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episode's and is
An episode is considered " First Run " if aired within two weeks of that episode's initial air date.
This is illustrated on this episode's page on InfoSphere.
In the episode's epilogue, Sam is shown to have returned to Beth, appearing to her as himself, assuring her that Al is safe and will return to her ; this results in Al and Beth remaining happily married in the future, while Sam never returns to the future.
Also in the episode " Flaming Moe's ," a person in the bar is shown to have that episode's provocative name ( Hugh Jass, or " Huge ass "), and when he takes the phone, Bart quickly explains about it being a prank call and they hang up with Hugh Jass saying " what a nice young man.
Every episode's name is meant to be a suffix to the word " bottom ".
A still photo from the episode's shoot scene with Mike Wallace is on page 68 of the book 60 Minutes ': 25 Years of Television's Finest Hour ( 1993 ) by Frank Coffey.
At the two-part episode's conclusion, Pike is reunited with Vina and given the illusion of perfect health.
Although it is implied that nuclear warfare has destroyed humanity, film critic Andrew Sarris notes that the episode's necessarily unrealistic format may have been what allowed its production to commence:
Logan St. Clair was created to be a recurring character, which is evident in the episode's dialogue, but only appeared once.
The fifth and final episode's status is unknown, but presumed to exist.
The daughter has taken to calling Jerry " Uncle Jerry ", but by the episode's end, it is said she now refers to him as " daddy "-to the clear discomfort of Elaine and Jerry.
The ship is shown ( by a postcard ) to have reached a planet named Siluria with its dinosaurs at the episode's conclusion.
*, an unnamed female voice that presents a short tale in the prologue before each episode that is often related to the theme of the episode's title.
The music during the episode's final scene, for example, is the same as that which played at the conclusion of the Fourth Doctor's regeneration into the Fifth in Logopolis.
The episode's story is similar to Guardian's first comics appearance ( as Weapon Alpha ) in Uncanny X-Men # 109.
The audience's first critical assumption — that this is a " musical episode " where the Buffy cast is presumably unaware that they are singing — is overturned when it becomes clear that the characters are all too aware of their musical interludes and that determining the supernatural causes for the singing will be the focus of the episode's story.
The episode's setting is stated in dialogue and a newspaper masthead as being 18 – 25 December 1981, and Sarah Jane's experiences with the Doctor and UNIT are in her past, indicating that the Third and Fourth Doctor serials took place more or less contemporaneously to their original broadcast dates.
He demonstrates mastery of whatever field of science is convenient for a given episode's plot ; however, in the episode Mars University when asked what he is teaching, he responds: " The same thing I teach every semester, the mathematics of quantum neutrino fields.
The episode's name is the first usage of the phrase " Where No Man Has Gone Before " in Star Trek.
* The episode's title is a reference to the third line in the nursery rhyme " Rock-a-bye Baby ".

episode's and forced
The characters perform the Shakespearean dialogue in iambic pentameter, and the episode was wrapped by segments featuring a boy imagining the episode's proceedings because his mother forced him to do his Shakespeare homework instead of watching Moonlighting, which the mother described as " That show about two detectives?
Law & Order producers claim they were forced to remove Moriarty from the series because of " erratic behavior ", an example of which reportedly happened during the filming of the episode " Breeder " when, according to the episode's director, Arthur Forney, Moriarty was unable to deliver his lines with a straight face.
Cheez TV only played the first 65 episodes ( twice ), and due to classification restrictions, were forced to skip two episodes, " Match Point for Sailor Moon " ( ostensibly because the episode's " monster of the day " had visible breasts ) and " A Friend in Wolf's Clothing " ( due to a graphic death scene ).

episode's and about
Nimoy explained this to the episode's director and, according to Nimoy, the director had no idea what he was talking about.
The episode's title was borrowed by a song on The Fall's 1992 album Code: Selfish, and a 2004 independent film about a man who tries to escape an office building.
O ' Brien suggested having an episode about a rival for Lisa, but the rest of the episode's storyline was written by Scully and other staff members.
A 2004 episode about the importance of voting on election day seemed to suggest that the men in the family were voting for President George W. Bush, while the women were voting for Massachusetts Senator John Kerry — however, the script went out of the way to make sure that no mention of either candidate was ever made directly by name, leaving the viewer to decide ; the episode's message was " Vote, no matter who you vote for.
In an episode's commentary, this artistic contribution is discussed by Futurama co-creator Matt Groening, who describes Cohen as being very particular about how the animators used his design, and that Cohen's original drawing is still framed in his office.
At episode's end, Matchett talked about how nervous he was during the closing laps of the race, and how much the win had meant to him.
When he pitched the plot idea to the Simpsons writing staff, they became concerned about the episode's originality.
" George and I used to laugh a lot about how often Six would be gassed by unexpected devices in the show ", Scully said in the episode's DVD commentary.
" In the book Leaving Springfield, Matthew Henry praised the episode's critiquing of " the most common misconception about homosexuality: namely that gayness is somehow contagious ", as well as its other themes.
" Additionally, the BBC received " 183 complaints about the episode's ' unnecessary ' content, while some viewers felt aggrieved by the nature of an'all-black ' cast.
When Harrison arrived at the recording studio in West Los Angeles to record his lines, the casting director told the episode's show runners, Al Jean and Mike Reiss, that Harrison was coming and that they were not allowed to tell anybody about it because it was intended to be a secret to the staff.
Although it is one of series creator Matt Groening's ( pictured ) favorite moments in The Simpsons, fans of the series were uneasy about the episode's ending.
'" Eric Goldman, Dan Iverson and Brian Zoromski of IGN marked Hamill's guest appearance second on a list of " Top 25 Simpsons Guest appearances " saying that much of the episode's humor came from Hamill being " a good sport about his past ".
The episode's plot was conceived by Jean, who was inspired by a segment about found artists on the television news magazine 60 Minutes.
" The episode's third act went through several incarnations, and the writers had a lot of ideas about what Burns should do once he has captured the Loch Ness monster.
Following the episode's broadcast, Selman made a controversial statement about East St. Louis, which was pronounced the least livable city in the United States in the episode.
" According to Selman, Hawking was very humble regarding the episode's jokes about him, and stated that he " took a lot of shots " at himself.
In the episode's epilogue, Rose tries to tell Pete about her origins, but he is unable to handle this information and slips away to deal with the aftermath of the Cyberman attack.
The censors were nervous about some of the episode's subject matter, such as Homer pointing the gun in Marge's face, and Bart aiming the gun at Milhouse with the apple in his mouth, but ultimately let it go.
Writer Russell T Davies, in the episode's commentary, called the implication of this scene " a theory " as to the Face of Boe's origins, prompting Executive Producer Julie Gardner to urge him to " stop back-pedaling " about the two characters being the same.
The episode's setpiece was pitched by Selman, and originated from a discussion he had with current showrunner Al Jean, about " how much crap there is at the movie theater before the movie actually begins.
" While he didn't consider it the worst episode he's ever seen, he criticized the episode's pacing and lack of satire, writing " it ’ s just that the plates spin so fast and so pointlessly that it becomes just about the gags.

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