Although this is not a creative role, it is pivotal in ensuring that the film's post-production budget is manageable and achievable, and that all deadlines are met.

Because large amounts of money are involved, and most of a film's budget is spent during production, the post-production period can often be difficult and challenging.

Visual effects commonly refers to post-production alterations of the film's images.

According to the official ParnassusFilm Twitter channel launched on 30 March 2009, the film's post-production FX work finished on 31 March.

It was originally planned The Day After would be aired in May, but it was pushed back to November to allow for the post-production work that would reduce the film's length.

For the distinctive cinematography, Altman and Zsigmond chose to " flash ' ( pre-fog ) the actual film negative, as well as use a number of filters on the cameras, rather than manipulate the film in post-production ; in this way the studio could not force him to change the film's look to something less distinctive.

Coburn teamed with director Sam Peckinpah for the 1973 film Pat Garrett & Billy the Kid ( they had worked together in 1965 on Major Dundee ; the film's producer, Jerry Bresler, took editing responsibilities away from Peckinpah during post-production, resulting in Peckinpah's becoming furious over what he claimed was the producer's deliberate sabotage of his film, and he threatened the studio with a lawsuit.

Stallone claimed that he wanted to work an easier schedule than what he had done previously, and therefore had less input on the film's production as well as post-production.

A change in studio management at Columbia Pictures during post-production also led to professional and personal difficulties that undermined the film's release.

In his contract with Rhoden, Altman had a clause stipulating that the film's post-production and editing would be executed under professional conditions in Hollywood.

Filming took place in the rural outskirts of Kuala Lumpur during November and December 2002, but post-production delays pushed back the film's release date.

The two started dating during the film's post-production, and their relationship provided the inspiration for Smith's next movie.

The film's producers considered using an actual computer-generated character to play the part of Simone, but eventually decided to use a live actress in the role and make her look slightly less realistic in post-production.

Chernin cut the film's post-production budget, thus forcing a lot of the soundtrack ( including a demo song that Iggy Pop had recorded for the closing credits ) and special effects to be greatly cut down or eliminated altogther.

The film's quiet criticism of Communist policies in the 1950s and 1960s quickly made it a pariah in the Beijing Film Studio, who refused to submit the film for central approval to be sent abroad for post-production.

The film's offices and post-production were headquartered in Ann Arbor, using many area landmarks as backdrops.

During the post-production of the film, Bakshi found that the cost of the optical effect required to complete live-action scenes with animated characters was larger than the film's budget.

Prior to this, during the film's post-production stage, Columbia Pictures reportedly signed to distribute the film theatrically ( along with its home-video release ) in October 1995, and agreed to spend no less than $ 500, 000 on prints and advertising.

David Robinson writes that the film's failure was probably due to it seeming too old-fashioned compared to many of the other films released that year, such as the French New Wave films.

The film's title was inspired by the line, " Bring me my chariot of fire ," from the William Blake poem adapted into the popular British hymn " Jerusalem "; the hymn is heard at the end of the film.

The film's lesbian eroticism was however significantly cut for its US release.

The Academy cited the film's genre of " non-fiction ", arguing that it was not actually a documentary.

The film's total budget was estimated to be US $ 6 million.

Avco-Embassy Pictures, the film's financial backer, preferred either Charles Bronson or Tommy Lee Jones to play the role of Snake Plissken to Carpenter's choice of Kurt Russell, who was trying to overcome the " lightweight " screen image conveyed by his roles in several Disney comedies.

The finished version of the film was significantly different from the original screenplay drafts as Bruce Lee revised much of the script himself, including having written and directed the film's opening Shaolin Monastery fight sequence.

In 1980 Jeff Lynne was asked to write for the soundtrack of the musical film Xanadu, with the other half written by John Farrar and performed by the film's star Olivia Newton-John.

The film's production was not nearly as chaotic or strange as the production of the original, largely because of Raimi, Tapert and Campbell's additional film making experience.

The film was overshadowed by the death of Coppola's eldest son Gian-Carlo Coppola during the film's production.

Life Without Zoe was mostly panned by critics and was generally considered the segment that brought the film's overall quality down.

Although a moderate box-office success, grossing $ 58 million domestically on an estimated $ 45 million budget, it was panned by critics, many of whom disliked the film's abrupt contrast between actual comedy and tragic melodrama.

Andy Garcia has since claimed the film's script was nearly produced.

Camille Claudel, directed by newcomer Bruno Nuytten and starring Isabelle Adjani and Gérard Depardieu, was a major commercial success in 1988, earning Adjani, who was also the film's co-producer, a César Award for best actress.

There has been a refocus onto celluloid film's ability to capture an " indexical " image of a moment in time by theorists like Mary Ann Doane, Philip Rosen and Laura Mulvey who was informed by psychoanalysis.

