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Times and reviewer
Ralph Thompson, a book reviewer for The New York Times, was critical of the length of the novel, and wrote in June 1936:
Influential reviewer Bosley Crowther of The New York Times wrote that " Nancy Davis delightful as gentle, plain, and understanding wife.
He had evolved from what Edward Alden Jewell, a reviewer for the New York Times, called a “ debilitating focus on Regionalist and ethnic concerns ” to what became known as his stylistic approach which participated in the post-war aims of avant-garde American art.
The book was called a " tendentious, self-important, sloppily reasoned work that gives feminism a bad name " by the New York Times principal book reviewer Michiko Kakutani.
" New York Times reviewer Gerald Jonas was even more critical, saying that while Brunner was attempting to write " slice-of-life " fiction about a future society, the result of his arbitrary choices about social details is that " the entire fictional edifice collapses like a house of cards.
Straczynski has been a journalist, reviewer, and investigative reporter, publishing over 500 articles in such publications as the Los Angeles Times, the Los Angeles Herald-Examiner, Writer's Digest, Penthouse, San Diego Magazine, Twilight Zone Magazine, the San Diego Reader, the Los Angeles Reader and Time.
New York Times reviewer Villiers Gerson declared Starman Jones to be " superior science-fiction.
" Amid The New York Times pan of the film when it opened in August 1955, the reviewer wrote, " About five minutes ( out of ninety-five ) suggest the picture this might have been.
New York Times reviewer Gerald Jonas praised the novel, saying that " Dick skillfully explores the psychological ramifications of this nightmare ," but concludes that the story's concluding rationalization of its events is " an artistic miscalculation a major flaw in an otherwise superb novel.
Other critics were more generous ; Doug Elfman of the Las Vegas Review-Journal called it " another great and bizarre, twangy album of alternative-singer-songwriting stories about cars and horrible relationships ", while a reviewer in the New Straits Times noted its " smart, subtly dissident, and always catchy pop ".
As noted by the New York Times reviewer Janet Maslin " Yes, there are enough spilled guts and severed limbs to satisfy the bloodthirstiest fan.
The Times reviewer noted that those dances were " the main source of the magic.
One reviewer from The New York Times called the book " a remarkable volume " and compared Patchen's work to Walt Whitman, Hart Crane, D. H. Lawrence, and even to the Bible.
After The Lady Eve premiered at the Rialto, The New York Times reviewer, Bosley Crowther characterized the film as " a sparkling romantic comedy.
The New York Times reviewer stated at the end of the review " there will be no romantic-adventure lover left unsatisfied.
Times reviewer made this point explicitly: " This air age, when death comes too swiftly for heroism or with no survivors to record it, can still turn with wonder to an age before yesterday when a thousand deaths at sea seemed the very worst the world must suffer.
A New York Times television reviewer added this editorial note at the end of a glowing review for A Town Has Turned to Dust, a show about racism and bigotry in a small Southwestern town: "' Playhouse 90 ' and Mr. Serling had to fight executive interference ... before getting their play on the air last night.
New York Times reviewer Villiers Gerson praised the novel, saying it " has suspense on every page " and " exhibits in every chapter the plot twists for which the author is famous.
Of the May 1899 concert at St. James's Hall, London, The Musical Times reviewer remarked on the rawness of some of the music, but praised the " boldness of conception and virile strength that command and hold attention.
The New York Times reviewer wrote: " The show moves with the zing and sparkle of a Waller recording-filled with bright melodies and asides.
The reviewer for The Times noted that " junior Bonds-men ... can cut their teeth on " the novel.
Concerning volume one of the book, The Sunday Times reviewer Oscar Turnill wrote that " Fleming was right in judging the children's market ripe for the ... cliff hanger " and praised his " avuncular and knowledgeable storytelling ", which was matched by Burningham's illustrations.
The reviewer for The Sunday Times agreed, saying that Le Mesurier, " after a lifetime supporting other actors with the strength of a pit-prop, gets the main part ; he looks, sounds and feels exactly right.
