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Page "Jetsons: The Movie" ¶ 38
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film's and score
The film was also the last to be produced by the four " Godzilla fathers ", with Ishirō Honda directing, Eiji Tsuburaya supervising the special effects ( with Sadamasa Arikawa actually directing ), Tomoyuki Tanaka producing, and Akira Ifukube handling the film's score.
The film's electronic score was composed and performed by David Newman and a soundtrack CD was subsequently released.
He began acting and composing for film with Merry Christmas Mr. Lawrence ( 1983 ), which he starred in and composed the score for ; the song " Forbidden Colours " which he composed for it became a worldwide hit and he won a BAFTA Award for the film's score.
Jerry Goldsmith and his son Joel collaborated to produce the film's score.
Todd McCarthy in Variety magazine wrote, " One of the film's indisputable triumphs is its soundtrack, which mixes Carter Burwell's original score with classic pop tunes and some fabulous covers.
The film received positive reviews for the film's stop motion animation, musical score and original storyline and was a box office success, grossing $ 50 million.
The film's musical score was composed by Elmer Bernstein.
The film's score is by Elmer Bernstein.
The score complements the film's American Civil War setting, containing the mournful ballad, " The Story of a Soldier ", which is sung by prisoners as Tuco is being tortured by Angel Eyes.
* The film's musical score that plays during " the Wizard's Run " was recently used in a trailer for the Toy Story 3 videogame.
The film's musical score was among the first to feature the theremin, which was used to create the pathos of alcoholism.
Klaus Badelt wrote the film's late-Romantic styled score.
Filmmaker considered the score to be one of Newman's best, saying it " the film's transcendentalist aspirations ".
At the 1999 ceremony Benigni received the award for Best Actor ( the first for a male performer in a non-English-speaking role, and only the third overall acting Oscar for non-English-speaking roles ), the score by Nicola Piovani won Best Original Dramatic Score, and the film was awarded the Oscar for Best Foreign Language Film, which Benigni accepted as the film's director.
The 1968 Franco Zeffirelli film of Romeo and Juliet was issued as a 4-LP set, as a single LP with musical and dialogue excerpts, and as an album containing only the film's musical score.
By convention, a soundtrack record can contain all kinds of music including music " inspired by " but not actually appearing in the movie ; the score contains only music by the original film's composer ( s ).
Eight songs from the original score were discarded as they were not considered to advance the film's plot.
Laughton also narrated the story on the soundtrack album of the film that he directed, Night of the Hunter, accompanied by the film's score.
The film's score makes repeated use of the short composition Gassenhauer from Carl Orff's Schulwerk, and also uses other pieces from the Schulwerk.
As with Don Juan, the film's soundtrack consisted of a musical score and sound effects ( including, in a couple of crowd scenes, " wild ", nonspecific vocals ).
The film's musical score in minimal and mostly consists of Grant and Hepburn singing I Can't Give You Anything But Love, Baby.
In 1942, Chaplin released a new version of The Gold Rush, taking the original silent 1925 film and composing and recording a musical score, adding a narration which he recorded himself, and tightening the editing which reduced the film's running time by several minutes.
The film's original score was composed by Edward H. Plumb, Paul J. Smith, and Charles Wolcott.
The film's original score was composed by Edward H. Plumb, Paul J. Smith, and Charles Wolcott.

film's and composed
Filmed on location in the Mexican state of Durango, the film starred James Coburn and Kris Kristofferson in the title roles, with a huge supporting cast including Bob Dylan ( who composed the film's music ), Jason Robards, R. G. Armstrong, Richard Jaeckel, Jack Elam, Chill Wills, Katy Jurado, L. Q. Jones, Slim Pickens and Harry Dean Stanton.
The film's soundtrack was synthesizer music composed by Brad Fiedel.
The film's music was composed and conducted by Arthur B. Rubinstein.
The short film's episodes are framed by dreamy paintings and the song " Michelangelo Antonioni ", composed and sung by Caetano Veloso.
As Alan Silvestri was not available to compose new music for the restored scenes, Robert Garrett, who had composed temp music for the film's initial cutting in 1989, was chosen to create new music.
Although the film's image was shot using the standard 1. 37: 1 Academy ratio, Paramount picked Shane to debut their new wide-screen system because it was composed largely of long and medium shots that would not be compromised by cropping the image.
Coward composed the film's music as well as starring in the film as the ship's captain.
The film's theme song is " In the Sentimental Past " ( 當年情 ), performed by lead Leslie Cheung, composed and arranged by Joseph Koo and written by Wong Jim.
The soundtrack for the movie included " Living in America " by James Brown ; the film's music was composed by Vince DiCola ( who also composed the soundtrack for The Transformers: The Movie that same year ), and also included songs by John Cafferty (" Hearts on Fire ", featuring Vince DiCola ), Survivor, Kenny Loggins, and Robert Tepper.
The film's score was composed by Hans Zimmer, who won a BMI Film Music Award and was nominated for a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television for his work.
An Academy Award went to the film's theme music, composed by Mancini with lyrics by Johnny Mercer.
The film's musical score was composed by Jerry Goldsmith, who worked closely with director Lee Tamahori to develop a score more diverse than other works by Goldsmith in the 90s.
A preliminary score was composed and recorded by Lisa Gerrard and Patrick Cassidy, but was incomplete at film's release.
The film's music was composed by the late Bernard Herrmann, better known for his collaboration with the director Alfred Hitchcock.
The film's score was composed by music producer BT, mixing Electronica with Hip-hop and Industrial influences.
It was originally composed as the soundtrack for the film The Last Temptation of Christ, but Gabriel spent several months after the film's release further developing the music, finally releasing it as a full-fledged album instead of a " movie soundtrack ".
The film's characters and backdrops were composed of several layers of different types of paper from semi-transparent to thick cardboard.
Italian prog rock band Goblin composed most of the film's musical score in collaboration with Dario Argento.

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