The album's cover features a withered starving African child's hand being held and dwarfed by a white man's hand.

The album's lead single, " She's Every Woman " peaked at number-one on the Billboard Country Chart, however its follow-up single, " The Fever " ( a cover of an Aerosmith song ) only peaked at number 23, becoming Brooks's first released Country single to not chart on the Top 10.

The album's cover, which " shows lying on his back in bed with his ravishing wife's ample posterior in full view and one of her legs coyly draped over his private parts ," was considered to be too suggestive for most retailers, many of which were reluctant to stock the album.

The album's lead single was a cover of Bad Company's " Feel Like Makin ' Love ".

Although the children are not shown from the front, the cover was controversial at the time of the album's release.

When being photographed for the album's cover, Potger was replaced by Ray – his day job with the Australian Broadcasting Commission ( ABC ) as a radio producer barred him from involvement in a commercial enterprise.

Although the album's cover features the original line-up of Kool Keith, Ced Gee, Moe Love and TR Love, TR ( along with Tim Dog ) is notably absent.

The album's cover has the four main actors on the cover and the back cover has some background information about the four actors, information about the five month shooting schedule, some information about Albee and a brief synopsis of the film.

Hipgnosis's first Genesis album cover was for The Lamb Lies Down on Broadway, which featured a male model, credited simply as " Omar ", portraying the album's protagonist " Rael ".

The album's cover photograph – which showed the three band members posing with their shirts unbuttoned, on a tropical beach – engendered no small amount of ridicule, with Palmer complaining the group looked like disco stars the Bee Gees.

Dressed on the cover all in leather, the album's singles " A Little More Love " ( No. 3 Pop, No. 94 Country, No. 4 AC ), " Deeper than the Night " ( No. 11 Pop, No. 87 Country, No. 4 AC ), and the title track ( No. 52 Pop ) all demonstrated a more aggressive and uptempo sound for Newton-John.

The album's cover and in-sleeve photos were taken from the film, Tiger Bay, which starred Hayley Mills.

Although it had some progressive rock stylings, it also had a darker edge, suggested by the bedsit squalour on the album's cover.

He is reputed to have given the album its name by throwing a tomato at a showing of the art used for the album's cover.

The album's cover artwork was photographed and designed by Cal Schenkel and shows Van Vliet wearing the raw head of a carp, bought from a local fish market and fashioned into a mask by Schenkel.

Music critic Stephen Thomas Erlewine of Allmusic said, " It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles ," leading to the inclusion of several cover versions after the all-original A Hard Day's Night ; the band's visible weariness on the album's cover is noted by narrator Malcolm McDowell during The Compleat Beatles.

John Lennon complained to EMI Australia at a meeting about the changes, but the cover remained the same until the album's release on compact disc in 1988.

The band's name was discreetly embossed slightly below the middle of the album's right side, and the cover also featured a unique stamped serial number, " to create ," in Hamilton's words, " the ironic situation of a numbered edition of something like five million copies.

A painting of the band by " Patrick " ( John Byrne ) was at an earlier point under consideration to be used as the album's cover.

" The album's singles — the Bruce Johnston-produced original " Bluebirds Over the Mountains " ( Billboard # 64 ) and the Carl Wilson-produced cover of The Ronettes ' " I Can Hear Music "— won lukewarm attention, with the latter reaching # 24 on the Billboard single chart in April 1969 ; the lead track, the Wilson / Love-authored " Do It Again ", an unabashed throwback to the band's earlier surf hits, had been an international hit in the summer of 1968, reaching # 20 in the US charts and # 1 the UK while also scoring well in other countries.

Two weeks after the album's release, Martin was featured on the cover of Time with the title " Latin Music Goes Pop!

The album's cover and single artwork were undertaken by graffiti artist Banksy, with the single featuring a spoof image of the British Royal Family, replicated as a mural on the building.

The Smiths members Morrissey and Johnny Marr shared an appreciation for Smith's Horses, and reveal that their song " The Hand That Rocks the Cradle " is a reworking of one of the album's tracks, " Kimberly ".