The film's cinematography | cinematographer was John Alton, the creator of many of film noir's stylized images.

Scarlet Street was a semi-independent — cosponsored by Universal and Lang's own Diana Productions, of which the film's costar, Joan Bennett, was the second biggest shareholder.

Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would " forget all about movie by the time they leave the multiplex ," even joking at the end of his review that he had forgotten the film's name.

Nonetheless, Capra's vision about the film's significance was clear:

The significance of the film's message was established further in France, shortly after World War II began.

This time there was no soundtrack album in spite of the importance of music in the film as the film's writer, director and star Tim Robbins was concerned that the politically right wing content would be taken seriously and used by right wing politicians.

This poll also featured two of the film's other famous lines (" What have the Romans ever done for us?

Peckinpah claimed to have done an extensive rewrite on the film's screenplay, a statement which remains controversial.

The film's directors, Jim Abrahams, David Zucker, and Jerry Zucker, chose Nielsen for the role based on his ability to play " a fish in water ", stating that " You could have cast funny people and done it with everybody winking, goofing off, and silly ... we wanted people to be oblivious to the comedy.

In the film's actor / director DVD commentary, Brian Helgeland, co-commentating with Paul Bettany, states that the film was intended to have occurred sometime in the 1370s during a six-month period in which Chaucer had apparently gone missing and show what he might have done during this time, which Helgeland says later on in the commentary inspired Chaucer to write his Canterbury Tales.

Although Janet Maslin of The New York Times admitted the film's plot was " demented ", she wrote that the film " has done a great deal to ensure the series ' longevity.

Insurance concerns prevented McQueen from performing the film's widely noted motorcycle leap, which was instead done by his friend and fellow cycle enthusiast Bud Ekins, who resembled McQueen from a distance.

Since costumes for this film were done by Coco Chanel, Lagerfeld drew his inspiration from the film and combined the film's gardens with those at Versailles.

Similarly Kent Houston, head of Peerless Camera doing the film's special effects said in Madness and Misadventures that they were promised a bonus if they would finish the effects in time, but when they approached the person again when they were done, he was met with the reply, " I'm not gonna pay you, because I don't want to seem to be doing anything that could benefit Terry Gilliam.

In the same documentary Nakadai and production designer Yoshirô Muraki relate that the notorious " blood explosion " at the film's end was done in one take.

The film's title design was done by Iginio Lardani.

On the 20th Anniversary DVD, producer Jon Davison referred to the film's message as " fascism for liberals "-a politically liberal film done in the most violent way possible.

Phibes ' over-the-top murders seem to be done as much for demented glee as for revenge, the original film's motive.

This is self-reflexively acknowledged in the film's Killer Cars animation ; the voiceover narration ( done by Eric Idle ) mentions " a scene of such spectacular proportions that it could never in your life be seen in a low-budget film like this.

The other disputed reason for the mixed use of black / white and colour was due to the film's limited budget, therefore requiring shots towards the end of filming to be done in black and white.

* In the aftermath of the series a remake was done starring Dicky Cheung and Wong Jing using the film's setting as a template for a TV series also titled Project A ( 2007 ).

" Motion capture was used for many of the film's battle scenes, but sequences which were not humanly possible to perform had to be done entirely in the computer.

Janet Maslin in The New York Times says that the film " sustains great visual intensity thanks to Robert Richardson's majestic cinematography " but its " rock-solid values " are diluted by " a misconceived ending ", whereas CNN in a rather sarcastic review complains that the storytelling was " all done very, very slowly " and mentions the film's length.

Ed Bogas and Ray Shanklin returned to write and perform the film's score, as they had done for Bakshi's previous feature, Fritz the Cat.

Even Ebert however, conceded that the film's technical credits were well done, calling Zhang one of the " best visual stylists of current cinema.

Mr. Bungle had previously done a cover version of the film's theme song.

Also Yamala Pagla Deewana ( Dharmendra, Sunny Deol, Bobby Deol, Kulraj Randhawa come here for shooting ) film's 50 minute shot done here at Bazar Chowk, Rajwada, Ahilyabai Chhatri, Ahilya Ghaat and many more location.

Serendipitously, one of the film's stars, Taylor Nichols, met a Spanish woman during production, whom he later married, thus echoing what Stillman had done years before.

Because collaborative efforts such as Powell's and Pressburger's were, and continue to be, unusual in the film industry, and because of the influence of the auteur theory, which elevates the director as a film's primary creator, Pressburger has sometimes been dismissed as " Michael Powell's scriptwriter ", but Powell himself was the first to say, in many interviews, that he couldn't have done most of what he did without Pressburger.