in operas and works by ( among others ) Rossini, Spontini, Mozart, Handel and Wagner she eventually centered her career on verismo and late Verdi roles, roles not as well suited to Callas ' voice.
Thalberg was praised by many of the most prominent artists, among them Rossini and Meyerbeer.
Her current recital repertoire includes art songs by Brahms, Schubert, Schumann, Wolf, R. Strauss, Mahler, Ravel, Massenet, de Falla, Verdi, Rossini, Copland and Barber, among others.

Rossini and musicians
Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy which was then part of the Papal States.
He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and cooperated with the best active concert musicians in Vienna.

Rossini and Pesaro
Apart from some individual legacies in favour of his wife and relatives, Rossini willed his entire estate to the Commune of Pesaro.
Mascagni in the same year accepted the directorship of the Liceo Rossini in Pesaro.
He graduated from the Rossini Conservatory at Pesaro, where he first met and sang with Renata Tebaldi, with whom he would form something of an operatic dream team of the 1950s.
From 1918 he was Director of the Conservatory of Bologna, from 1923 Director of the Turin Conservatory, and from 1947 to 1950 Director of the Rossini Conservatory in Pesaro.
The opera was revised by Rossini for subsequent productions in Pesaro in 1818, and for the Teatro del Fondo ( Naples ) in 1819 and the Teatro di San Carlo ( Naples ) in 1820.
In 1990, Anderson also performed in Pesaro in a production of the rarely seen Ricciardo e Zoraide, also by Rossini, and visited the Lyric Opera of Chicago in a new production of Lucia di Lammermoor directed by Andrei Şerban.
By age 17, he had received his diploma from the Rossini Conservatory in Pesaro.
In 2009, he made his Italian debut conducting Rossini's opera Il viaggio a Reims at the Rossini Festival in Pesaro.

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