Rolling Stone summed up the album's myriad styles this way: " Everything from sleazy strip-show blues to cheesy waltzes to supercilious lounge lizardry is given spare, jarring arrangements using various combinations of squawking horns, bashed drums, plucked banjo, snaky double bass, carnival organ and jaunty accordion.

Despite the album's erratic lyrical content and instrumentation, the latter of which kept it away from mainstream audiences, Boys for Pele is Amos's most successful simultaneous transatlantic release, reaching # 2 on both the Billboard 200 and the UK Top 40 upon its release at the height of her fame.

Retrospectively, " Keep Yourself Alive " is cited as the highlight of the album, and in 2008 Rolling Stone ranked it 31st in the " 100 Greatest Guitar Songs Of All Time ", describing it as " an entire album's worth of riffs crammed into a single song ".

The album's second single, " Now I'm Here ", a more traditional hard rock composition, was a number eleven hit in Britain, while the high speed rocker " Stone Cold Crazy " featuring May's uptempo riffs is a precursor to speed metal.

The album's lead single is " Adolescents " and it was posted on the band's website on April 4, 2011.

The album's first single, " The Distance ", written by Greg Brown, became the band's biggest hit to date and is considered their " ubiquitous " song ; it hit number 5 on the RPM Alternative 30, and entered the Modern Rock Tracks top 5.

Reviews of B-Sides and Rarities were generally good ; Devin Grant of The Post and Courier wrote that " For an album full of odds and ends, this Cake release is every bit as good, and every bit as fun, as the band's previous studio releases ", while Catherine P. Lewis of The Washington Post noted that, although several live tracks reduced the album's strength, " there are still enough charming nuggets to make this album less disposable than the typical rarities compilation ".

The album's five ' acid stamps ' and first track " Ah Feel like Ahcid " may underline this, while ' Smokin ' Stones ' is probably a ' pro comment ' on the contrasting rhythm and blues style of the Rolling Stones.

" Although RCA Victor would not acknowledge Garcia's considerable contributions to the album with a " Producer " credit, he is listed in the album's credits as " spiritual advisor.

* Tony Palmer, in The Observer, wrote shortly after the album's release: " If there is still any doubt that Lennon and McCartney are the greatest songwriters since Schubert, then ... album The Beatles ... should surely see the last vestiges of cultural snobbery and bourgeois prejudice swept away in a deluge of joyful music making ..."

Some contemporary critics say the album's inclusion of supposedly extraneous material is a part of its appeal.

< blockquote class =" toccolours " style =" text-align: left ; width: 28 %; float: left ; margin: 10px 10px 5px 5px ; padding: 10px ; display: table ;"> Into the Music: " The album's last four songs, " Angelou ", " And the Healing Has Begun ", and " It's All in the Game / You Know What They're Writing About " are a veritable tour-de-force with Morrison summoning every vocal trick at his disposal from " Angelou's climactic shouts to the sexually-charged, half-mumbled monologue in " And the Healing Has Begun " to the barely audible whisper that is the album's final sound.

Additionally, he is one-third of the infrequent, live-only musical extravaganza the Three Terrors ensemble, whose other principal members include 69 Love Songs album's Dudley Klute and LD Beghtol ; past themes of these performances have included: French pop, movie themes ( including the title song from Deep Throat ), intoxication, and New York.

The album's title is taken from William Shakespeare's Sonnet 130.

The album's title is a nickname Parks uses for Johns.

Usually the album's title is made of the main title, genre and maybe issue number ( so albums would include The Best Ibiza Album in the World ... Ever !, The Best Rock Album in the World ... Ever!

The album's story revolved around a junkie who is brainwashed into performing assassinations for an underground movement ; the junkie (" Nikki ") is torn over his misplaced loyalty to the cause and his love of a reformed hooker-turned-nun (" Mary ," vocals by Pamela Moore ) who gets in the way.

Robbie Allen is credited in the album's liner notes as having performed all of the bass tracks on the album, but by the time of its release original member Joe Escalante had moved from Drums into the bass position.