Marker used very little commentary in this film, but the film's montage structure and preoccupation with memory make it a Marker film.

" The film's commentary are credited to the fictitious cameraman Sandor Krasna, and read in the form of letters by an unnamed woman.

On the film's DVD commentary, Di Novi mentions that the filmmakers wanted to use the original Doris Day version of the song, but Day would not lend her name to any project using profanity.

Again on the film's DVD commentary, Cleese also spoke up for religious people who have come forward and congratulated him and his colleagues on the film's highlighting of double standards among purported followers of their own faith.

On the Laserdisc audio commentary, Scorsese acknowledged several critics ' interpretation on the film's ending being Bickle's dying dream.

However, these scenes are not on the DVD as he changed his mind after recording the commentary ; Mendes felt that to show scenes he previously chose not to use would detract from the film's integrity.

In the film's actor / director DVD commentary, Brian Helgeland, co-commentating with Paul Bettany, states that the film was intended to have occurred sometime in the 1370s during a six-month period in which Chaucer had apparently gone missing and show what he might have done during this time, which Helgeland says later on in the commentary inspired Chaucer to write his Canterbury Tales.

Fox released a " Special Music Edition " DVD in 2007, with an audio commentary by the film's Oscar-winning editor, Alan Heim.

Paramount rereleased the film on March 12, 1992, with Fatal Attraction as part of a " Director's Series "; these editions had additional commentary and were presented in a widescreen letterbox format to preserve the film's original cinematography.

" Hoffman has never discussed any inspiration Evans may have provided for the role, and claims on the commentary track for the film's DVD release that much of Motss ' characterization was based on his own father, Harry Hoffman, a former prop manager for Columbia Pictures.

In an audio commentary track recorded by Friedkin for the Collector's Edition DVD release of the film, Friedkin notes that the film's documentary-like realism was the direct result of the influence of having seen Z, a French film.

On the DVD commentary, Boyle and Garland explain that this was the original ending of the film's first cut, which was tested with preview audiences.

The film's commentary states that the idea behind the high flat noses was that they evolved both the noses and the severe bureaucracy from being repeatedly smacked in the face by the paddle creatures under the sand on Vogsphere whenever they had an independent thought ( in the film, the Vogon bureaucracy is centred on Vogsphere ).

This depiction, along with a seemingly transgendered bartender ( who the crew deny on the DVD commentary as having any sort of gender confusion ) and Pinocchio's expansive nose in Shrek 2, raised the ire of some groups who objected to the film's sexual content, in what is billed as a children's film.

" Blatty's screenplay was later published in 2000 with commentary by English film critic Mark Kermode ( Kermode also contributed to the audio commentary and feauturette on the film's DVD release in 2002 ).

III ( 1994 ) which also featured commentary from Horne on why the scene was deleted prior to the film's release.

This information was revealed in the film's DVD audio commentary DVD by Kyle Gass.

A director's cut DVD was released in November 2006, which features Zwigoff's cut of the film ( including an audio commentary with him and the film's editor ), but is three minutes shorter than the theatrical cut and ten minutes shorter than the unrated version.

In one of the commentary sequences, the film's writer, David Benioff, said that when it came to deciding whether to follow Iliad or do what was best for the film, they always decided with what was best for the film.

Director Tarsem Singh in the film's audio commentary says that the painting was the inspiration for the scene's imagery.

This character was modeled on Goldsmith as stated by the film's director Oliver Stone in the DVD special feature documentary and the director's commentary as Sir Lawrence Wildman is introduced.

David Robinson writes that the film's failure was probably due to it seeming too old-fashioned compared to many of the other films released that year, such as the French New Wave films.

The film's title was inspired by the line, " Bring me my chariot of fire ," from the William Blake poem adapted into the popular British hymn " Jerusalem "; the hymn is heard at the end of the film.

The film's lesbian eroticism was however significantly cut for its US release.

The Academy cited the film's genre of " non-fiction ", arguing that it was not actually a documentary.

The film's total budget was estimated to be US $ 6 million.

Avco-Embassy Pictures, the film's financial backer, preferred either Charles Bronson or Tommy Lee Jones to play the role of Snake Plissken to Carpenter's choice of Kurt Russell, who was trying to overcome the " lightweight " screen image conveyed by his roles in several Disney comedies.

The finished version of the film was significantly different from the original screenplay drafts as Bruce Lee revised much of the script himself, including having written and directed the film's opening Shaolin Monastery fight sequence.

In 1980 Jeff Lynne was asked to write for the soundtrack of the musical film Xanadu, with the other half written by John Farrar and performed by the film's star Olivia Newton-John.

The film's production was not nearly as chaotic or strange as the production of the original, largely because of Raimi, Tapert and Campbell's additional film making experience.

The film was overshadowed by the death of Coppola's eldest son Gian-Carlo Coppola during the film's production.

Life Without Zoe was mostly panned by critics and was generally considered the segment that brought the film's overall quality down.

Although a moderate box-office success, grossing $ 58 million domestically on an estimated $ 45 million budget, it was panned by critics, many of whom disliked the film's abrupt contrast between actual comedy and tragic melodrama.

Andy Garcia has since claimed the film's script was nearly produced.

Camille Claudel, directed by newcomer Bruno Nuytten and starring Isabelle Adjani and Gérard Depardieu, was a major commercial success in 1988, earning Adjani, who was also the film's co-producer, a César Award for best actress.

There has been a refocus onto celluloid film's ability to capture an " indexical " image of a moment in time by theorists like Mary Ann Doane, Philip Rosen and Laura Mulvey who was informed by psychoanalysis.

The film's cinematography | cinematographer was John Alton, the creator of many of film noir's stylized images.

Scarlet Street was a semi-independent — cosponsored by Universal and Lang's own Diana Productions, of which the film's costar, Joan Bennett, was the second biggest shareholder.

Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would " forget all about movie by the time they leave the multiplex ," even joking at the end of his review that he had forgotten the film's name.

Nonetheless, Capra's vision about the film's significance was clear:

The significance of the film's message was established further in France, shortly after World War II began.

This time there was no soundtrack album in spite of the importance of music in the film as the film's writer, director and star Tim Robbins was concerned that the politically right wing content would be taken seriously and used by right wing politicians.