After launch, a New York Times reviewer noted how MacPaint unfolded numerous graphic possibilities for the personal computer ; he went further to say " it is better than anything else of its kind offered on personal computers by a factor of 10.
The New York Times reviewer noted that " Her songs ... are awesomely difficult and she does them awesomely well.

Times and commented
At the forum, Falwell told homosexuals in attendance " I don't agree with your lifestyle, I will never agree with your lifestyle, but I love you " and added " anything that leaves the impression that we hate the sinner, we want to change that " He later commented to New York Times columnist Frank Rich that “ admittedly, evangelicals have not exhibited an ability to build a bond of friendship to the gay and lesbian community.
The New York Times commented that she was " a sultry young country music singer who plays the notorious criminal Bonnie Parker and does for this musical what Reba McEntire did for the 1999 revival of Annie Get Your Gun.
" Leigh found the role gruelling and commented to the Los Angeles Times, " I had nine months in the theatre of Blanche DuBois.
The Times commented that the show " cheerfully parodied the very Ruritanian romances to which he owed his most triumphant successes.
When he died, The Times commented: " His very numerous works, especially on fungi and lichens, give him a position as regards those groups of plants only comparable to that of Linnaeus ".
In his review, New York Times critic Ben Brantley commented, “ her every stage appearance is perceived as a victory of show-business stamina over psychic frailty.
The Sunday Times recent profile of LSE for the 2008 Sunday Times University Guide commented:
Bosley Crowther generally panned the film and commented in the New York Times of February 29, 1956: " The script was obviously written to bring and Mr. Hudson, who made a popular twosome in the Magnificent Obsession, together again.
" The New York Times commented: " Latin America has witnessed many fraudulent elections throughout its history but none has been more outrageous than the one which has just taken place in Haiti.
The Times commented, " A perfect view of the stage can be had from every seat in the house.
At the time of its opening in 1934, The Times commented that the building displayed " the same enjoyment of modelling in mass which is Sir Giles Scott's chief personal contribution to contemporary architecture.
Charles Champlin from Los Angeles Times commented that: " Despite an over explicit soundtrack and some moments when the story in fact became a sermon, the movie effectively translated a changed national consciousness into credible and touching personal terms ".
New York Times art critic Roberta Smith commented: " It is an idea whose time has come, or come back, or perhaps simply come to a major New York museum for the first time.
" No more flappers ... they have served their purpose ... people are tired of soda-pop love affairs ", she told the Los Angeles Times, that commented a month earlier, " Clara Bow is the one outstanding type.
Noting that the building has been marked for demolition in 2012, architectural historian ( and former attendee ) Michael Lewis commented in The Times Leader: " As far as architecture is concerned, the high school is neither original nor innovative.
The chief music critic of The Times, Frank Howes, later commented, " the British public ... was electrified when it heard the disciplined precision of the Berlin Philharmonic.
The Musical Times commented, " The boast of the B. B. C.
The Musical Times commented, " Signor Giovanni Barbirolli was not entirely equal to the demands of the solo music, but his playing unquestionably gave a considerable amount of pleasure.
The reviews were polite, but The Times, having praised the orchestral aspects of the score, commented, " Mr. Delius seems to have remarkably little sense of dramatic writing for the voice ".
In 1915, The Musical Times published a profile of him by his admirer, the composer Philip Heseltine ( known as " Peter Warlock "), who commented:
The work was well received ; in The Manchester Guardian, Samuel Langford called Bliss " far and away the cleverest writer among the English composers of our time "; The Times praised it highly ( though doubting if much was gained by the designation of the four movements as purple, red, blue and green ) and commented that the symphony confirmed Bliss's transition from youthful experimenter to serious composer.
In The Times, Howes commented, " The duties of a Master of the Queen's Music are what he chooses to make of them, but they include the composition of ceremonial and occasional music ".
In a profile of the orchestra in 1911, The Musical Times commented:
The Times commented that the LSO " were tempted by their own need for challenge ( and a siren chorus of critics ) to begin a series of more modern and adventurous music: six nights a week of Tippett, Berlioz, Webern, Stockhausen designed to draw in a new public.

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