The film's original French title is Le fond de l ' air est rouge, which means " the air is essentially red ", or " revolution is in the air ", implying that the socialist movement existed only in the air.

The finished version of the film was significantly different from the original screenplay drafts as Bruce Lee revised much of the script himself, including having written and directed the film's opening Shaolin Monastery fight sequence.

The film's production was not nearly as chaotic or strange as the production of the original, largely because of Raimi, Tapert and Campbell's additional film making experience.

For the film's 1991 laserdisc release, Toho completed a crude reconstruction of the original 1962 version.

Several months after the original film's Japanese release, an English dub of the film was distributed internationally by Manga Entertainment to critical acclaim, developing the film's fanbase outside of Japan.

On the film's DVD commentary, Di Novi mentions that the filmmakers wanted to use the original Doris Day version of the song, but Day would not lend her name to any project using profanity.

Whale's original cut of the film was given generally positive reviews but sometime between preview screenings and the film's general release Rogers capitulated to the Germans, ordering that cuts be made and additional scenes be shot and inserted.

Letterboxing is the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the film's original aspect ratio.

In pan-and-scan transfers, the original image is cropped to the narrower aspect ratio of the destination format, usually the 1. 33: 1 ( 4: 3 ) ratio of the standard television screen, whereas letterboxing preserves the film's original image composition as seen in the cinema.

This film's script was based on early drafts he had written after seeing the original.

Todd McCarthy in Variety magazine wrote, " One of the film's indisputable triumphs is its soundtrack, which mixes Carter Burwell's original score with classic pop tunes and some fabulous covers.

In 1978, Waits also appeared in his first film role, in Paradise Alley as Mumbles the pianist, and contributed the original compositions "( Meet Me in ) Paradise Alley " and " Annie's Back in Town " to the film's soundtrack.

The film received positive reviews for the film's stop motion animation, musical score and original storyline and was a box office success, grossing $ 50 million.

An official three disc box set was released in late 2007 to commemorate the film's 25th anniversary: it contained the original 1994 album, a second disc containing some more of the missing music cues and a third disc of new Vangelis material inspired by Blade Runner.

By convention, a soundtrack record can contain all kinds of music including music " inspired by " but not actually appearing in the movie ; the score contains only music by the original film's composer ( s ).

The three-night, July 1973 stint at Madison square garden that fuelled the film's original soundtrack has been plundered afresh ...

In reviewing the film's sequel twenty-three years later, Variety noted that though the original film was " Intended as a cautionary tale on the pitfalls of unchecked ambition and greed, Stone's 1987 original instead had the effect of turning Douglas ' hugely charismatic ( and Oscar-winning ) villain into a household name and boardroom icon -- an inspiration to the very power players and Wall Street wannabes for whom he set such a terrible example.

Song of the South was re-released in theatres several times after its original Walt Disney Pictures / RKO Pictures premiere, each time through Buena Vista Pictures: in 1956 ; in 1972 for Walt Disney's 50th anniversary ; in 1973 as the second-half of a double bill with The Aristocats ; in 1980 for the 100th anniversary of Harris ' classic stories ; and in 1986 for the film's own 40th anniversary and in promotion of the upcoming Splash Mountain attraction at three of Disney's theme parks.

Eight songs from the original score were discarded as they were not considered to advance the film's plot.

The play, starring Henry Fonda as defense attorney Barney Greenwald, opened the same year as the film starring Humphrey Bogart as Captain Queeg and José Ferrer as Greenwald based on the original novel, but did not affect that film's box-office performance.

Screenshot of Charles Boyer and Bette Davis from the film's original trailer

Sometime after its first release, the ending was crudely altered on the film's original negative, removing over a minute's worth of shots where Hammer and Velda escape and superimposing the words " The End " over the burning house.

The film was also the last to be produced by the four " Godzilla fathers ", with Ishirō Honda directing, Eiji Tsuburaya supervising the special effects ( with Sadamasa Arikawa actually directing ), Tomoyuki Tanaka producing, and Akira Ifukube handling the film's score.

The film's electronic score was composed and performed by David Newman and a soundtrack CD was subsequently released.

He began acting and composing for film with Merry Christmas Mr. Lawrence ( 1983 ), which he starred in and composed the score for ; the song " Forbidden Colours " which he composed for it became a worldwide hit and he won a BAFTA Award for the film's score.

Jerry Goldsmith and his son Joel collaborated to produce the film's score.

The film's musical score was composed by Elmer Bernstein.

The film's score is by Elmer Bernstein.

The score complements the film's American Civil War setting, containing the mournful ballad, " The Story of a Soldier ", which is sung by prisoners as Tuco is being tortured by Angel Eyes.

* The film's musical score that plays during " the Wizard's Run " was recently used in a trailer for the Toy Story 3 videogame.

The film's musical score was among the first to feature the theremin, which was used to create the pathos of alcoholism.

Klaus Badelt wrote the film's late-Romantic styled score.

Filmmaker considered the score to be one of Newman's best, saying it " the film's transcendentalist aspirations ".

At the 1999 ceremony Benigni received the award for Best Actor ( the first for a male performer in a non-English-speaking role, and only the third overall acting Oscar for non-English-speaking roles ), the score by Nicola Piovani won Best Original Dramatic Score, and the film was awarded the Oscar for Best Foreign Language Film, which Benigni accepted as the film's director.

The 1968 Franco Zeffirelli film of Romeo and Juliet was issued as a 4-LP set, as a single LP with musical and dialogue excerpts, and as an album containing only the film's musical score.

Laughton also narrated the story on the soundtrack album of the film that he directed, Night of the Hunter, accompanied by the film's score.

The film's score makes repeated use of the short composition Gassenhauer from Carl Orff's Schulwerk, and also uses other pieces from the Schulwerk.

As with Don Juan, the film's soundtrack consisted of a musical score and sound effects ( including, in a couple of crowd scenes, " wild ", nonspecific vocals ).

The film's musical score in minimal and mostly consists of Grant and Hepburn singing I Can't Give You Anything But Love, Baby.

In 1942, Chaplin released a new version of The Gold Rush, taking the original silent 1925 film and composing and recording a musical score, adding a narration which he recorded himself, and tightening the editing which reduced the film's running time by several minutes.

The film's original score was composed by Edward H. Plumb, Paul J. Smith, and Charles Wolcott.

The film's original score was composed by Edward H. Plumb, Paul J. Smith, and Charles Wolcott.